Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Intel has released performance benchmarks for its new Arc Pro B70 GPU, demonstrating significant improvements over its predecessor, the B60, in workstation content creation workloads. The B70 also shows a 2.2x larger AI context window compared to Nvidia's RTX Pro 4000 Blackwell, attributed to its larger graphics memory. These advancements offer performance benefits for professionals in video content creation and AI model development.
Element Technica has introduced the Atom 3D rig, specifically designed for the RED Epic camera, aiming to be a game-changer for 3D production. Priced at $64,000 for the base aluminum model, the rig offers full interocular and convergence control, metadata recording, and various customizable options, including a lightweight magnesium version. This provides a compact and integrated solution for professionals in 3D production.
iView Data Ltd, an authorized UK Magewell reseller, has published a comprehensive 2026 reference guide detailing bandwidth requirements for IP video protocols including NDI, SRT, RTMP, HLS, and RTSP. The guide provides essential data for various resolutions and frame rates, aimed at AV integrators, broadcast engineers, and IT managers for effective IP video system design and bandwidth planning.
Blackmagic Design has officially released Camera 10.2, bringing phase-detection autofocus (PDAF) to its PYXIS 6K camera and adding new controls like autofocus transition speed. The update also integrates Cloud Streaming support, expanding the camera's connectivity.
SmallHD has opened pre-orders for its new OLED 16 production monitor, a 16-inch 4K OLED display priced at $5,999. Designed for DIT and DP workflows, it features 12G-SDI I/O, a 1,000,000:1 contrast ratio, and PageOS tools. It is built with an aircraft-grade aluminum chassis and offers multiple connectivity options, including 4x 12G-SDI in/out and an ethernet port.
PURPLELEC has introduced the TB9001, a 14-port Thunderbolt 5 docking station designed for creative professionals and hybrid work environments. This dock offers native triple 8K display output and an integrated M.2 NVMe SSD slot for storage expansion. The company also supports OEM/ODM customization for distributors and system integrators.
Alfalite has completed the installation of two UHD Finepix 1.5 MATIX AlfaCOB LED displays at RTVE’s Teatro Monumental in Madrid. These displays are designed to provide broadcast-quality visuals for live events and television recordings, meeting demanding specifications for flicker-free on-camera images. The project was executed in collaboration with technology partner BroadService, enhancing the venue's technical capabilities.
Broadcast Solutions delivered eight hybrid SDI/IP, UHD-capable outside broadcast (OB) units to Turkey's national broadcaster TRT, marking the company's largest contract to date. This fleet refresh prepares TRT for major upcoming events and supports its transition to IP connectivity across its technical operations. The project involved two large trailer units and six mid-size trucks, designed for significant camera counts and dual 12G-SDI/IP operation.
NBC Sports and Peacock demonstrated their extensive production technology for the NBA Western Conference Finals to YouTuber Marques Brownlee, showcasing the scale of cameras, audio, and coordination involved in live sports broadcasting. The article highlights the technical operations, including 40-60 cameras and numerous microphones, used to deliver the live game experience to viewers and credits these technical efforts for strong viewership growth for the NBA on NBC Sports and Peacock.
Cuez has launched a unified platform comprising six products designed to streamline live production workflows for streaming industry professionals. The suite includes tools for newsroom operations (Storydesk), live production rundown management (Rundown), studio automation (Automator), media asset management (Browz), MOS system integration (MOS-Connector), and content repositories (Blockz). This platform aims to cover the entire workflow from content creation to publishing.
Versa Studios has launched Versa Lab, an IP and format development platform, aimed at accelerating original content ideas by combining studio infrastructure, creative expertise, and advanced production technologies. The platform provides access to virtual production, performance capture, gaming technologies, live broadcast capability, and AI-supported workflows, and includes a dedicated Pilot Studio for early-stage development. This initiative builds on Versa's work on productions for companies like CBeebies and Netflix.
NBC Sports highlighted the extensive production technology used for its NBA broadcasts, including 40-60 cameras and complex audio, replay, and graphics systems for real-time coordination. The behind-the-scenes look showcased the technical expertise and precision required to produce immersive live sports coverage. This detailed explanation of their production setup follows significant viewership gains for NBC Sports' NBA programming.
Glyph has launched the Atom EX80, a new USB4 NVMe portable SSD designed for creative professionals, offering transfer speeds up to 7,000 MB/s and capacities from 1TB to 8TB. The drive targets filmmakers and photographers with features like MagSafe compatibility and built-in location tracking. Glyph also introduced new 80Gbps USB-C cables to support these high-performance workflows.
Matrox Video has launched its Maevex MGX Series, a line of IPMX-ready 4K60 AV-over-IP video encoders and decoders. These devices offer high-quality, ultra-low-latency video distribution at significantly reduced bitrates, enhancing network efficiency and interoperability. The series supports H.265 and H.264 codecs, multiple streaming formats including IPMX, RTSP, MPEG-TS, and SRT, and features integrated USB support for interactive collaboration.
Existing Betacam SP machines are now 25 years old, creating a magnetic media crisis for archived video content that relies on aging VTRs. This poses a significant threat to accessing historical media for re-release or remastering, as specialized services for refurbishment are costly and difficult to obtain. A potential open-source workaround, VHS Decode, aims to extend machine life by capturing signals directly from tape heads, but still faces precision and reverse-engineering challenges for higher-end digital formats.
Quite Brilliant, a UK virtual production studio, leveraged a hybrid approach of virtual production and traditional stages for Warburtons' "150 Years in the Baking" commercial. The project utilized LED volume technology, Unreal Engine, and AI-augmented workflows to achieve creative flexibility and efficiency across varied environments, including 1960s space race replication. This case study highlights the growing adoption of virtual production techniques in high-concept advertising for efficiency and creative control.
Panavision is reintroducing its renowned Primo spherical lenses, updated for the 65mm format. This revival provides filmmakers with a classic aesthetic for large-format productions, catering to the demand for specific cinematic looks.
Blackmagic Design has released a new public beta update for Fairlight Live, its integrated audio production solution within DaVinci Resolve. The update introduces auto-mixing and fader flip options, designed to enhance live audio workflows for broadcast and studio professionals.
Glyph Production Technologies has launched the Atom EX80 portable NVMe SSD, offering speeds up to 7000MB/s, MagSafe compatibility, and location tracking, designed for high-resolution video production. Alongside the drive, Glyph introduced Connect+ USB4 80Gbps SteadyIO cables to support high-speed data transfer and 240W power delivery. Both products are aimed at enhancing storage and connectivity solutions for demanding media workflows.
Blackmagic Design has released DaVinci Resolve 21, including an updated iPad version, boasting new AI tools and a dedicated Photo Page for integrated image editing. This update significantly expands Resolve's capabilities across both desktop and mobile platforms, integrating advanced photo and AI features into its established video editing workflow. The release to full version happened in record time following its beta announcement at NAB 2026.
SmallHD has announced the new OLED 16 production monitor, a 16-inch 4K monitor designed for DIT and DP workflows. It features UHD resolution, 99% DCI-P3 color accuracy, a 1,000,000:1 contrast ratio, and integrated WiFi with the PageOS toolkit. The monitor is targeted at professional production environments and is available for pre-order at $5,999.
Prime Video has significantly expanded its in-house live sports production capabilities, now producing NBA, WNBA, NWSL, and NHL coverage using a private studio and mobile units. This strategy allows the streamer greater control over its content production ecosystem, moving away from third-party reliance. The move includes a sophisticated global distribution system to deliver games in 14 languages across over 220 territories.
Grass Valley's Ben Dolinky is collaborating with colleges nationwide to integrate multi-control room facilities and cloud-based solutions into production programs. This initiative aims to train students in professional production skills by simulating live-event scenarios. The goal is to prepare the next generation of professionals for the broadcast and streaming workforce.
Sony announced RIALTO 65, a new 65mm format image sensor block for its VENICE 2 digital cinema camera, targeting a 2027 release. This development allows the VENICE 2 to support 9.6K 3:2 open gate recording and offers compatibility with various 65mm lenses, significantly enhancing its production capabilities.
KOKUSAI DENKI Electric America will exhibit its 4K and remote production solutions at InfoComm 2026, showcasing camera systems and remote control solutions. The company aims to provide scalable paths for upgrading existing HD workflows and expanding REMI production models. Key products include the Z-HD6500-S1 UHD/HD Production Camera, DK-H700 Compact Multi-Format Box Camera, and RU-2500JY Remote Control Panel.
AvL Technologies has released details on its 1.35m Tri-Band Manual or Motorized Axi-Symmetric FlyAway Antenna. This ultra-lightweight, portable antenna is designed for quick assembly and features tri-band capabilities relevant for mobile satellite communications. It highlights key specifications including its carbon fiber reflector, quick-change feeds, and IATA-compliant pack-up.
Boris FX has launched Sapphire 2026.5, a plugin update for various professional editing and VFX software suites. The update introduces enhanced cinematic blur with Advanced Defocus, a redesigned S_Glare effect, and new lens flares, aimed at improving visual effects capabilities for video professionals. This release provides new tools and presets for creating realistic lens effects and procedural textures.
Cooke has launched its new AP3 anamorphic lenses, specifically designed for mirrorless cameras and featuring E, RF, L, and M mounts. These lenses offer 1.5x anamorphic compression and are engineered to intercut seamlessly with Cooke SP3 spherical lenses, maintaining consistent image quality and the distinctive Cooke look. They are available individually for $7,500 or as a three-lens set for $22,250.
AvL Technologies has launched new mobile VSAT FlyAway terminals, available in 85cm, 1.0m, and 1.2m sizes. These Ku-band antennas feature one-button auto-acquisition, Eutelsat compliance, and are designed for rapid deployment, making them suitable for remote streaming operations.
Telestream will showcase its media workflow technologies at InfoComm 2026, including Wirecast, Live Capture, PRISM, Vantage, and DIVA. These demonstrations will cover solutions for live production, media processing, timing, and archiving, catering to diverse markets like enterprise, education, and live events. The company emphasizes meeting evolving audience expectations for high-quality and reliable streaming experiences.
Pliant Technologies' CrewCom wireless intercom systems were extensively used for the Super Bowl pre-game and broadcast coverage by CP Communications and AY Productions. Three synchronized systems, operating across 900MHz and 2.4GHz frequency bands, were deployed to manage communications in a complex RF environment at SoFi Stadium. This marks the fifth consecutive year Pliant has supported the event, showcasing the scalability and flexibility of their product.
Gemma Campbell, Head of Creative for UK & EMEA at Disguise, is leading efforts in innovative storytelling and immersive virtual productions. Her role focuses on merging creativity with emerging technology for next-generation entertainment, drawing on her background in architecture, film production, VFX, and virtual production. She collaborates with studios and brands to advance experience design.
Matrox Video has launched its Maevex MGX encoders and decoders, which utilize COTS hardware to deliver 4K60 4:4:4 AVoIP distribution with one-frame latency and significantly reduced bitrate. These IPMX-ready devices support various streaming formats and offer multi-view capabilities, targeting professional AV distribution for control rooms, enterprise video, and medical environments. Matrox is using the codec engine in Intel and Nvidia CPUs and GPUs, enabling an open standard codec for low latency and efficient bitrate while serving multiple channels in a single appliance, departing from customized and incompatible solutions.
AJA Video Systems promotes the openGear standard for flexible and space-saving AV installations, highlighting its support for integrating diverse equipment from 150 partner companies into a unified rack system. The company launched its new OG-GEN10 sync generator at NAB, an openGear-compatible version of its popular GEN-10 mini-converter. This product offers synchronization for AV workflows, along with density and ease of management through the openGear Dashboard interface.
Auburn Community Church adopted Pliant Technologies' CrewCom digital wireless intercom system and SmartBoom headsets to improve communication for its in-person and live-stream services. The system facilitates communication between camera operators, the video director, production team, and musicians, enhancing live production workflows. It was chosen for its ease of setup, reliability, and broad wireless coverage.
Opéra de Limoges has installed Pliant Technologies' CrewCom wireless intercom system, deployed by distribution partner Pilote Films and integrator Geste Scenique. The system provides reliable communication for 20 production crew members across the 1,500-seat venue in France, enhancing versatility for various live productions. Key features noted include the system's ability to connect a large number of users, excellent voice quality, and compact Radio Packs.
Soundtronics Wireless Las Vegas utilizes Pliant Technologies' CrewCom wireless intercom system for Showtime Boxing events, highlighting its RF range, reliability, and frequency efficiency for live broadcast production in large venues. The system's ability to operate in 900MHz and 2.4GHz bands is noted for spectral efficiency, crucial as FCC auction changes impact UHF spectrum use.
The June 2026 Cine Gear issue of Film and Digital Times features new camera and lens developments from companies like Sony and ZEISS. Key announcements include the Sony RIALTO 65 camera, ZEISS Panoptes 65 lenses, and other products from Fujinon, Sigma, and Angenieux. Additionally, the issue reports on Thomas Riedel's acquisition of ARRI, signifying major industry consolidation.
Short Snout Media partnered with Singular.live to develop a mobile, golf cart-operated graphics package for Good Good Golf's content. This solution utilizes Singular.live's web-native infrastructure and Google Sheets for data management, enabling remote, real-time graphics delivery. The system provides course data, leaderboards, scorecards, and score bugs for both live and pre-recorded golf content.
tvONE and Green Hippo's Pixel Academy is hosting two "Master Stack" events on July 14-15, 2026, bringing together various AV and live production brands. The showcase offers hands-on training for professionals on integrated workflows, including IPMX and ST 2110 transport, and covers topics like DMX, LED fundamentals, and best-practice network design.
This article compares the Panasonic LUMIX S5IIX and Nikon Z6 III full-frame mirrorless cameras, highlighting their respective strengths for serious video work under $2,000. The Panasonic emphasizes cinema workflow with features like ProRes recording and open gate, while the Nikon prioritizes sensor speed and hybrid performance. The comparison underscores a growing trend of advanced video infrastructure becoming standard in affordable full-frame cameras for creators and small production houses.
Sony announced RIALTO 65, a new modular 65mm format sensor block for its high-end VENICE 2 camera, targeting a first-half 2027 release. This development aims to increase the flexibility and modularity of the VENICE 2 system for professional video production. The new sensor will be one of the industry's largest, supporting 9.6K 3:2 open gate recording and multiple readout modes.
Creamsource has launched two new compact 160W lighting fixtures, the Vortex2 and Vortex2 Soft, expanding its Vortex lineup for production professionals. These IP65-rated lights feature RRGBBW LED engines, CreamOS workflow, and enhanced connectivity options for greater flexibility in film and video production. The new fixtures are priced at $1400 each and are expected to ship in August 2026.
Blackmagic Design has released DaVinci Resolve 21, DaVinci Resolve Studio 21.0, and Fusion Studio 21.0, just seven weeks after their initial beta announcement at NAB 2026. This rapid final release includes new features like Fairlight folders, keyframing improvements, and a new Photo page for DaVinci Resolve 21, along with the Krokodove toolset and over 100 motion graphics effects for Fusion Studio 21.0.
The EBU announced the nominees for its 2026 Technology and Innovation Award, recognizing outstanding technical solutions from member organizations. These innovations span several areas, including SMPTE ST 2110 transformations, dynamic streaming deployments, AI-driven metadata generation, and sustainable production practices. The winner will be announced at the EBU T&I Summit on June 18th in Barcelona.
Kinefinity has opened pre-orders for its Vista full-frame 6K cinema camera, a modular device featuring a 15-stop dynamic range and capable of capturing 6K at 75fps. The camera is designed for cinematography professionals, offering high-end features at a competitive price point. It supports internal recording in ProRes and KineRAW formats and offers various lens compatibility options.
Open Broadcast Systems developed HDR output support for its decoders across various pipelines, overcoming significant QA challenges due to differing output configurations. The company leveraged AI alongside human testing to manage the extensive permutations required for consistent HDR experiences, particularly for HLG and integrating with third-party hardware like Blackmagic Decklink. This strategic use of AI addresses the complexity of interoperability across diverse broadcast and streaming video outputs.
Sony is developing RIALTO 65, a new 65mm image sensor block for its VENICE 2 camera, targeting a release in the first half of 2027. This development will allow cinematographers to expand the VENICE 2 system to 65mm format, enhancing visual storytelling with larger format imaging while maintaining compatibility with the existing VENICE 2 ecosystem.
Atomos has launched the Sumo PRO-19, a 19-inch 4K HDR monitor-recorder-switcher designed as a central hub for cinematic workflows, priced at USD $2,899. This device supports recording in formats like Apple ProRes, ProRes RAW, and Avid DNx, and features cloud connectivity to services such as ATOMOSphere and Frame.io, alongside NDI HX3 transmission. It also integrates camera control, FLog-2C color science, and EL Zone monitoring, targeting directors, cinematographers, and production teams.
Acer has introduced three new ProDesigner monitors, including the 6K PE320QXT, 4K PE270KT, and portable PE160W OLED, aimed at video and photo professionals. These displays emphasize color accuracy and high resolution for creative workflows. The monitors are available for purchase in June, with prices starting at $249.99.
