Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
The post-production studio Company 3 Atlanta utilized Blackmagic DaVinci Resolve to handle the color grading, finishing, and sound for Amazon Prime's 'Raise The Flags' docuseries. The project required a mid-stream transition to an HDR-10 workflow and complex archival media reconform, utilizing remote collaboration tools to integrate multi-format historical footage.
Haivision has announced plans to debut its Makito ONE video transport platform and Falkon X4 5G mobile transmitter at IBC 2026. The new hardware is designed for live sports and news production, featuring support for 4K UHD, ultra-low latency, and SMPTE ST 2110 connectivity.
Appear, Chilevisión, and ClaroVTR utilized a hybrid cloud workflow featuring Appear's X20 platform to deliver 4K FIFA World Cup coverage in Chile. The architecture integrated HEVC encoding, SRT transport, and Pixop's AI-powered video enhancement to bridge ground-based broadcast feeds with AWS cloud infrastructure.
FastPix has launched a new cloud-based playout service marketed as a replacement for traditional SDI and PCIe broadcast hardware. The platform allows broadcasters to manage channels via a web dashboard or API, shifting from a capital-expenditure hardware model to a monthly operating expense of $99 per channel.
ITV successfully integrated Brompton Technology Tessera SX40 processors and ROE Visual LED panels to create a controlled virtual production workflow for its drama Believe Me. The technical pipeline enabled the production to reduce location filming time by up to 80% and successfully replicate complex driving sequences within a controlled studio environment.
Nauticam has launched the NA-Ninja TX aluminum housing, designed for Atomos Ninja TX, TX GO, and RAW monitor-recorders used in professional broadcast and cinema environments. The housing supports SDI and HDMI connectivity, vacuum leak detection, and 8K ProRes RAW recording for underwater production.
This article analyzes the total cost of ownership for high-end cinema cameras by comparing the Nikon ZR and Sony FX5. It highlights how varying codec implementations and compression efficiencies, such as Sony's X-OCN versus Nikon's RAW output, significantly impact storage and production workflow costs.
The ESP-KVM project is an open-source initiative that provides IP KVM functionality using ESP32-P4 development boards. The solution supports H.264 and MJPEG video encoding through HDMI-to-CSI adapters, facilitating remote production workflows including power control and virtual media mounting.
TIM's Head of Network Data Layer and Automation Alessandro De Vincentis discusses the company's two-track strategy to evolve its 5G Standalone core using cloud-native architecture and deep operational automation. De Vincentis emphasizes that building automation into the network architecture is necessary for managing the lifecycle of enterprise network slices at scale.
Rohde & Schwarz will demonstrate an integrated DTV+ and 5G Broadcast ecosystem at SET Expo 2026, showcasing shared infrastructure for 4K/8K delivery, datacasting, and targeted advertising. The demonstration uses a unified STLTP feed to prove interoperability for broadcast and mobile delivery in the context of Brazil's DTV+ market rollout.
Ubicept has introduced the FLARE engine and Photon Fusion algorithms, which utilize single-photon avalanche diode (SPAD) sensor data to enhance machine vision capabilities. The technology allows for real-time motion blur reduction and high-dynamic-range imaging, targeting industrial inspection and autonomous vehicle systems.
Samsung announced it has secured new 2nm chip manufacturing projects for cloud and high-performance computing customers, signaling a capacity ramp-up for 2026. Management reports that the foundry business is showing improved yields and utilization, leading to a projected doubling of 2nm project volume by 2026.
IBC has announced the finalists for their 2026 Innovation Awards, highlighting collaborative projects involving global media organizations and their technology partners. The selected entries showcase advancements in AI-powered production, cloud-native distribution, and server-guided ad insertion.
The U.S. government is awarding GlobalFoundries $300 million to advance the development of silicon photonics and co-packaged optics technology. This funding aims to enhance data transfer speeds and energy efficiency within AI and large-scale video processing data centers.
Radxa has introduced the CM-Q64 and VMARC-Q9075 compute modules powered by Qualcomm Dragonwing processors. These modules provide hardware-accelerated processing for multiple video streams and edge AI, targeting industrial and machine-vision applications with support for common AV1, HEVC, and VP9 codecs.
Virtual production supervisor Justin Cathcart outlines the technical operations and team structure required for managing LED volume shoots. The process involves real-time camera tracking, Unreal Engine integration, and separate 2D playback systems to maintain accurate parallax and reflections.
Bright Machines has launched the Hybrid BRC, a robotic assembly cell designed to integrate manual assembly steps into a data-monitored manufacturing workflow for AI servers. The system aims to mitigate the production yield issues associated with manual assembly by maintaining a continuous data thread through automated and human-led processes.
The PGA TOUR is piloting an announcer-free 'Quiet Please' stream on ESPN+ for the Rocket Mortgage Classic. The production incorporates enhanced on-course audio submixing, Virtual Eye graphics, and interactivity via Tagboard-powered QR codes.
Major League Soccer, Apple, and NEP collaborated to deploy a massive production suite for the 2026 MLS All-Star Game in Charlotte. The project featured the debut of specialized broadcast technologies including AI-driven robotics, rail-mounted 4K cameras, and ear-mounted RefCams to enhance the live streaming experience on Apple TV.
QuickLink has announced the StudioPro AnywhereTally system, a wireless, cloud-controllable tally light solution designed for distributed live production. The system will debut at IBC 2026, offering 20ms latency and integration with the existing StudioPro ecosystem.
The FCC has expanded its equipment authorization rules to restrict the use of logic-bearing hardware components from companies on the Covered List in regulated communications equipment. Additionally, the new order mandates that online marketplaces display valid FCC IDs for certified devices at the point of sale to ensure supply chain security.
Brazil's 5G network deployment has reached over 57,000 antennas as the market shifts from rapid national expansion to targeted densification. The telecommunications infrastructure sector is currently undergoing significant consolidation and high churn among major tower companies as operators optimize their site requirements.
AEQ has announced the FORUM IP PLUS, a modular digital audio mixing console for radio and multimedia broadcast production. The system features Dante/AES67 connectivity, support for up to 180 audio channels, and remote operation capabilities through virtual control software.
This article provides a technical overview of various digital audio protocols used in professional live production environments, such as Dante, AES67, and Milan. It discusses the functional trade-offs between proprietary point-to-point systems and open networked standards to help technical leaders make informed infrastructure decisions.
4Wall Entertainment has acquired the largest fleet of Disguise EX 3+ media servers in North America to standardize virtual production and live event workflows. The hardware deployment supports 4K output and ACES color management, catering to high-end broadcast projects and virtual production environments.
OBSBOT has announced the release of the Meet Flip 4K, a $119 webcam featuring a physical privacy shutter and broadcast-standard frame rates. The device, aimed at professional and remote production workflows, supports UVC protocol and integrates with OBSBOT's software for live production features.
AMD has partnered with semiconductor startup NeoLogic to integrate high-speed, low-power SRAM alternative architecture into its processors. This strategic move aims to reduce chip footprint and costs for AMD's EPYC CPUs and Instinct accelerators, providing a capital-efficient alternative to the large-scale acquisitions pursued by competitors like Nvidia.
The Dallas Cowboys successfully optimized their remote production workflow for off-site training camp operations by implementing a centralized data hub from iodyne. This transition enabled the organization to scale content production from 200 to over 500 shoots annually while handling up to 10TB of daily footage.
TNT Sports launched the DUNKMAN professional dunking league using a high-end production setup featuring 1080p HDR cameras, EVS Extra Motion, and an Owl AI computer vision system to capture real-time performance analytics. The production is managed onsite in Atlanta using a complex array of specialized cameras, POV sensors, and integrated graphics to provide data-driven storytelling for live broadcasts.
Formula 1 and Sky Sports have centralized their broadcast production infrastructure at Biggin Hill while expanding the use of remote IP-based workflows, 350 km/h FPV drones, and data-driven viewer personalization. This remote-production model aims to increase operational efficiency and minimize the physical equipment footprint at race circuit locations.
nanocosmos is launching a cloud-based chroma key tool for its nanoStudio platform, allowing live production environments to apply multiple backgrounds to a single ingest feed. The technology utilizes Media over QUIC (MOQ) infrastructure to support real-time compositing without increasing latency for viewers.
Startup Bolt Graphics showcased its new Zeus GPU architecture at SIGGRAPH 2026, claiming significant performance gains in real-time path tracing via custom SIMD layout and RISC-V processors. The hardware is designed for professional 3D rendering and simulation workflows, with initial market delivery targeted for late 2027.
Solid State Logic will use IBC 2026 to showcase updates to its System T platform, including the integration of the EBU’s Dynamic Media Facility initiative and Media eXchange Layer for containerized shared-memory media transfer. In addition to software-defined production enhancements, the company is debuting new hardware solutions including the Net I/O ST 2110 Bridge.
Octopus Newsroom has released two new tools, No-Code Workflow Designer and Show Flow Designer, designed to integrate editorial storytelling processes with live studio automation. The software allows broadcasters to manage newsroom tasks and production templates via a visual, no-code interface rather than custom programming.
Engineering leads from BBC Wales, CBC Radio-Canada, and EMG Belgium discuss their experiences migrating broadcast facilities from traditional SDI infrastructure to SMPTE ST 2110 IP-based systems. The discussion highlights the critical role of interoperability standards, the shift in required engineering skill sets, and the ongoing challenges of testing and monitoring complex IP media transport.
Cisco executive Bill Gartner outlines the shifting landscape of data center optics as the industry transitions to 1.6T networking. The interview highlights that optical link reliability is increasingly becoming a critical metric for compute efficiency in AI training clusters, as connection failures can lead to significant GPU downtime.
Production firms Vivid Broadcast, QTV, and World Archery are adopting IP-based workflows using SRT and RIST protocols to deliver high-quality, cost-effective live sports coverage. This nimble production approach allows organizations to reach broader audiences via OTT and FAST channels without relying on traditional, high-cost broadcast infrastructure.
Channel 4 has selected Encompass Digital Media under a multi-year agreement to provide managed linear playout, content supply chain, and disaster recovery services. The services will transition to the cloud-native Altitude platform, supporting the broadcaster's regional and thematic channels beginning in 2027.
Cinematographer Claudio Miranda conducted a comparative analysis of Sony's FX5 and FX3 cameras using the VENICE 2 as a reference point. The tests focused on evaluating highlight roll-off, shadow integrity, and low-light performance to illustrate where the FX5 aligns with Sony's high-end cinema image philosophy.
Formula 1 and Sky Sports are expanding their long-term technical collaboration by consolidating remote production at the Biggin Hill Media & Technology Centre and integrating AI-driven data workflows. The initiative aims to enhance broadcast storytelling through shared RF infrastructure, high-speed FPV drone cameras, and reduced latency for team radio communications.
Radio France deployed an IP-based audio production infrastructure from Lawo for the 2026 Concert de Paris, utilizing mc² consoles, A__UHD Core audio engines, and RAVENNA networking. The setup enabled live sound reinforcement, stage monitoring, and broadcast distribution across 70 countries, incorporating new Dynamic EQ functionality.
Gravity Media has launched the MT501, a scalable outside broadcast vehicle featuring two production galleries and 14 operational positions. The unit, which supports workflows like live editing and real-time simulation, made its debut providing production support for Sky Sports' coverage of the 2026 World Matchplay.
Solid State Logic is demonstrating expanded software-defined production capabilities for its System T platform at IBC 2026, including the Virtual Tempest Engine (VTE) and new ST 2110 conversion hardware. The updates focus on cloud and hybrid broadcast workflows and alignment with the EBU’s Dynamic Media Facility project for containerized media processing.
The International Cricket Council (ICC) upgraded broadcast production for the 2026 Women’s T20 World Cup, implementing full 1080p HD acquisition, 360-degree replays, and at least 35 cameras per venue. The technical deployment was supported by technology partners NEP and Sunset+Vine, alongside specialized solutions from Quidich for player tracking and replays.
Calnex Solutions outlines the technical causes of Precision Time Protocol (PTP) synchronization errors, including path asymmetry and packet delay variation. The article details multi-phase testing methodologies required to ensure nanosecond-level accuracy in IP-based broadcast and streaming infrastructures.
Juniper Networks has published a technical overview explaining the critical role of Precision Time Protocol (PTP) and related synchronization standards like SMPTE ST 2059-1 for AI and IP-based media data center clusters. The post details how accurate clock synchronization enables low-latency performance in compute fabrics, financial trading environments, and broadcast media workflows.
DHD Audio has announced the release of firmware version 10.4 for its modular broadcast mixers, adding AI-based noise reduction and a new license-free control API for IP-based audio integration. The update also includes enhanced tools for remote production workflows, such as new routing applications and improved PTP clock synchronization.
LA Center Studios has upgraded its production facilities by integrating a new LED volume stage through a partnership with Synapse technology. This investment aims to support modern hybrid production workflows for streaming and traditional media within the competitive Los Angeles studio market.
Chyron has released version 5.4 of its PRIME platform, which introduces integration with AXIS News, additional SDI hardware support, and new color control functionality. The update aims to standardize graphics workflows within newsrooms and provides a watermarked online edition for pre-production testing.
AJA has launched the Io Xpand, a Thunderbolt 5 expansion chassis designed to bridge PCIe 4.0 video I/O cards to laptops and compact workstations. The device supports bidirectional bandwidth of 6000 MB/s and is intended for remote production, live switching, and post-production workflows.
