Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
wTVision's Studio CG software has been adopted by Brazilian broadcasters Inter TV and Sistema Clube for PCR broadcast workflows, and by Canal Rural for social media integration. Riot Games also uses Studio CG for esports broadcasts in Brazil, Chile, and Mexico. This highlights the growing adoption of broadcast graphics and automation solutions in diverse video production environments.
wTVision developed comprehensive branding packages, including on-air graphics in Arabic and English, for the Arabian Gulf League and three other PLC competitions. This project strengthens wTVision's involvement in sports broadcasting and real-time graphics worldwide. wTVision has worked with PLC since 2008 and collaborated with LIVE for the Super Cup broadcast.
wTVision is debuting ChannelMaker-in-the-Cloud, a new fully hosted cloud playout system built on Amazon Web Services, at NAB Show 2017. This system is designed to provide broadcasters with increased flexibility for channel creation and management, integrating with wTVision's new V5 software framework and using Amazon S3 for media storage.
EVS Broadcast Equipment provides live video production solutions, including its LiveCeption system, for major global sporting events like the Olympic Games. The company also highlights its new Choreon unified robotic controller and generative AI replay effects with XtraMotion. EVS is a key vendor for live sports broadcasting and production workflows.
Matrox Video has launched its new Maevex MGX Series, IPMX-ready 4K60 AV-over-IP encoders and decoders. These devices are designed for enterprise AV and control rooms, offering ultra-low latency and 20x bandwidth efficiency compared to other ProAV codecs. The series supports H.265 4:4:4 and integrates USB support for various interactive workflows.
Intel has released performance benchmarks for its new Arc Pro B70 GPU, demonstrating significant improvements over its predecessor, the B60, in workstation content creation workloads. The B70 also shows a 2.2x larger AI context window compared to Nvidia's RTX Pro 4000 Blackwell, attributed to its larger graphics memory. These advancements offer performance benefits for professionals in video content creation and AI model development.
Element Technica has introduced the Atom 3D rig, specifically designed for the RED Epic camera, aiming to be a game-changer for 3D production. Priced at $64,000 for the base aluminum model, the rig offers full interocular and convergence control, metadata recording, and various customizable options, including a lightweight magnesium version. This provides a compact and integrated solution for professionals in 3D production.
iView Data Ltd, an authorized UK Magewell reseller, has published a comprehensive 2026 reference guide detailing bandwidth requirements for IP video protocols including NDI, SRT, RTMP, HLS, and RTSP. The guide provides essential data for various resolutions and frame rates, aimed at AV integrators, broadcast engineers, and IT managers for effective IP video system design and bandwidth planning.
The Professional Squash Association (PSA) is enhancing its broadcast production for the British Open by adding new camera angles, including a cable camera, and pre-shows from a dedicated production gallery. Concurrently, the PSA is trialing biometric data wearables with Sports Data Labs to integrate advanced athlete data into future broadcasts. This expansion aims to capture more of the sport's athleticism and provide richer content for rights holders.
Hollyland has launched its new Astra P1 4K PTZ camera, featuring a 1/1.8-inch CMOS sensor, 30x optical zoom, and 4K/60 fps video capture. The camera includes AI auto-tracking modes (presenter and zone tracking) and built-in NDI HX3 support for professional live streaming and recording environments. It is designed to integrate with NDI workflows and is compatible with systems like OBX and vMix.
AMZFAST, backed by Express Luck Group, is expanding its display portfolio from gaming to include smart monitors with Google TV, high-end OLED, and creator-focused displays. This strategic pivot aims to address the convergence of work, entertainment, and gaming on a single screen. The new lineup positions AMZFAST to compete in broader display markets beyond its traditional esports focus.
Hollyland has unveiled the Astra P1, a new UHD 4K60 PTZ camera featuring 30x optical zoom, AI auto-tracking, and NDI|HX3 support. Designed for professional live events, the camera offers diverse I/O interfaces including HDMI and 3G-SDI, and supports simultaneous output via multiple channels. It is now available for pre-order at $1,999 USD.
AvL Technologies has announced new 2.4m motorized flyaway antennas, including models 2418, 2460, and 2020PIB. These antennas support C-, X-, Ku-, and Ka-band operations and feature robust environmental tolerances with an embedded, OpenAMIP-compliant antenna control system designed for field deployment.
South Korean broadcasters MBC, KBS, and SBS are leveraging advanced technologies, including large LED walls, AI, and metaverse platforms, to transform election night coverage into a prime-time spectacle. This approach combines real-time data and predictive modeling with immersive studio design and entertaining graphics, setting a new standard for live television production. The article highlights specific technological implementations by each network, such as MBC's 33.7-meter LED media wall and AI-generated countdown, KBS's virtual studio via metaverse, and SBS's partnership with OpenAI for an AI situation room and ChatGPT-powered assistant.
Delta Digital Video (DDV) showcases how its 5480E encoder, 5480D decoder, and 9600 Series multi-channel distribution systems are deployed for the FIFA World Cup. These products enable low-latency, high-quality video for broadcast, stadium displays, and security, emphasizing codec flexibility with H.264, H.265, and JPEG-XS. The article details how DDV's hardware addresses the video infrastructure challenges of large-scale events.
Boris FX has launched Sapphire 2026.5, a plugin update for various professional editing and VFX software suites. The update introduces enhanced cinematic blur with Advanced Defocus, a redesigned S_Glare effect, and new lens flares, aimed at improving visual effects capabilities for video professionals. This release provides new tools and presets for creating realistic lens effects and procedural textures.
AvL Technologies has released details on its 1.35m Tri-Band Manual or Motorized Axi-Symmetric FlyAway Antenna. This ultra-lightweight, portable antenna is designed for quick assembly and features tri-band capabilities relevant for mobile satellite communications. It highlights key specifications including its carbon fiber reflector, quick-change feeds, and IATA-compliant pack-up.
AvL Technologies has released its new 1.55m Tri-Band High-Wind Manual FlyAway Terminal, an antenna designed for deployable communication in remote production and live event streaming. This product supports X-, Ku-, and Ka-band frequencies and is optimized for use in high-wind conditions.
AvL Technologies has launched new mobile VSAT FlyAway terminals, available in 85cm, 1.0m, and 1.2m sizes. These Ku-band antennas feature one-button auto-acquisition, Eutelsat compliance, and are designed for rapid deployment, making them suitable for remote streaming operations.
AvL Technologies has launched a new 2.0m motorized flyaway antenna designed for multi-band satellite operations, including Ku-, C-, X-, and Ka-band frequencies. The antenna features a segmented carbon fiber reflector, a two-man lift design, and an embedded control system with auto-acquisition and OpenAMIP compatibility, meeting FCC and Intelsat standards.
Cooke has launched its new AP3 anamorphic lenses, specifically designed for mirrorless cameras and featuring E, RF, L, and M mounts. These lenses offer 1.5x anamorphic compression and are engineered to intercut seamlessly with Cooke SP3 spherical lenses, maintaining consistent image quality and the distinctive Cooke look. They are available individually for $7,500 or as a three-lens set for $22,250.
Acer has introduced three new ProDesigner monitors, including the 6K PE320QXT, 4K PE270KT, and portable PE160W OLED, aimed at video and photo professionals. These displays emphasize color accuracy and high resolution for creative workflows. The monitors are available for purchase in June, with prices starting at $249.99.
Telestream will showcase its media workflow technologies at InfoComm 2026, including Wirecast, Live Capture, PRISM, Vantage, and DIVA. These demonstrations will cover solutions for live production, media processing, timing, and archiving, catering to diverse markets like enterprise, education, and live events. The company emphasizes meeting evolving audience expectations for high-quality and reliable streaming experiences.
Sony announced RIALTO 65, a new 65mm format image sensor block for its VENICE 2 digital cinema camera, targeting a 2027 release. This development allows the VENICE 2 to support 9.6K 3:2 open gate recording and offers compatibility with various 65mm lenses, significantly enhancing its production capabilities.
KOKUSAI DENKI Electric America will exhibit its 4K and remote production solutions at InfoComm 2026, showcasing camera systems and remote control solutions. The company aims to provide scalable paths for upgrading existing HD workflows and expanding REMI production models. Key products include the Z-HD6500-S1 UHD/HD Production Camera, DK-H700 Compact Multi-Format Box Camera, and RU-2500JY Remote Control Panel.
Grass Valley's Ben Dolinky is collaborating with colleges nationwide to integrate multi-control room facilities and cloud-based solutions into production programs. This initiative aims to train students in professional production skills by simulating live-event scenarios. The goal is to prepare the next generation of professionals for the broadcast and streaming workforce.
Prime Video has significantly expanded its in-house live sports production capabilities, now producing NBA, WNBA, NWSL, and NHL coverage using a private studio and mobile units. This strategy allows the streamer greater control over its content production ecosystem, moving away from third-party reliance. The move includes a sophisticated global distribution system to deliver games in 14 languages across over 220 territories.
Atomos has launched the Sumo PRO-19, a 19-inch 4K HDR monitor-recorder-switcher designed as a central hub for cinematic workflows, priced at USD $2,899. This device supports recording in formats like Apple ProRes, ProRes RAW, and Avid DNx, and features cloud connectivity to services such as ATOMOSphere and Frame.io, alongside NDI HX3 transmission. It also integrates camera control, FLog-2C color science, and EL Zone monitoring, targeting directors, cinematographers, and production teams.
SmallHD has announced the new OLED 16 production monitor, a 16-inch 4K monitor designed for DIT and DP workflows. It features UHD resolution, 99% DCI-P3 color accuracy, a 1,000,000:1 contrast ratio, and integrated WiFi with the PageOS toolkit. The monitor is targeted at professional production environments and is available for pre-order at $5,999.
Sony is developing RIALTO 65, a new 65mm image sensor block for its VENICE 2 camera, targeting a release in the first half of 2027. This development will allow cinematographers to expand the VENICE 2 system to 65mm format, enhancing visual storytelling with larger format imaging while maintaining compatibility with the existing VENICE 2 ecosystem.
Blackmagic Design has released DaVinci Resolve 21, including an updated iPad version, boasting new AI tools and a dedicated Photo Page for integrated image editing. This update significantly expands Resolve's capabilities across both desktop and mobile platforms, integrating advanced photo and AI features into its established video editing workflow. The release to full version happened in record time following its beta announcement at NAB 2026.
Glyph Production Technologies has launched the Atom EX80 portable NVMe SSD, offering speeds up to 7000MB/s, MagSafe compatibility, and location tracking, designed for high-resolution video production. Alongside the drive, Glyph introduced Connect+ USB4 80Gbps SteadyIO cables to support high-speed data transfer and 240W power delivery. Both products are aimed at enhancing storage and connectivity solutions for demanding media workflows.
Quite Brilliant, a UK virtual production studio, leveraged a hybrid approach of virtual production and traditional stages for Warburtons' "150 Years in the Baking" commercial. The project utilized LED volume technology, Unreal Engine, and AI-augmented workflows to achieve creative flexibility and efficiency across varied environments, including 1960s space race replication. This case study highlights the growing adoption of virtual production techniques in high-concept advertising for efficiency and creative control.
Blackmagic Design has released a new public beta update for Fairlight Live, its integrated audio production solution within DaVinci Resolve. The update introduces auto-mixing and fader flip options, designed to enhance live audio workflows for broadcast and studio professionals.
Kinefinity has opened pre-orders for its Vista full-frame 6K cinema camera, a modular device featuring a 15-stop dynamic range and capable of capturing 6K at 75fps. The camera is designed for cinematography professionals, offering high-end features at a competitive price point. It supports internal recording in ProRes and KineRAW formats and offers various lens compatibility options.
Panavision is reintroducing its renowned Primo spherical lenses, updated for the 65mm format. This revival provides filmmakers with a classic aesthetic for large-format productions, catering to the demand for specific cinematic looks.
Sony has launched the A7R VI full-frame mirrorless camera, featuring a new 66.8MP stacked sensor capable of 30fps continuous shooting and advanced AI-powered autofocus. This model significantly upgrades video capabilities with 8K recording at 30p and 4K at 120p, targeting professionals who need high resolution and speed in a single device. The camera is priced at $4,499.99 and is available from June 2026.
Matrox Video has launched its Maevex MGX Series, a line of IPMX-ready 4K60 AV-over-IP video encoders and decoders. These devices offer high-quality, ultra-low-latency video distribution at significantly reduced bitrates, enhancing network efficiency and interoperability. The series supports H.265 and H.264 codecs, multiple streaming formats including IPMX, RTSP, MPEG-TS, and SRT, and features integrated USB support for interactive collaboration.
Epson has launched its LE-C1 Series, a new line of all-in-one dvLED displays featuring COB technology, aimed at the U.S. and Latin American commercial markets. These displays offer high brightness, superior durability, and energy efficiency, expanding Epson's commercial display portfolio for various indoor applications. The series includes 135-inch (Full HD and 4K) and 162-inch (Full HD) models, designed for streamlined installation and maintenance.
tvONE and Green Hippo's Pixel Academy is hosting two "Master Stack" events on July 14-15, 2026, bringing together various AV and live production brands. The showcase offers hands-on training for professionals on integrated workflows, including IPMX and ST 2110 transport, and covers topics like DMX, LED fundamentals, and best-practice network design.
This article compares the Panasonic LUMIX S5IIX and Nikon Z6 III full-frame mirrorless cameras, highlighting their respective strengths for serious video work under $2,000. The Panasonic emphasizes cinema workflow with features like ProRes recording and open gate, while the Nikon prioritizes sensor speed and hybrid performance. The comparison underscores a growing trend of advanced video infrastructure becoming standard in affordable full-frame cameras for creators and small production houses.
Glyph has launched the Atom EX80, a new USB4 NVMe portable SSD designed for creative professionals, offering transfer speeds up to 7,000 MB/s and capacities from 1TB to 8TB. The drive targets filmmakers and photographers with features like MagSafe compatibility and built-in location tracking. Glyph also introduced new 80Gbps USB-C cables to support these high-performance workflows.
Alfalite has completed the installation of two UHD Finepix 1.5 MATIX AlfaCOB LED displays at RTVE’s Teatro Monumental in Madrid. These displays are designed to provide broadcast-quality visuals for live events and television recordings, meeting demanding specifications for flicker-free on-camera images. The project was executed in collaboration with technology partner BroadService, enhancing the venue's technical capabilities.
The EBU announced the nominees for its 2026 Technology and Innovation Award, recognizing outstanding technical solutions from member organizations. These innovations span several areas, including SMPTE ST 2110 transformations, dynamic streaming deployments, AI-driven metadata generation, and sustainable production practices. The winner will be announced at the EBU T&I Summit on June 18th in Barcelona.
Broadcast Solutions delivered eight hybrid SDI/IP, UHD-capable outside broadcast (OB) units to Turkey's national broadcaster TRT, marking the company's largest contract to date. This fleet refresh prepares TRT for major upcoming events and supports its transition to IP connectivity across its technical operations. The project involved two large trailer units and six mid-size trucks, designed for significant camera counts and dual 12G-SDI/IP operation.
NBC Sports highlighted the extensive production technology used for its NBA broadcasts, including 40-60 cameras and complex audio, replay, and graphics systems for real-time coordination. The behind-the-scenes look showcased the technical expertise and precision required to produce immersive live sports coverage. This detailed explanation of their production setup follows significant viewership gains for NBC Sports' NBA programming.
SmallHD has opened pre-orders for its new OLED 16 production monitor, a 16-inch 4K OLED display priced at $5,999. Designed for DIT and DP workflows, it features 12G-SDI I/O, a 1,000,000:1 contrast ratio, and PageOS tools. It is built with an aircraft-grade aluminum chassis and offers multiple connectivity options, including 4x 12G-SDI in/out and an ethernet port.
Existing Betacam SP machines are now 25 years old, creating a magnetic media crisis for archived video content that relies on aging VTRs. This poses a significant threat to accessing historical media for re-release or remastering, as specialized services for refurbishment are costly and difficult to obtain. A potential open-source workaround, VHS Decode, aims to extend machine life by capturing signals directly from tape heads, but still faces precision and reverse-engineering challenges for higher-end digital formats.
Kart Chaser, a kart racing broadcast producer, developed a custom race-data API and integrated it with Singular.live's scripting API to automate broadcast graphics. This allows a single producer to manage sophisticated on-screen visuals for kart racing events, significantly enhancing production quality. Singular.live's platform handles the rendering, animation, and output, enabling Kart Chaser to focus on data integration.
ACT Entertainment's Green Hippo brand has introduced the Estuary Series, a new media control platform designed for live productions. This series features 10-bit/HDR processing, up to 256 layers of real-time visual control, and ultra-smooth, multi-layered switching for large LED canvases with one-frame latency. The platform, available in three models (MC1, MC2, MC4), supports various visual systems for concerts, touring, broadcast, and immersive environments.
