Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
AMZFAST, backed by Express Luck Group, is expanding its display portfolio from gaming to include smart monitors with Google TV, high-end OLED, and creator-focused displays. This strategic pivot aims to address the convergence of work, entertainment, and gaming on a single screen. The new lineup positions AMZFAST to compete in broader display markets beyond its traditional esports focus.
Hollyland has unveiled the Astra P1, a new UHD 4K60 PTZ camera featuring 30x optical zoom, AI auto-tracking, and NDI|HX3 support. Designed for professional live events, the camera offers diverse I/O interfaces including HDMI and 3G-SDI, and supports simultaneous output via multiple channels. It is now available for pre-order at $1,999 USD.
AvL Technologies has announced new 2.4m motorized flyaway antennas, including models 2418, 2460, and 2020PIB. These antennas support C-, X-, Ku-, and Ka-band operations and feature robust environmental tolerances with an embedded, OpenAMIP-compliant antenna control system designed for field deployment.
South Korean broadcasters MBC, KBS, and SBS are leveraging advanced technologies, including large LED walls, AI, and metaverse platforms, to transform election night coverage into a prime-time spectacle. This approach combines real-time data and predictive modeling with immersive studio design and entertaining graphics, setting a new standard for live television production. The article highlights specific technological implementations by each network, such as MBC's 33.7-meter LED media wall and AI-generated countdown, KBS's virtual studio via metaverse, and SBS's partnership with OpenAI for an AI situation room and ChatGPT-powered assistant.
Delta Digital Video (DDV) showcases how its 5480E encoder, 5480D decoder, and 9600 Series multi-channel distribution systems are deployed for the FIFA World Cup. These products enable low-latency, high-quality video for broadcast, stadium displays, and security, emphasizing codec flexibility with H.264, H.265, and JPEG-XS. The article details how DDV's hardware addresses the video infrastructure challenges of large-scale events.
Boris FX has launched Sapphire 2026.5, a plugin update for various professional editing and VFX software suites. The update introduces enhanced cinematic blur with Advanced Defocus, a redesigned S_Glare effect, and new lens flares, aimed at improving visual effects capabilities for video professionals. This release provides new tools and presets for creating realistic lens effects and procedural textures.
AvL Technologies has released details on its 1.35m Tri-Band Manual or Motorized Axi-Symmetric FlyAway Antenna. This ultra-lightweight, portable antenna is designed for quick assembly and features tri-band capabilities relevant for mobile satellite communications. It highlights key specifications including its carbon fiber reflector, quick-change feeds, and IATA-compliant pack-up.
AvL Technologies has released its new 1.55m Tri-Band High-Wind Manual FlyAway Terminal, an antenna designed for deployable communication in remote production and live event streaming. This product supports X-, Ku-, and Ka-band frequencies and is optimized for use in high-wind conditions.
AvL Technologies has launched new mobile VSAT FlyAway terminals, available in 85cm, 1.0m, and 1.2m sizes. These Ku-band antennas feature one-button auto-acquisition, Eutelsat compliance, and are designed for rapid deployment, making them suitable for remote streaming operations.
AvL Technologies has launched a new 2.0m motorized flyaway antenna designed for multi-band satellite operations, including Ku-, C-, X-, and Ka-band frequencies. The antenna features a segmented carbon fiber reflector, a two-man lift design, and an embedded control system with auto-acquisition and OpenAMIP compatibility, meeting FCC and Intelsat standards.
Cooke has launched its new AP3 anamorphic lenses, specifically designed for mirrorless cameras and featuring E, RF, L, and M mounts. These lenses offer 1.5x anamorphic compression and are engineered to intercut seamlessly with Cooke SP3 spherical lenses, maintaining consistent image quality and the distinctive Cooke look. They are available individually for $7,500 or as a three-lens set for $22,250.
Acer has introduced three new ProDesigner monitors, including the 6K PE320QXT, 4K PE270KT, and portable PE160W OLED, aimed at video and photo professionals. These displays emphasize color accuracy and high resolution for creative workflows. The monitors are available for purchase in June, with prices starting at $249.99.
Telestream will showcase its media workflow technologies at InfoComm 2026, including Wirecast, Live Capture, PRISM, Vantage, and DIVA. These demonstrations will cover solutions for live production, media processing, timing, and archiving, catering to diverse markets like enterprise, education, and live events. The company emphasizes meeting evolving audience expectations for high-quality and reliable streaming experiences.
Sony announced RIALTO 65, a new 65mm format image sensor block for its VENICE 2 digital cinema camera, targeting a 2027 release. This development allows the VENICE 2 to support 9.6K 3:2 open gate recording and offers compatibility with various 65mm lenses, significantly enhancing its production capabilities.
KOKUSAI DENKI Electric America will exhibit its 4K and remote production solutions at InfoComm 2026, showcasing camera systems and remote control solutions. The company aims to provide scalable paths for upgrading existing HD workflows and expanding REMI production models. Key products include the Z-HD6500-S1 UHD/HD Production Camera, DK-H700 Compact Multi-Format Box Camera, and RU-2500JY Remote Control Panel.
Grass Valley's Ben Dolinky is collaborating with colleges nationwide to integrate multi-control room facilities and cloud-based solutions into production programs. This initiative aims to train students in professional production skills by simulating live-event scenarios. The goal is to prepare the next generation of professionals for the broadcast and streaming workforce.
Prime Video has significantly expanded its in-house live sports production capabilities, now producing NBA, WNBA, NWSL, and NHL coverage using a private studio and mobile units. This strategy allows the streamer greater control over its content production ecosystem, moving away from third-party reliance. The move includes a sophisticated global distribution system to deliver games in 14 languages across over 220 territories.
Atomos has launched the Sumo PRO-19, a 19-inch 4K HDR monitor-recorder-switcher designed as a central hub for cinematic workflows, priced at USD $2,899. This device supports recording in formats like Apple ProRes, ProRes RAW, and Avid DNx, and features cloud connectivity to services such as ATOMOSphere and Frame.io, alongside NDI HX3 transmission. It also integrates camera control, FLog-2C color science, and EL Zone monitoring, targeting directors, cinematographers, and production teams.
SmallHD has announced the new OLED 16 production monitor, a 16-inch 4K monitor designed for DIT and DP workflows. It features UHD resolution, 99% DCI-P3 color accuracy, a 1,000,000:1 contrast ratio, and integrated WiFi with the PageOS toolkit. The monitor is targeted at professional production environments and is available for pre-order at $5,999.
Sony is developing RIALTO 65, a new 65mm image sensor block for its VENICE 2 camera, targeting a release in the first half of 2027. This development will allow cinematographers to expand the VENICE 2 system to 65mm format, enhancing visual storytelling with larger format imaging while maintaining compatibility with the existing VENICE 2 ecosystem.
Blackmagic Design has released DaVinci Resolve 21, including an updated iPad version, boasting new AI tools and a dedicated Photo Page for integrated image editing. This update significantly expands Resolve's capabilities across both desktop and mobile platforms, integrating advanced photo and AI features into its established video editing workflow. The release to full version happened in record time following its beta announcement at NAB 2026.
Glyph Production Technologies has launched the Atom EX80 portable NVMe SSD, offering speeds up to 7000MB/s, MagSafe compatibility, and location tracking, designed for high-resolution video production. Alongside the drive, Glyph introduced Connect+ USB4 80Gbps SteadyIO cables to support high-speed data transfer and 240W power delivery. Both products are aimed at enhancing storage and connectivity solutions for demanding media workflows.
Quite Brilliant, a UK virtual production studio, leveraged a hybrid approach of virtual production and traditional stages for Warburtons' "150 Years in the Baking" commercial. The project utilized LED volume technology, Unreal Engine, and AI-augmented workflows to achieve creative flexibility and efficiency across varied environments, including 1960s space race replication. This case study highlights the growing adoption of virtual production techniques in high-concept advertising for efficiency and creative control.
Blackmagic Design has released a new public beta update for Fairlight Live, its integrated audio production solution within DaVinci Resolve. The update introduces auto-mixing and fader flip options, designed to enhance live audio workflows for broadcast and studio professionals.
Kinefinity has opened pre-orders for its Vista full-frame 6K cinema camera, a modular device featuring a 15-stop dynamic range and capable of capturing 6K at 75fps. The camera is designed for cinematography professionals, offering high-end features at a competitive price point. It supports internal recording in ProRes and KineRAW formats and offers various lens compatibility options.
Panavision is reintroducing its renowned Primo spherical lenses, updated for the 65mm format. This revival provides filmmakers with a classic aesthetic for large-format productions, catering to the demand for specific cinematic looks.
Sony has launched the A7R VI full-frame mirrorless camera, featuring a new 66.8MP stacked sensor capable of 30fps continuous shooting and advanced AI-powered autofocus. This model significantly upgrades video capabilities with 8K recording at 30p and 4K at 120p, targeting professionals who need high resolution and speed in a single device. The camera is priced at $4,499.99 and is available from June 2026.
Matrox Video has launched its Maevex MGX Series, a line of IPMX-ready 4K60 AV-over-IP video encoders and decoders. These devices offer high-quality, ultra-low-latency video distribution at significantly reduced bitrates, enhancing network efficiency and interoperability. The series supports H.265 and H.264 codecs, multiple streaming formats including IPMX, RTSP, MPEG-TS, and SRT, and features integrated USB support for interactive collaboration.
Epson has launched its LE-C1 Series, a new line of all-in-one dvLED displays featuring COB technology, aimed at the U.S. and Latin American commercial markets. These displays offer high brightness, superior durability, and energy efficiency, expanding Epson's commercial display portfolio for various indoor applications. The series includes 135-inch (Full HD and 4K) and 162-inch (Full HD) models, designed for streamlined installation and maintenance.
tvONE and Green Hippo's Pixel Academy is hosting two "Master Stack" events on July 14-15, 2026, bringing together various AV and live production brands. The showcase offers hands-on training for professionals on integrated workflows, including IPMX and ST 2110 transport, and covers topics like DMX, LED fundamentals, and best-practice network design.
This article compares the Panasonic LUMIX S5IIX and Nikon Z6 III full-frame mirrorless cameras, highlighting their respective strengths for serious video work under $2,000. The Panasonic emphasizes cinema workflow with features like ProRes recording and open gate, while the Nikon prioritizes sensor speed and hybrid performance. The comparison underscores a growing trend of advanced video infrastructure becoming standard in affordable full-frame cameras for creators and small production houses.
Glyph has launched the Atom EX80, a new USB4 NVMe portable SSD designed for creative professionals, offering transfer speeds up to 7,000 MB/s and capacities from 1TB to 8TB. The drive targets filmmakers and photographers with features like MagSafe compatibility and built-in location tracking. Glyph also introduced new 80Gbps USB-C cables to support these high-performance workflows.
Alfalite has completed the installation of two UHD Finepix 1.5 MATIX AlfaCOB LED displays at RTVE’s Teatro Monumental in Madrid. These displays are designed to provide broadcast-quality visuals for live events and television recordings, meeting demanding specifications for flicker-free on-camera images. The project was executed in collaboration with technology partner BroadService, enhancing the venue's technical capabilities.
The EBU announced the nominees for its 2026 Technology and Innovation Award, recognizing outstanding technical solutions from member organizations. These innovations span several areas, including SMPTE ST 2110 transformations, dynamic streaming deployments, AI-driven metadata generation, and sustainable production practices. The winner will be announced at the EBU T&I Summit on June 18th in Barcelona.
Broadcast Solutions delivered eight hybrid SDI/IP, UHD-capable outside broadcast (OB) units to Turkey's national broadcaster TRT, marking the company's largest contract to date. This fleet refresh prepares TRT for major upcoming events and supports its transition to IP connectivity across its technical operations. The project involved two large trailer units and six mid-size trucks, designed for significant camera counts and dual 12G-SDI/IP operation.
NBC Sports highlighted the extensive production technology used for its NBA broadcasts, including 40-60 cameras and complex audio, replay, and graphics systems for real-time coordination. The behind-the-scenes look showcased the technical expertise and precision required to produce immersive live sports coverage. This detailed explanation of their production setup follows significant viewership gains for NBC Sports' NBA programming.
SmallHD has opened pre-orders for its new OLED 16 production monitor, a 16-inch 4K OLED display priced at $5,999. Designed for DIT and DP workflows, it features 12G-SDI I/O, a 1,000,000:1 contrast ratio, and PageOS tools. It is built with an aircraft-grade aluminum chassis and offers multiple connectivity options, including 4x 12G-SDI in/out and an ethernet port.
Existing Betacam SP machines are now 25 years old, creating a magnetic media crisis for archived video content that relies on aging VTRs. This poses a significant threat to accessing historical media for re-release or remastering, as specialized services for refurbishment are costly and difficult to obtain. A potential open-source workaround, VHS Decode, aims to extend machine life by capturing signals directly from tape heads, but still faces precision and reverse-engineering challenges for higher-end digital formats.
Kart Chaser, a kart racing broadcast producer, developed a custom race-data API and integrated it with Singular.live's scripting API to automate broadcast graphics. This allows a single producer to manage sophisticated on-screen visuals for kart racing events, significantly enhancing production quality. Singular.live's platform handles the rendering, animation, and output, enabling Kart Chaser to focus on data integration.
ACT Entertainment's Green Hippo brand has introduced the Estuary Series, a new media control platform designed for live productions. This series features 10-bit/HDR processing, up to 256 layers of real-time visual control, and ultra-smooth, multi-layered switching for large LED canvases with one-frame latency. The platform, available in three models (MC1, MC2, MC4), supports various visual systems for concerts, touring, broadcast, and immersive environments.
EVS will showcase its MediaCeption, MediaInfra, and T-Motion solutions at InfoComm 2026 in Las Vegas. These offerings are designed to help organizations create, manage, and distribute content for enterprise communications, bringing broadcast innovation to corporate media workflows. Mike Shore, SVP Customer Advisory Services, will present a blueprint for enterprise media centers.
Forlinx has introduced the FET3572-C system-on-module (SoM) and OK3572-C development board, both powered by the Rockchip RK3572 processor. This new hardware supports H.264/H.265 encoding at 4K60fps and H.264/H.265/VP9/AV1/AVS2 decoding at up to 8K30fps or 4K120fps, alongside a 4 TOPS NPU for AI applications. The development board offers extensive connectivity, including multiple display and camera interfaces, dual Gigabit Ethernet, and PCIe/SATA options.
Versa Studios has launched Versa Lab, an IP and format development platform, aimed at accelerating original content ideas by combining studio infrastructure, creative expertise, and advanced production technologies. The platform provides access to virtual production, performance capture, gaming technologies, live broadcast capability, and AI-supported workflows, and includes a dedicated Pilot Studio for early-stage development. This initiative builds on Versa's work on productions for companies like CBeebies and Netflix.
Gemma Campbell, Head of Creative for UK & EMEA at Disguise, is leading efforts in innovative storytelling and immersive virtual productions. Her role focuses on merging creativity with emerging technology for next-generation entertainment, drawing on her background in architecture, film production, VFX, and virtual production. She collaborates with studios and brands to advance experience design.
Screen Ireland is supporting "Beyond Realities," a virtual production training program delivered by Eirmersive, Orijinn, IADT, and TU RISE Elevate. The hands-on program aims to provide creative and technical companies with practical experience in virtual production, covering concepts from development to delivery, including a showcase shoot in a working LED volume. Participants will gain skills in Unreal Engine, LED wall fundamentals, and camera tracking, targeting directors, camera crew, designers, editors, and VFX/Unreal learners.
This article explains how Unreal Engine is utilized in virtual production, particularly for creating realistic 3D backgrounds for LED volumes that dynamically adjust to camera movement in real time. It highlights advancements over traditional green screen methods and mentions alternatives like Unity and Blender for developing virtual environments. The piece emphasizes the benefits for live-action TV shows like The Mandalorian in reducing post-production time and cost.
Actus Digital is expanding its U.S. operations by hiring John Ryan as Senior Technical Support Engineer and Reuben Sivan as Senior Developer. These additions aim to bolster local support and development capabilities for the company's broadcast solutions in response to increased demand in the American market.
Cuez has launched a unified platform comprising six products designed to streamline live production workflows for streaming industry professionals. The suite includes tools for newsroom operations (Storydesk), live production rundown management (Rundown), studio automation (Automator), media asset management (Browz), MOS system integration (MOS-Connector), and content repositories (Blockz). This platform aims to cover the entire workflow from content creation to publishing.
NBC Sports and Peacock demonstrated their extensive production technology for the NBA Western Conference Finals to YouTuber Marques Brownlee, showcasing the scale of cameras, audio, and coordination involved in live sports broadcasting. The article highlights the technical operations, including 40-60 cameras and numerous microphones, used to deliver the live game experience to viewers and credits these technical efforts for strong viewership growth for the NBA on NBC Sports and Peacock.
AJA has launched the Io 4K Plus, a professional video and audio I/O solution designed for high-end video production workflows. This device supports 4K/UltraHD up to 60p via 12G-SDI and HDMI 2.0 over Thunderbolt 3/4/5, including HDR, HFR, and deep color. It is compatible with various professional creative software suites.
