Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
AWS Deadline Cloud has rolled out a new plugin sync feature for its service-managed fleets, simplifying content creation workflows for visual effects and animation. This update allows users to easily deliver plugins like Blender and Autodesk Maya to cloud workers, moving away from previous custom scripting requirements. The feature is available in all regions where Deadline Cloud is offered, streamlining pipeline setup and reducing configuration errors.
Blackmagic Design has launched Fairlight Live, a software-based live audio mixer supporting spatial audio and SMPTE-2110 broadcast workflows. The company also rolled out significant updates to DaVinci Resolve 21, adding a new Photo page, AI tools like IntelliSearch and CineFocus, and enhancements for Fusion and Fairlight. Additionally, the Blackmagic Camera for iOS app received an update with Apple Watch control and ATEM camera control support.
Matrox Video has launched its Maevex MGX Series of IPMX-ready 4K60 AV-over-IP encoders and decoders. These devices feature H.265 4:4:4 support and are designed to significantly reduce network bandwidth, offering efficient AV-over-IP deployments for professional use. The series supports both IPMX and Matrox IQ Mode, allowing for flexible workflow integration and ultra-low-latency performance.
Industry experts are debating the role of the Media eXchange Layer (MXL) in software-defined media facilities, identifying it as complementary to SMPTE ST 2110 for efficient media exchange between software applications. Early adopters are implementing MXL for targeted pilots and hybrid deployments to improve interoperability and reduce processing overhead. The discussion highlights MXL's potential for flexible, vendor-interoperable live production environments, while acknowledging challenges in ecosystem maturity and scalability.
Samsung has launched its Cinematic Look-Up Table (Cine LUT) feature for the Galaxy S26 series, built on its Advanced Professional Video (APV) codec. Developed in collaboration with U5K Imageworks, Cine LUT aims to make professional color grading accessible to mobile video creators, enabling cinematic looks directly on the phone. The feature allows users to apply professional color styles to Log video footage captured with the device, addressing the challenge of mobile color grading and streamlining the creation of high-quality video content.
GatesAir has opened a new office in São Paulo, Brazil, to bolster its sales, engineering, and support for the DTV+ rollout across South America. This strategic expansion aims to improve local availability of GatesAir's transmitter technologies and IP-based distribution solutions, supporting Brazil's ongoing digital television network modernization.
Atomos announced immediate availability of its Sumo PRO-19, a new 19-inch 4K HDR monitor-recorder-switcher designed for cinematic production workflows. The device records in ProRes, ProRes RAW, and Avid DNx, supports camera control, offers integrated Wi-Fi and Ethernet for cloud connectivity, and includes NDI HX3 transmission. It is priced at USD $2,899 and currently shipping worldwide.
Fox Television Stations is seeking a Director of Engineering for its Milwaukee operations, a role focused on overseeing broadcast, production, transmission, and digital engineering. The position emphasizes leadership in emerging technologies such as SMPTE 2110 and HDR workflows, crucial for a 24/7 live news and content environment. This signifies Fox’s continued investment in advanced broadcast infrastructure and production systems at the station level.
Ikan has officially launched the Studio Rover, a dual-award-winning mobile broadcast-quality production studio cart, available in HDMI/SDI or NDI/REMI configurations. This product is designed to support presenter-driven, AV tech-operated, and remote production workflows, catering to a range of professional live and recorded video production needs. It includes features like a built-in PTZ prompter, motorized column, active cooling, and a 12U rack base for integrate additional equipment.
AVIXA is hosting a webinar on June 4, 2026, focused on how AV over IP technology can enhance sports production capabilities. The session, featuring insights from Broadfield Distributing Inc. executives Jim Bask and Glen Seaman, will discuss flexible, scalable, and cost-effective broadcast workflows using standards like NDI and ST2110 for remote and multi-camera setups.
tvONE and Green Hippo's Pixel Academy are hosting two 'Master Stack' events in July 2026, bringing together various AV and live production brands. These events offer hands-on training for industry professionals on integrating modern live production technologies, including IPMX and ST 2110 transport, DMX, and network design. The showcase focuses on practical workflows across the entire AV chain.
Broadcast Management Group (BMG) published a guide on choosing live interview locations in Washington, DC, detailing the technical requirements for broadcast studios, corporate offices, hotels, and dedicated live shot studios. The article emphasizes technical readiness, including connectivity, audio, and lighting, for high-stakes live productions. BMG highlights its Washington Broadcast Center as a professional facility for these types of productions.
PTR & Co. highlights its live production services portfolio, delivering multi-camera, multi-platform streaming, remote presenter ingest, and simulcasting for over 750 corporate, entertainment, and non-profit events. The company emphasizes its hardware vision-mixing, real-time graphics, and custom RTMP output capabilities for diverse live productions. They serve major brands and institutions across the US and globally.
Ross has released an overview of its TouchDrive TD3S panel, a production switcher designed for technical directors in fast-paced live production environments. The panel features 25 crosspoint buttons, three full ME control rows with touch displays, and a built-in DashBoard computer for enhanced configuration and control.
Shure launched the MXA925 Ceiling Array Microphone, an enhanced successor to the MXA920, designed for modern meeting rooms. It features Automatic Coverage for fast setup and AI-enabled IntelliMix DSP for clear speech. The microphone also offers dual RJ45 networking and ShureCloud remote management for IT-friendly deployment and monitoring.
Neumann has introduced the KH 150 powered studio monitor, featuring a 6.5" woofer, DSP-controlled electronics for linear phase, and high SPL, designed for professional audio production. The monitor also offers an AES67 variant, providing interoperability with broadcast standards like ST 2110 and RAVENNA, and integrates with Neumann's MA 1 automatic monitor alignment system.
Artel, a Patton brand, has announced pre-orders for its new Quarra PTP-10G4POE Precision Timing Protocol (PTP) Ethernet switch. This ruggedized switch offers nanosecond PTP synchronization, PoE+, and 10G connectivity, designed for broadcast, ProAV, 5G, defense, and industrial networks. It has been tested for interoperability with key broadcast standards like SMPTE ST 2110, SDVoE, and AES67.
Logitek is introducing two new products, Glide and JetFlex, designed to modernize broadcast studio architecture. Glide is described as the first self-contained 'glass' console, while JetFlex is a 2RU platform serving as a console engine, audio router, or flexible AoIP I/O device. Both products will be demonstrated at the NAB Show in the MaxxKonnect booth.
The National Film and Television School (NFTS) is hiring a Senior Technician for the CoSTAR Stage at Pinewood Studios, a £75.6 million UKRI investment. This state-of-the-art converged media production stage is designed for R&D in broadcasting and streaming technology. The role involves operating and maintaining systems such as LED/projection, spatial audio, camera/motion tracking, ST-2110 IP media networks, and advanced AI compute.
Creative Technology supplied a full ST 2110-native video workflow for the 2026 Eurovision Song Contest, delivering over 49 million pixels to approximately 500sqm of LED screens. This setup represented a significant advancement in IP production for a major live event, utilizing a redundant 100GB network and managing complex video control and media playback. The system was built for scale, resilience, and rapid turnaround for creative variations between delegations.
Sinowell has launched a new bi-directional converter supporting 12G SDI to ST 2110 IP conversion. This device features five video capture and output channels, processing 4K60 10-bit video over a 40Gb ethernet port for live IP broadcast production. It complies with various SMPTE standards, including ST 2110-20/30/40, and offers ultra-low signal conversion latency.
wTVision showcased its real-time graphics, playout automation, and media management solutions at IBC 2015. The company highlighted products such as Media Ingester, Media Trimmer, ChannelMaker, Studio CG, and the wTVision Media Manager MAM system, along with its Go Social and FootballStats CG solutions.
wTVision showcased its 'One Man Show' solutions at NAB 2014, including updated versions of Studio CG, Channel Maker, and SportStats CG - Single Operation Edition. These offerings aim to provide efficient, single-operator workflows for broadcasters and federations, integrating graphics, video servers, and playout automation. The company emphasized its capability to provide software solutions for a wide range of broadcast projects.
wTVision provided data and graphics coverage for the Euro Beach Soccer League Superfinal in Torredembarra, Spain. The company utilized its FootballStats CG product with customized graphic templates, highlighting its live sports production capabilities for broadcast. This demonstrates their specialized offering for real-time sports graphics rendering.
wTVision deployed its MotorStats CG software to deliver real-time graphics for the 24 Hours of Le Mans, integrating with the ITS Elite V3 timing system. This showcases wTVision's specialized solutions for live sports broadcasting. The company has extensive experience covering motorsports events, particularly in Brazil.
wTVision deployed its Motorsports CG software and two operators to provide real-time graphics for the FIM Endurance World Championship Bol D'Or motorcycle race in France. The software integrated with Chronolec's Elite V3 timing system to process official race times. This showcases wTVision's specialized graphics solutions for live sports production, which can enhance viewer engagement in streaming.
wTVision provided real-time graphics coverage for Canal+ Afrique's broadcast of the Coupe de la Ligue final using its FootballStats CG software. This highlights the ongoing demand for specialized sports graphics solutions in live broadcasting. wTVision also covers the Champions League and French League for Canal+ Afrique.
wTVision provided live graphics services for Google's dedicated YouTube channel covering Carnaval de Salvador 2013 in Brazil. Operators utilized wTVision's Studio CG software from Revolution Broadcast's OB-vans to generate real-time HD graphics for identifying parade elements and music. The service encompassed hardware, software, and operational support.
wTVision delivers broadcast services, including specialized graphics and operations, for multiple Belgian football and basketball leagues such as the Jupiler League, Belgacom League, Cofidis Cup, Europa League, Ethias League, and Champions League. This involves deploying teams both in-stadium and in-studio to cover multiple games weekly for broadcasters like Telenet, Voo, Belgacom, VRT, and RTL. The scope includes on-site graphics operators, spotters, scouters, and virtual graphics specialists.
wTVision provided graphics services for the Portuguese entertainment program “Gala das Estrelas” broadcast by TVI. The company utilized its Studio CG product to integrate official graphics templates and manage real-time graphics for the live production. This highlights a vendor's offering for broadcast production workflows.
wTVision provided real-time graphics services for the regional election night in Azores for RTP Açores. The company utilized its Elections CG software to integrate and manage electoral results, producing full-screen graphics and tickers.
wTVision's SportStats CG Handball Edition software provided real-time data scouting and HD graphics playout for the Beach Handball World Championship in Oman. The solution was used to support Al Jazeera's broadcast of the event, showcasing specialized graphics for live sports production.
wTVision CEO Mário Sousa reviewed the company's 2015 performance, highlighting global expansion with projects in 55 countries and over 5500 live sports broadcasts. He emphasized continued technological development in real-time broadcast graphics and playout automation, noting a 10-year partnership with TV Globo.
wTVision is celebrating 10 years of partnership with TV Globo, providing playout automation, graphics, and channel distribution solutions. This collaboration included migrating TV Globo's multimedia center from SD to HD 1080i using wTVision's ChannelMaker and Media Tools, expanding their distribution center, and providing a turn-key solution for engineering design, equipment procurement, and human resources.
¡Hola!TV expanded its channel network by launching ¡Hola!TV US and upgrading ¡Hola!TV Latin America. wTVision provided complete integration services for both channels, leveraging its ChannelMaker V4 playout automation solution along with hardware from Grass Valley, Snell, and Miranda.
wTVision provided graphics for the King of Bahrain Cup Final using its FootballStats CG: Single Operation Edition software for HD production. A single operator managed data collection and graphics playout, with the broadcast carried by Abu Dhabi Sports and Bahrain Sports.
wTVision, in collaboration with Liquid Media, Mediatem, and Unitecnic, has implemented an end-to-end graphics service for a new weather forecasting program for Saudi Broadcasting Corporation (SBC). The project's first phase included design, graphics implementation, animated slots, a weather forecasting package, and accompanying music. A second phase will involve installing an 82-inch touch screen in the studio.
wTVision has provided graphics and data solutions to major surf events globally since 2010, using its SurfStats CG software for data integration and graphics playout. The company also offers wTVirtual Ads for virtual advertising during live productions, creating new revenue opportunities for event sponsors. wTVision has covered 23 events in 8 locations during the first seven months of this year, including the J-Bay Open and Vans US Open of Surfing.
wTVision partnered with Best Seat Music, a mobile app for live concert streaming, to refresh its platform. wTVision provided branding, 3D animation, on-air graphics, and real-time data integration using Studio CG for the app's relaunch concert. The collaboration focused on enhancing the visual and interactive experience for mobile users attending virtual live events.
wTVision, in partnership with Backlight, deployed a giant screen solution for Estoril Praia's football stadium in Cascais, Portugal. The system utilizes wTVision's FootballStats CG software to display match information, player stats, scores, and advertisements during games, providing dynamic screen display management for live sports venues.
wTVision announced the completion of its 100th election project, providing software and services for real-time graphics and data integration during Spanish regional and municipal elections. The company utilized its Elections CG software for clients such as Canal Sur, Aragon TV, Antena 3, and 8TV, often incorporating augmented reality graphics and on-site support.
wTVision delivered graphics and gathered statistics for three FIBA 3x3 World Tour basketball tournaments in Chicago, Lausanne, and Tokyo. The company utilized its dedicated software to control graphics and collect statistics for the events. This project highlights wTVision's capability to cover diverse sports globally, reinforcing its position as a global company.
wTVision deployed its CombatStats CG software to manage real-time graphics for two International Judo Federation events in China and Uzbekistan. This highlights the practical application of specialized software for live sports production and data integration in broadcast.
wTVision deployed its FootballStats CG - Single Operator Edition software with a dedicated operator to manage data and real-time graphics for the Toulon Youth Tournament 2013. The solution was used to cover the annual event for players under 20, showcasing specialized software for live sports production.
wTVision delivered an end-to-end playout automation solution to TV Pasiones, a multicultural channel serving North and South America. The deployed system includes ChannelMaker Automation System, ChannelMaker Sequencer, Playout, Media Playout Server, Media Checker, Media Validator, Media Transfer Manager, and Media Ingester, designed to optimize broadcast workflows.
wTVision delivers data and real-time graphics for 9 National Football Leagues globally, leveraging its FootballStats CG software. The company integrates data from partners and offers comprehensive services including software, on-site operations, and virtual graphics. This includes dedicated production hardware like OB-Vans and in-stadium giant screen management.
AvL Technologies has launched new 1.8m motorized vehicle-mount/driveaway antennas for mobile VSAT and ruggedized applications. These antennas support Ku-, C-, and Ka-bands, offering dependable SATCOM capabilities for mobile operations and short-duration stops, with features like zero backlash AvL Cable Drive and an advanced antenna control system.
wTVision provided full graphics services, including hardware and software integration, for two South American motorsports competitions: Formula Truck and Top Race. The company secured a multi-season deal for Formula Truck and integrated the official timing system (Cronomap) for both events, handling on-air graphics playout.
wTVision provided live graphics services for "Extraaa Innings Vivo IPL 2016," a studio show for the Indian Premier League produced by Sony Pictures Networks. They developed a custom graphics package, used their CricketStats CG for live data, and integrated social media using Go Social. The company also supplied a 3D visual tool for commentators to enhance real-time statistics and reports during broadcasts.
wTVision delivered broadcast graphics operations for the inaugural season of the Basketball Champions League across Spain, Belgium, Latvia, and Finland. This involved integrating its software with the FIBA Europe Stats Suite and handling various graphic elements for live sports productions. The collaboration reinforces wTVision's role as a specialized graphics solution provider for sports broadcasting.
