Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Diverse Made Media has launched the CAERUS Rover, a professional wheelchair-mounted camera system that integrates LiveU LU300S cellular bonded technology for mobile live production. The system is designed to provide stabilized, broadcast-quality acquisition for news and remote production environments.
ESL FACEIT Group is utilizing a hybrid IP and baseband infrastructure to produce 7,000 hours of content for the 2026 Esports World Cup. The technical deployment includes 110 physical encoders, 280 concurrent streams, and remote production workflows enabled by real-time game data integration.
Optical networking startup Lumilens has emerged from stealth with $900 million in funding to develop fiber-optic interconnect chips for AI data centers. The company’s technology, including co-packaged and near-packaged optics, aims to overcome bandwidth and distance limitations of copper interconnects within high-density GPU clusters.
SK hynix has approved a $38.3 billion investment to build two new semiconductor manufacturing facilities, including a fab dedicated to HBM and DRAM production. The infrastructure expansion is designed to support the increasing demand for high-speed memory required by data centers and artificial intelligence applications.
Arqiva has completed a multi-year infrastructure overhaul of the UK's DAB radio network, migrating 62 multiplexes and over 1,000 services to a centralized coding and multiplexing system. The initiative consolidated operations from 13 sites into two, resulting in an 87% reduction in annual electricity consumption and significantly improved operational resilience.
OSEE has launched the GoStream Duet 8 ISO, a $1,795 live stream switcher kit designed for professional field production. The device features an integrated 14-inch monitor, support for NDI, SRT, and RTMP, and simultaneous 8-channel ISO recording.
Cinegy plans to demonstrate a Linux-based Docker implementation of its Air playout and automation software at IBC. The company claims this architecture reduces RAM usage by 75% to 87.5% compared to Windows-based deployments, aiming to improve cost efficiency and scalability for software-defined broadcast channels.
This article provides a detailed technical overview of core Audio Engineering Society (AES) standards, including AES67, AES70, and AES10 (MADI), that underpin professional IP studio and SMPTE ST 2110 workflows. It examines the technical implementation, synchronization, and interoperability requirements for these standards in modern broadcast production environments.
Senior figures from production firms Sunset+Vine, SailGP, and Two Circles identified cloud-based remote production as the most significant technological shift for modern sports broadcasting. The panel highlighted how cloud infrastructure enables complex multi-stream workflows, real-time data integration, and increased operational efficiency for large-scale sports events.
AT&T is deploying Ericsson dual-band 600MHz radios with 8RX uplink-enhancing technology to address increasing mobile upload demand for applications like agentic AI and fixed wireless access. The deployment is part of a larger network infrastructure upgrade aimed at improving capacity and performance in anticipation of future traffic patterns.
Startup Kenyi Technologies is developing a DPU chiplet designed to provide hardware acceleration for Arm-based CPUs in virtual Radio Access Network (vRAN) deployments. The lookaside accelerator aims to challenge Intel's dominance in the vRAN market by enabling performance scaling for Arm processors without requiring proprietary silicon lock-in.
LTN Global has expanded its Live Event Master Control solution to provide cloud-native playout, automated graphics, and low-latency IP transport. The platform is designed to offer sports broadcasters and rights holders a software-driven alternative to traditional on-premises master control rooms.
SET President Paulo Henrique Castro presented updates on Brazil's TV 3.0 (DTV+) roadmap and IP-based broadcast migration at the Blackmagic Week São Paulo event. The sessions focused on the adoption of SMPTE ST 2110, NDI protocols, and the technical requirements for low-latency remote production.
Appear VP Matt Zajicek argues that the broadcast industry is shifting from pure cloud migration to a hybrid operating model. The strategy emphasizes combining on-premises hardware, IP networking, and public/private cloud resources to balance performance and cost requirements for different tiers of sports production.
Shotoku Broadcast Systems is expanding its robotic camera portfolio with the new Aura PTZ product family and the Swoop robotic crane, set for a European debut at IBC2026. The launch includes a specialized PTZ control system, prompter panner, and a QR-based positional correction system designed for broadcast and corporate production environments.
USA Sports is updating its NASCAR broadcast workflow by deploying a pace-car analyst and integrating 10 in-car camera systems via NEP Specialty Capture. The production plan includes new RF camera configurations and drone vantage points to enhance live coverage for the 2026 season.
swXtch.io has launched groundSwXtch, a software-defined multicast overlay application that enables the transport of uncompressed Audio over IP formats like AES67 and ST 2110-30 over standard IP networks. The solution eliminates the need for dedicated codec hardware and multicast router reconfiguration, supporting hybrid cloud and on-premises workflows.
KMH Integration has hired industry veteran Keith Hanadel to lead its architectural design and project management team. The addition supports the company's single-source design-build approach for deploying IP and virtualized media workflows for organizations like Netflix, Disney, and NBCUniversal.
Live Media Group has acquired eight U.S. mobile production units, along with engineering personnel and client contracts, from Gravity Media. The acquisition expands Live Media Group's fleet to over 35 trucks and enhances its capacity for REMI and HDR-capable broadcast productions.
Cobalt Digital is introducing new fiber I/O connectivity for its 9935-AUD4-DANTE openGear audio processing cards and expanding its IPMX functionality with support for JPEG XS Temporal Differential Coding (JXS TDC). These updates are designed to simplify the migration from SDI to hybrid IP production workflows and will be showcased at IBC2026.
Dalet has launched its new Solution Suites, a set of cloud-native media asset management packages designed to streamline production, distribution, and archiving. The suites integrate the company's Dalia AI assistant and over 25 preconfigured workflows to support enterprise-level video operations and metadata management.
Sony has announced the FX5, a new compact full-frame cinema camera featuring a stacked CMOS sensor and integrated AI-based human-pose estimation for autofocus. The device supports proprietary X-OCN RAW recording, internal high-frame-rate capture, and includes advanced stabilization and audio capabilities designed for professional production workflows.
Broadcast Management Group (BMG) utilized a hybrid REMI workflow to produce an eight-hour live TikTok broadcast for Amazon Prime's Obsessed Fest. The production employed LiveU’s cellular bonding and cloud-based Ingest technology to manage multi-camera feeds and real-time editorial workflows from a centralized operations center.
Ikegami announced a series of updates to its UNICAM camera ecosystem ahead of IBC2026, including new variable neutral-density filters, OLED viewfinders, and expanded remote production control tools. The showcase will focus on high-frame-rate and IP-based studio hardware, including new monitoring and control interfaces.
Riedel Communications will debut an integrated IP-based production ecosystem at IBC2026, featuring updates to its SimplyLive Production Suite and MediorNet platform with native SMPTE ST 2110 support. The demonstration showcases a unified, software-defined workflow including orchestration, audio processing, and private 5G networking capabilities for live broadcast environments.
Solid State Logic announced the launch of its System T TCA Tour, a compact fly-away audio production system, and new SSL Live workflows at the upcoming PLASA Show 2026. The new system is designed for rapid deployment in live broadcast and production environments, featuring integrated I/O and touch-based control.
Glyph has launched the Atom EX80, a portable SSD designed for production environments that features 80Gbps data transfer speeds and integrated location tracking. The device aims to address professional media workflow needs such as high-speed data offloading and physical asset security during transport.
SpaceX, Tesla, and Intel are collaborating on a $16.8 billion semiconductor manufacturing facility in Texas called Terafab. The plant is designed to vertically integrate the production of advanced logic and memory chips intended for use in Tesla's robotics and autonomous vehicle systems, as well as SpaceX's space-based data centers.
GatesAir is introducing its new Maxiva XTK software-defined exciter at IBC2026, designed to support multiple global digital transmission standards including ATSC 3.0 and DVB-T2. The FPGA-based platform features real-time adaptive correction and is backwards compatible with previous-generation transmitter infrastructure via firmware updates.
Nine Network has commenced a multi-year 'Future News' initiative to transition its nationwide news production to a cloud-based infrastructure using Saga and Mimir platforms. The project aims to integrate AI-driven automated workflows into 9News and Current Affairs operations by 2027.
Lightware has detailed its UBEX extension system, a hardware solution designed for professional AV environments that provides uncompressed 4K60 4:4:4 signal transmission over 10G links with 0.01 ms latency. The FPGA-based system supports redundant signal paths and field-exchangeable SFP+ modules for diverse connectivity requirements.
ARRI and HONOR have collaborated to calibrate the imaging pipeline of the upcoming HONOR Robot Phone to align with the ARRI ALEXA ecosystem. This development enables mobile footage to utilize standard ARRI LogC3, Wide Gamut 3, and Look files, allowing for more consistent visual workflows between professional cinema cameras and mobile devices.
Broadcasters are evaluating the MXL media exchange layer as a software-native complement to existing SMPTE ST 2110 infrastructure. While vendors highlight technical efficiency for shared compute, adoption is tempered by significant capital investments already committed to the ST 2110 transition.
The 11th annual SVG Regional Sports Production Summit provided technical insights into the migration of regional sports production toward hybrid cloud architectures, PTZ camera workflows, and SMPTE ST 2110 standards. The event showcased how RSNs and local teams are adapting live production workflows for DTC, OTA, and in-house network distribution.
Cinematographer Celiana Cárdenas discusses the technical production workflows used for the Apple TV+ series Cape Fear. The production employed ARRI Alexa 35 cameras, anamorphic lenses, and complex lighting rigs, alongside practical effects to establish the series' visual language.
Supervising sound editor Wade Barnett discusses the technical post-production workflow for Amazon's The Boys. The interview highlights the specific software and plugin stack used, including iZotope RX, Soundminer, EdiCue, and Krotos Dehumaniser for sound design and dialogue editing.
Blackmagic Design has released DaVinci Resolve 21.0.4, introducing support for Sony FX5 X-OCN clips and enhanced proxy relinking capabilities. The update also adds new scripting APIs for timeline management and provides various performance and stability improvements for the Studio and Fusion editions.
Executives from TAG Video Systems, Imagine Communications, and Telestream discuss the industry-wide shift in multiviewer technology from simple visual confidence monitoring to integrated operational awareness platforms. Modern systems are increasingly required to correlate signal data, telemetry, and metadata across IP-based ground-to-cloud workflows to expedite root-cause analysis.
Cobalt Digital announced an expanded lineup of IP and SDI processing solutions to be demonstrated at IBC2026, featuring new JPEG XS temporal differential coding support for its IPMX-certified products. The showcase will also include updates to its blueCORE, UltraBlue, and PACIFIC product families, highlighting the industry's shift toward hybrid ST 2110/IPMX workflows.
BSS Audio has launched its Soundweb OMNI 600, 300, and 200 Series, a new line of AV-over-IP platforms designed for networked audio, video, and USB distribution. The system leverages H.264, H.265, and Motion Wavelet compression, managed via HARMAN’s AVX Suite for integrated enterprise and education workflows.
Corsair Gaming has acquired a minority stake in Bitfocus AS to strengthen their ongoing partnership for the Elgato Stream Deck ecosystem. The deal aims to accelerate joint research and development for professional broadcast, AV, and live event production control software.
Arkona technologies is introducing its BLADE//planner visual configuration tool at IBC 2026. The software-based tool provides a graphical interface for engineers to design and manage IP-based broadcast workflows and resource allocation for the company's existing BLADE//runner infrastructure platform.
ME Engineers design associate Jason Lemiere discusses how stadiums can leverage real-time data, Unreal Engine, and LED display systems to create interactive fan experiences. The commentary focuses on using venue-based technology infrastructure to compete with high-production home broadcasts.
Ikegami announced it will demonstrate its new UNICAM XE series cameras and OLED viewfinders, including the VFE-P07D and VFE-P711AD models, at the upcoming IBC 2026 conference. The showcase focuses on new exposure control features like constant-aperture variable neutral density for their portable and studio camera lineups.
Broadcast Management Group used LiveU's bonded cellular technology and cloud-based Ingest platform to produce and stream an eight-hour live event for Amazon Prime directly to TikTok. The remote production workflow utilized AI-driven bandwidth management and simultaneous cloud recording to manage 12 camera feeds for a high-concurrency social media broadcast.
Professional Wireless Systems utilized Shure's Axient Digital wireless and DCA901 microphone array technology to manage complex audio requirements during the World Cup Final halftime show. The deployment allowed engineers to remotely shape pickup zones in real-time and consolidate audio, power, and control through a single network connection.
The United Soccer League is trialing FIFA’s Football Video Support (FVS) system, a lower-cost video review alternative to VAR, during the 2026 USL Cup. The implementation uses Spiideo camera infrastructure and NEP Group for broadcast integration and off-site operations.
Radio France utilized a redundant Lawo AoIP infrastructure featuring mc²56 consoles and A__UHD Core engines to manage audio production and international distribution for the 2026 Concert de Paris. The workflow incorporated RAVENNA networking and Lawo HOME for centralized device management across multiple mix positions.
TAG Video Systems has updated its software-based monitoring and quality-control platform to include Docker container support and integration for the MXL standard. The release also adds automated QC features and performance optimizations for high-bandwidth ST 2110 production environments.
Actions Technology and Ceva have launched the ATS296X-series SoCs, which utilize Bluetooth High Data Throughput (HDT) technology to increase peak speeds from 2 Mbps to 7.5 Mbps. The chips are designed to enable lossless multichannel audio and low-latency performance for home theater systems and soundbars ahead of the Bluetooth 7.0 specification.
