Gravity Media adopts Calrec Argo to scale remote sports audio
Gravity Media has upgraded its West London Production Centre by installing Calrec Argo audio consoles and ImPulse IP cores to support remote sports production. The facility utilizes SMPTE 2110 workflows and Calrec's True Control 2.0 technology to manage multi-venue live broadcasts while optimizing latency and redundancy.
Key Takeaways
- Gravity Media deployed two 48-fader Argo S consoles and one 36-fader Argo M at its 38,000-square-foot facility in White City.
- True Control 2.0 technology allows a single operator to manage up to five consoles simultaneously, expanding remote processing capabilities for EQ and dynamics.
- RP1 Remote Production units facilitate real-time in-ear monitoring by pairing faders at the central facility with hardware at the remote venue to mitigate latency.
- The SMPTE 2110 facility uses Calrec H2-IP Gateways to integrate legacy analogue, AES, and MADI feeds into a unified AoIP environment.
Why It Matters
Gravity Media's adoption of distributed audio control signals a shift toward centralized hubs that decouples physical faders from processing cores. By leveraging True Control 2.0, the firm can scale technical operations for tier-one sports without the proportional expense of travel or on-site hardware footprints. For the broader ecosystem, this move reinforces the maturity of SMPTE 2110 and ST2022-7 redundancy standards in high-stakes live environments. As streaming platforms demand more localized and specialty feeds, watch for Gravity Media to utilize these Argo consoles to deliver multi-venue broadcasts from a single, remote control surface.
Additional Context
The expansion at the West London Production Centre follows the 2024 merger between EMG and Gravity Media, which unified under a single brand in July 2025 to create a global production powerhouse. Per Gravity Media reporting in July 2025, the combined entity now operates over 100 outside broadcast trucks and 40 production facilities worldwide. This scale allows the company to support massive multi-platform contracts, such as the delivery of TNT Sports’ remote production galleries at the WestWorks facility, which was completed in early 2024 to support ATP Media and Formula E workflows.
Technological confidence in remote workflows reached a new peak in 2026, as rights holders faced increasing pressure to cut carbon emissions and operational overhead. According to industry analysis from Ateme in January 2026, hybrid REMI production models have evolved from a cost-saving tactic into a 'creative unlock,' enabling more camera angles and immersive audio formats that were previously logistically impossible. Calrec ImPulseV DSP software specifically addresses these needs; as noted by Calrec in October 2025, the system allows for distributed production across geographically diverse locations, integrating virtualized cloud resources like ImPulseV DSP updates with physical hardware.
This trend toward decentralized command is now common among major sports broadcasters. Per Broadcast Sport in June 2026, leading firms like Whisper Cymru and IMG are increasingly utilizing these multi-platform sports production workflows to diversify their talent pools, hiring operators who no longer need to reside near traditional production hubs. The integration of 21 multi-booths at the White City facility further suggests that Gravity Media is preparing for a future where off-tube commentary and localized language feeds are standard requirements for global streaming rights holders.
Read full article at svgeurope.org
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