Industry leaders from various broadcast technology vendors discuss the shift toward multi-platform sports production workflows. The roundtable highlights the integration of IP-based standards like ST-2110, REMI, and AI-assisted automation to simultaneously deliver content across broadcast, streaming, and social channels.
The transition to IP-based workflows and software-defined infrastructure allows rights holders to extract maximum value from a single live event by feeding multiple platforms at once. This shift forces a convergence between traditional broadcast engineering and IT networking, creating a critical skills gap as legacy SDI systems are retired. As broadcasters prepare for events reaching 100 million concurrent viewers, the focus is moving toward multicast ABR and Media over QUIC to maintain network stability. Watch for the adoption rate of the JT-DMF framework as a signal that the industry is moving away from proprietary hardware toward truly interoperable, software-centric production environments.
The SMPTE ST-2110 standard has become the backbone of IP-based live production, with major broadcasters and technology vendors committing to full deployments. In early 2025, Sony Electronics confirmed that its HDC-3500 camera system achieved full ST-2110 compliance for live sports and entertainment production, joining a growing ecosystem of interoperable equipment. Riedel Communications has similarly expanded its IP-native portfolio, with the company announcing in March 2025 that its Artist-1024 intercom platform now supports ST-2110-30 audio transport natively, eliminating the need for SDI-to-IP gateways in large-scale sports venues. Imagine Communications, another key player in the transition, has been pushing software-defined playout and routing as replacements for legacy hardware routers in sports production facilities.
On the REMI side, the economics of remote production continue to attract investment from rights holders seeking to reduce on-site crew costs. AWS Elemental expanded its live video processing suite in April 2025 with new inference capabilities designed for cloud-based sports production, enabling broadcasters to run graphics insertion, ad replacement, and multi-format encoding without dedicated on-premises hardware. LTN, which operates a managed IP transport network used by major sports leagues, announced in February 2025 that it had surpassed 500 live event contributions per week across its global network, underscoring the scale at which REMI workflows are now operating. Sportcast Bundesliga media production has been deploying hybrid REMI and ST-2110 architectures for Premier League coverage, combining on-site camera capture with cloud-based switching and graphics.
Technical benchmarks for ST-2110 in sports environments have matured significantly. Extreme Networks published test results in May 2025 showing that its SLX-series switches maintained zero packet loss across 200 simultaneous ST-2110 streams at 25 Gbps, a threshold relevant to multi-camera sports productions that routinely require 40 or more uncompressed video feeds. Cobalt Digital has contributed to the ecosystem with its 9904-UDX-IP converter, which the company demonstrated at NAB Show 2025 as a bridge between legacy SDI equipment and ST-2110 networks, addressing the transitional period many broadcasters face. Meanwhile, the JPEG XS standard, which compresses ST-2110 streams to roughly 10:1 with visually lossless quality, has gained traction for REMI applications where bandwidth between venue and production center is constrained, with targeting live sports and outside broadcast workflows.
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