Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
NEP Americas has upgraded its PGA TOUR mobile production fleet with 29 Boland 31-inch OLED HDR monitors to support both traditional broadcasts and remote production (REMI) workflows. The displays provide consistent calibration, Rec. 2020 color support, and custom ruggedized mounting to withstand the demands of live mobile production environments.
Chaos has launched V-Ray 7, Update 4, which integrates real-time rendering via Chaos Vantage directly into DCC viewports and adds support for Gaussian splat relighting. The update aims to unify asset workflows for film and virtual production pipelines, offering performance improvements for both CPU and GPU rendering.
Sohonet and Bind Studio have expanded their partnership to provide an integrated, turnkey cloud-based VFX production platform. The solution combines workflow tools like Sohonet's FileRunner and ClearView Flex with Bind Studio's production infrastructure to streamline remote VFX pipelines.
Kiloview released firmware version 1.25 for its FN-50 and FN-60 hardware encoders and decoders, adding NDI 6.3 SDK support and WHIP protocol compatibility. The update also introduces 8-channel audio support and optimizes latency for RTMP and long-term encoding stability.
Efinix has announced its new Titanium Edge FPGA family, featuring 16nm process technology and integrated HyperRAM to support low-power AI and computer vision at the edge. The new devices, including the Ti125, offer programmable I/O and hardware-level SEU correction, designed to decrease PCB footprint and power consumption in specialized streaming and vision hardware.
Geniatech has launched the XPI-3576-CM5, a system-on-module featuring the Rockchip RK3576 SoC designed for industrial edge AI and video applications. The module integrates an NPU for AI acceleration and hardware support for video encoding and decoding formats including AV1, HEVC, and H.264 up to 8K resolution.
Canon has launched the EOS R6 V, a video-centric camera designed for content creators with features including 7K RAW open gate recording, internal cooling for long-form capture, and native UVC/UAC support for live streaming. The system includes professional-grade tools such as waveform monitors, LUT support, and specialized autofocus features to streamline the production-to-distribution workflow.
Dean Street Podcast Studio founder Rob Chandler describes the technical workflow of his London-based studio, which utilizes Blackmagic Micro Studio Cameras, Blackmagic Ultimatte hardware, and Unreal Engine. The facility is designed to provide cost-effective video production for the growing podcast market by keeping an audio-first, automated infrastructure.
At SIGGRAPH 2026, Puget Systems is demonstrating production-ready AI workflows including real-time LiDAR-based interaction, 4D Gaussian Splatting, and AI-driven relighting using Beeble Studio. The exhibit showcases these demanding computational workflows integrated into Unreal Engine on high-performance workstation hardware.
Subframe technology improves live multi-camera virtual production by synchronizing LED video wall refreshes to individual camera shutters. This technique enables a single LED volume to display unique perspective-correct backgrounds or tracking data to multiple cameras simultaneously.
This technical guide explains the critical differences between linear power and saturation power ratings when selecting COFDM Power Amplifiers (PAs) for wireless video transmission. It details why system integrators must account for peak-to-average power ratios to ensure signal integrity and proper TDD switching for high-definition video links.
Gartner’s latest analysis identifies Nvidia, AMD, and Broadcom as key leaders in the AI semiconductor market, citing their technical capabilities and ecosystem maturity. The report notes that these incumbents face growing pressure from rivals promoting open industry standards and specialized inference architectures as infrastructure requirements shift.
SMT deployed its specialized scoring, tracking, and graphics infrastructure for the 154th Open Championship, managing on-course LED scoreboards and broadcast data. The integration featured real-time shot visualizations using an Unreal Engine model and GPS-tracked handheld devices to automate scoring data across the venue.
Director of Photography Edward Goldner discusses the use of the new Blackmagic URSA Cine 17K 65 camera on the Australian crime series Treasure & Dirt. The production utilized 65mm sensor technology and Q3 compression to manage high-contrast, rugged desert filming conditions.
The 154th Open Championship broadcast features a widespread remote production workflow using 139 cameras and EVS video technology to deliver 100+ feeds to IMG’s Stockley Park facility. The R&A and European Tour Productions manage this massive operation to support live broadcasts across 217 territories.
FIFA and HBS successfully executed a massive, decentralized production model for the 2026 World Cup across 104 matches, utilizing a software-defined private-cloud architecture. The operation leveraged a high-capacity 600Gbps network to transport uncompressed UHD and JPEG-XS feeds from 16 venues to a centralized IBC in Dallas for graphics, audio, and replay functions.
Host Broadcast Services (HBS) is deploying a massive production infrastructure for the 2026 FIFA World Cup Final, featuring 60 match cameras, 54 replay trains, and specialized aerial and RefCam perspectives. The production leverages a multi-region network connecting sites in the U.S., Spain, and Argentina to deliver live feeds to an expected global audience of over 1.5 billion people.
TVNewsCheck will host a webinar on August 13, 2026, featuring executives from NBCUniversal Local, Sinclair, Cuez, and Crispin Corp. to discuss the evolution of newsroom technology toward storycentric, multiplatform workflows. The session will focus on the cultural and technological shifts required to move beyond traditional rundown-based production models.
Seeed Studio has launched the reCamera Pro, an AI-powered modular camera featuring a Rockchip SoC with a 3 TOPS NPU for on-device computer vision and generative AI workloads. The device supports 4K video encoding, RTSP, and ONVIF protocols for integration into IoT and industrial video intelligence systems.
Mercedes-Benz Stadium Chief Engineer Cole Gallagher discusses the venue's 2025 production control room renovation and the evolution of its technical workflows for major international sporting events. The interview highlights infrastructure scaling strategies in preparation for upcoming large-scale host duties, including the 2026 FIFA World Cup and the 2028 Super Bowl.
FIFA, in collaboration with HBS, Moov, and AE Live, implemented a complex broadcast graphics workflow for the 2026 World Cup featuring inclusive design for colorblind viewers and integrated real-time telemetry. The project required custom flag creation for all 211 confederations and a specialized graphics pipeline for referee camera views.
FOX Sports utilized ST 2110-based BRISK IP flypacks to orchestrate remote studio production for the 2026 FIFA World Cup Final across multiple North American locations. This workflow enabled the broadcaster to centralize technical operations in Los Angeles while maintaining low-latency remote presentation platforms at MetLife Stadium and Brooklyn Bridge Park.
Clair Global, through its brands ATK Audiotek and Clair Global Integration, is managing the audio reinforcement, communications network, and RF management for the 2026 FIFA World Cup Final halftime show. The project utilizes a distributed-mono Cohesion CO12 PA system, Dante-over-fiber transport, and specialized infrastructure independent of the venue's house systems to support both live concert and broadcast production requirements.
Compute Exchange has launched a secondary marketplace for used and refurbished Nvidia H100 and A100 GPUs, aimed at enterprises and cloud providers seeking to scale AI infrastructure at lower costs. The platform provides a service for sourcing physical hardware, complementing its existing GPU capacity procurement business.
Blackmagic Design has released version 3.4 of its Blackmagic Camera for Android app, introducing 4K HDMI video and audio output, REST API remote control, and WearOS support. These features aim to expand professional multi-camera and remote-production capabilities for mobile device-based workflows.
Vector Photonics has launched the Accelerated Manufacturing for PCSEL Packaging Solutions (AMPPS) programme to address technical constraints in the production of high-power surface-emitting lasers. This initiative aims to improve thermal management and production yields for optical interconnects used in data centers and AI-driven streaming infrastructure.
The European Broadcasting Union and European Athletics have published a technical production guide aimed at reducing the sexualization of female athletes during broadcast coverage. The 23-page document provides production teams with specific recommendations on camera angles, shot composition, and replay usage to prioritize athletic performance over appearance.
Studio Technologies has introduced the Model 762, a compact, all-digital monitor controller designed for Dante audio-over-Ethernet workflows. The device supports AES67 and Dante Domain Manager, providing broadcast and post-production professionals with a standardized monitoring interface that connects via Power over Ethernet.
Dalet has launched its latest Long-Term Supported (LTS) release of Dalet Flex, which integrates the 'Dalia' agentic AI platform to enable natural language workflow automation. The update also introduces OpenID Connect authentication, enhanced computer vision for metadata enrichment, and expanded support for professional mezzanine formats like DNxHD.
The Romanian Football Federation and EAD have signed a seven-year partnership with Sportec Solutions AG to modernize domestic football VAR infrastructure. The agreement includes deploying 4K camera systems, specialized AVOL PRO technology, and a centralized operations hub in Mogoșoaia.
TSMC reported a 77% year-over-year profit increase and announced a $100 billion investment to expand its Arizona fabrication complex, targeting advanced 2nm process technology. The expansion, which includes four new fabs focused on high-performance computing, will provide essential silicon architecture for data centers and video processing infrastructure.
Vivid Broadcast has launched 'Barra OB', a custom-built outside broadcast vehicle designed for remote-first production. The truck features a battery-run power system inspired by maritime industry technology and an isolated engineering environment to improve workflow efficiency for high-profile productions.
Sennheiser has released firmware 1.4 for its Spectera wireless audio system, introducing enhanced monitoring and SoundBase app integration. Additionally, the company launched a new physical Command Button accessory that provides talkback and muting functionality for broadcast and live production environments.
TF1 utilized four Solid State Logic Live L550 Plus mixing consoles to manage complex audio production for the fifteenth season of The Voice France. The setup employed redundant Blacklight II MADI fiber links to facilitate resource sharing across multiple broadcast, FOH, and monitor mixing positions.
NFL Films showrunner Joe Zucco discusses the production technology and workflows used to create the Netflix docuseries Quarterback. The interview covers the use of compact microphones, specialized cinema lenses, and technical lessons adapted from the Hard Knocks franchise to capture intimate athlete footage.
BBC Sport relocated its production operations from Salford to on-site in the U.S. for the final stages of the 2026 FIFA World Cup, citing the need for greater local atmosphere. The broadcaster also integrated an interactive 3D game experience into its iPlayer coverage, offering viewers real-time tactical views, player perspectives, and manual camera controls.
Austrian public broadcaster ORF is executing a remote production model for the 2026 FIFA World Cup, utilizing cloud-based feed delivery from the U.S. to their Vienna headquarters. The workflow includes in-house AR graphics and social media integration to overcome the challenges of disparate kickoff times and time zones.
Nvidia is positioning its networking stack, including Spectrum-X and BlueField DPUs, as a critical component for AI inference scalability and operational efficiency. The analysis highlights a shift where the network is now treated as an integral part of the compute architecture, though it raises industry-wide debates regarding potential customer lock-in due to deep proprietary ecosystem integration.
Playhouse Studios has acquired Halo Post and merged it with its existing subsidiary, LipSync, to form a unified post-production division named Playhouse Post. The new entity operates a facility in Soho, London, equipped with advanced infrastructure including Baselight systems, Dolby Atmos theaters, and NVMe-based media storage workflows supporting broadcasters and streaming platforms.
Producer and director Shana Stein discusses the technical production workflow for Hulu's 'The Testaments', highlighting the use of ARRI Alexa 35 cameras and remote collaboration via Evercast. The production utilized Take 5 for post-production, Mavericks for 600 VFX shots, and Company 3 for grading to establish a new visual aesthetic.
NVIDIA has announced the Jetson T3000 and T2000 modules for edge AI and robotics, scheduled for release in Q1 2027. The company claims the 32GB T3000 offers comparable multimodal performance to the 128GB T5000, though independent verification is currently hampered by a lack of published benchmark methodology.
FIFA has integrated semi-automated offside technology (SAOT) featuring camera-based tracking and IMU-equipped match balls, alongside 3D player modeling, to reduce officiating decision times. These innovations utilize IoT sensors from KINEXON and visualization modeling from Lenovo to streamline live broadcast data production.
Intel has begun manufacturing chip layers for its Core Ultra Series 3 processors using ASML’s High NA EUV lithography systems. This advanced hardware technology allows for 8-nanometer resolution, which is expected to improve power efficiency and performance for high-performance computing and AI applications.
The Blender Foundation has released Blender 5.2, an LTS version featuring GPU-accelerated video sequencer effects, a new texture cache system for optimized memory usage, and enhanced support for professional camera color spaces. This update also introduces node-based sound integration and advanced geometry node capabilities for production workflows.
GigaIO has entered a strategic partnership with Mushroom Networks to integrate broadband bonding technology into its Gryf and Manticore edge supercomputing platforms. This integration aims to improve high-bandwidth connectivity and reliability for far-edge video and sensor-based AI workloads by aggregating multiple wireless and wired network links.
Executives from camera and robotics manufacturers discuss the integration of IP connectivity, larger sensors, and automation in broadcast production environments. The roundtable explores how PTZ and robotic camera systems are evolving to balance cinematic image quality with the operational efficiency required for digital-first and remote workflows.
Tuff-N-Uff Productions and Cox Business discuss the requirements for managing high-bandwidth, remote sports production workflows delivering content to UFC Fight Pass. The article highlights the necessity of designing for peak capacity and resilient infrastructure rather than routine operational baselines.
Integrated Systems Europe (ISE) is expanding its Spark event, moving to the Fira Montjuïc venue in 2027 to better accommodate growth in virtual production and immersive technology workflows. The event focuses on bridging technical and creative communities, featuring demonstrations of LED volume production solutions and automated studio systems from vendors like Samsung and MoSys.
CNN London has transitioned its primary multi-camera studio to an all-LED workflow using Litepanels Gemini and ETC Lustr fixtures controlled by Grand MA3 consoles. The facility uses Densitron touch-screen panels for automated lighting control and has standardized on Sony FX6 cameras for outside broadcasts to ensure consistent image quality.
Frost & Sullivan analysis indicates that rising AI and high-performance computing workloads are forcing data centers to shift toward 80kW rack densities, necessitating liquid cooling and more resilient, integrated power architectures. The report outlines key strategies for managing grid instability and asset scaling, highlighting several infrastructure vendors as key players in this transition.
