Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Universal Pictures utilized Amazon Web Services, Company 3, and Pixelogic to pilot an end-to-end cloud production workflow for the film 'Love Hurts.' The project centralized assets in Amazon S3 to streamline dailies, color grading, and digital cinema mastering, serving as a real-world test of MovieLabs 2030 Vision principles.
Fox Sports centralized its 2026 FIFA World Cup production at its Pico facility, deploying Dell Isilon storage, Appear multicast contribution infrastructure, and a custom HDR-to-SDR LUT. The shift streamlines remote production workflows and improves resilience for the 104-match tournament.
CamThink has launched the NeoEyes NE503, a 4K edge AI camera platform built on the Hailo-15H AI-powered SoC. The device is designed for local, multi-model inference and event-driven computer vision workflows for remote production monitoring, avoiding reliance on cloud infrastructure.
AJA has launched the Io Xpand, a $499 Thunderbolt 5 PCIe expansion chassis designed to bring its KONA and Corvid video and audio I/O cards to laptops and mini-PCs. The device supports Windows, macOS, and Linux, providing up to 6000 MB/s of bi-directional PCIe bandwidth to enable mobile, high-bandwidth capture and playback for remote and live production workflows.
Prime Video's upcoming series Spider-Noir opted for traditional blue-screen compositing over virtual production volumes to retain flexibility in post-production. The production utilized a multi-vendor VFX pipeline involving ILM, Barnstorm, Cosa VFX, and Cinesite to manage environments, de-aging, and complex character CGI across eight episodes.
TelevisaUnivision is executing a large-scale hybrid production strategy for the 2026 FIFA World Cup, managing 104 matches via a mix of remote workflows, onsite mobile units, and advanced studio environments. The operation integrates redundant SRT transport, LED-driven studio sets, and AR technology to support both linear and streaming delivery on Vix.
FOX Sports Digital is executing a 39-day continuous YouTube livestream for the 2026 FIFA World Cup, anchored by a cloud-based switching and custom remote production infrastructure called DRIP. The production utilizes Ross Video hardware, Harmonic cloud systems, Grass Valley, Calrec Audio, and Tagboard, alongside an internal AI-driven analytics platform built to predict viral trends and guide real-time editorial decisions.
GMKtec has launched the EVO-X3 AI workstation, featuring the AMD Ryzen AI Max+ 395 processor and native OCuLink connectivity for external GPU expansion. The unit is marketed for high-throughput AI inference and workstation-scale workloads, moving the hardware from a consumer focus to a professional competitive tier.
Apple demonstrated a live Major League Soccer broadcast using 15 iPhone 17 Pro devices to investigate the viability of replacing legacy production infrastructure with high-end consumer hardware. The project serves as a case study for shifting towards software-driven, AI-integrated production models to potentially reduce costs for lower-tier sports content.
Chyron has updated its cloud-native live production platform, Chyron LIVE, with two new releases. Version 1.15 adds direct integration with Haivision StreamHub for remote contribution, while version 1.14 introduces SCTE-35 ad insertion capabilities and various switcher enhancements.
YES Network completed a phased transition from SDI to SMPTE ST 2110 IP infrastructure at its Stamford facility, using Arista routing, EVS Cerebrum orchestration, and EVS Neurons converters. Bridge Technologies' VB440 probe was deployed for high-density monitoring and remote production capabilities. The upgrade supports enhanced graphics workflows and a 4K LED video wall for live Yankees and Nets broadcasts.
Apple successfully broadcast a live MLS match using 15 iPhone 17 Pro units for primary capture, demonstrating the potential of computational photography and AI-driven edge processing. This approach highlights an evolving production model that leverages vertical integration to lower infrastructure costs for second-tier and developmental sports leagues.
MYiR has announced the MAC-B5760, a fanless edge industrial PC powered by the Rockchip RK3576 SoC. The device is designed for edge computing and video analytics applications, featuring hardware-accelerated video processing and an optional AI accelerator module for LLM and VLM tasks.
UGREEN has launched the NASync DXP4800 Pro, a 4-bay NAS featuring a 13th Gen Intel Core i3 processor, 10GbE networking, and support for up to 96GB of DDR5 RAM. The unit is marketed toward creators and small business users for demanding storage and media transcoding workflows.
Researchers from Zhejiang University and RMIT University have developed a compact imaging chip that integrates spectral analysis directly into hardware using microscopic light-sorting structures. This prototype, demonstrated with commercial sensors, enables on-chip spectral sensing without the need for bulky external laboratory equipment.
A leaked build of AMD's FSR 4.1.1 upscaling library discovered in Valve's Proton Experimental reveals compatibility with RDNA 2 and RDNA 3.5 architectures. Users have verified the functionality of the INT8-based upscaling model on previous-gen hardware using third-party tools, despite AMD's official silence on broader support.
Researchers at the Silesian University of Technology have designed a low-power, visually lossless JPEG XS frame buffer codec optimized for on-chip display systems. Implemented on an AMD Artix UltraScale+ FPGA, the proposed design features a simplified non-standard Golomb-Rice entropy coding mode that reduces logic utilization by 28% and total codec power consumption by 4.7% compared to the standard JPEG XS precinct mode.
Sports Video Group details the massive live production and remote workflows deployed for major sports properties, highlighting FOX Sports, Telemundo, and TSN's distributed ST 2110 and 1080p HDR setups for the 2026 FIFA World Cup. The report also covers NBC Sports' RF audio innovations at the U.S. Open and ESPN's expanded 41-camera technical deployment for the Men's College World Series.
FIFA's Head of Host Broadcast Operations, Oscar Sanchez, outlines the technical and operational strategy for the 2026 World Cup, which utilizes a hybrid workflow splitting responsibilities between in-venue setups and a centralized International Broadcast Center in Dallas. The production features a major focus on highly coordinated 1080p HDR feeds, AI-stabilized referee camera feeds, and a decentralized graphics architecture.
TSN has adopted a 1080p HDR workflow for the 2026 FIFA World Cup, deploying redundant native HDR and SDR signal streams across its Toronto and Vancouver facilities. The broadcaster is utilizing Vivaro for redundant fiber transmission, a 5G network slice with LiveU for on-pitch camera delivery, and a custom REMI workflow built on Ross Video switchers.
PlayBox Neo has launched a private data center in the United States to host cloud-enabled playout and media workflows for US broadcasters. The initiative aims to provide predictable pricing, bypassing volatile bandwidth and egress fees associated with multi-tenant public cloud providers.
At InfoComm 2026, Cisco and NVIDIA announced the integration of agentic AI capabilities natively into video conferencing hardware endpoints via RoomOS 26. Concurrently, the Alliance for IP Media Solutions (AIMS) launched its first free, three-level IPMX training curriculum to accelerate adoption of open AV-over-IP transport standards.
FIFA and Host Broadcast Services will deploy a decentralized, software-defined production architecture across 16 venues for the 2026 FIFA World Cup. The infrastructure leverages a converged SMPTE ST 2110 IP network, virtualized cloud processing on commercial off-the-shelf servers, and remote operations centralized at the Dallas International Broadcast Centre.
Genelec has introduced its 9402A System Management Device, expanding IP network compatibility with Dante and AES67 support for its Smart Active Monitor line-up. The hardware acts as a bridge between traditional digital paths and AoIP infrastructures, supporting up to 9.1.6 Dolby Atmos configurations for studio and broadcast environments.
Epic Games has released Unreal Engine 5.8, introducing production-ready enhancements to its virtual production tools, including Movie Render Graph and Live Link Hub. The update also adds a new MCP plugin for LLM integration, Lumen Lite for mobile and lower-end platforms, and markerless motion capture capabilities in MetaHuman 5.8.
LiveU is deploying its bonded cellular transmission technology and LiveU Central cloud management platform for the summer's global soccer tournament across 16 host cities in the U.S., Canada, and Mexico. The technology will support both broadcast production teams and over 100 public safety agencies with stable, low-latency video transport over congested networks. LiveU's deployment will utilize LiveU IQ for dynamic carrier switching and LiveU Reliable Transport (LRT) to manage cellular load balancing.
Ross Video has launched Indigo, a unified, web-based media workflow platform designed for modern digital-first newsrooms. Introduced at NAB Show 2026, the modular system consolidates ingest, editing, asset management, and playout, merging the capabilities of legacy products Media IO, Streamline, and Inception into a single database environment.
ACT Entertainment and NETGEAR have announced a strategic partnership to establish verified interoperability between NETGEAR switches and ACT's product brands, including tvONE and Green Hippo. The collaboration aims to streamline AV-over-IP deployments and reduce complexity for live events, broadcast, and networked live production environments. The integrated workflows and hardware systems will be demonstrated at InfoComm 2026.
AJA Video Systems has introduced the Io Xpand, a Thunderbolt 5-enabled PCIe expansion chassis designed for KONA and Corvid video and audio I/O cards. The unit allows video professionals to utilize high-performance PCIe capture and playback cards with Thunderbolt 5 laptops and mini-PCs. It supports up to 6000 MB/s of bi-directional PCIe bandwidth and is designed for portable, remote, and live production environments.
Clear Angle Studios has launched its new Volumetric Capture Rig (VCR) at Pinewood Studios, offering dynamic Gaussian splat capture capabilities. The rig features 40 high-speed 6K cameras and 450 programmable light nodes to deliver photoreal virtual production assets, aiming to significantly reduce VFX post-production rendering times.
Sony Marketing Inc. and Sony Corporation implemented AWS Elemental MediaConnect Router to build a hybrid cloud-based live video production system for high-scale sports events. The architecture enabled the routing of over 90 live video sources into cloud switchers, bypassing hardware input limitations while reducing physical on-site infrastructure and cost.
BBC R&D is developing Beepy VP, a prototype virtual production system designed to run on consumer-grade computers and screens. The system uses marker-based tracking and AI-created backgrounds to eliminate the need for expensive LED walls. This initiative aims to make virtual production accessible and financially viable for lower-budget television and public service broadcasting.
DAZN detailed its technical architecture for broadcasting the 2026 FIFA World Cup, leveraging a centralized International Broadcast Center in Dallas to coordinate massive remote productions. The strategy utilizes triple-redundant transatlantic fiber networks, European transit hubs for processing and encoding, and localized feeds for Italy, Spain, and Japan.
Randy Ubillos, the designer behind Adobe Premiere and Apple Final Cut Pro, was recently honored at LACPUG's 18th anniversary for his pioneering work in digital video editing. His innovations, beginning in 1989 at Supermac Technology, were instrumental in transitioning the media industry from analog to digital workflows. The event celebrated his significant contributions to video editing software and its impact on the industry's evolution.
This article discusses the uncertainty surrounding the 2020 NAB Show due to the COVID-19 pandemic, with exhibitors like AJA, Nikon, and Zaxcom pulling out and concerns about reduced attendance and financial implications for exhibitors. The article culminates with the announcement of NAB's official cancellation for the year. This event significantly impacted vendors that rely on trade shows for marketing and sales.
Frame.io has introduced "Camera to Cloud" (C2C), a hybrid hardware-software-cloud solution designed to instantly upload media and live stream directly from cameras to production teams. This innovation enables remote collaboration and parallel post-production workflows, addressing the industry's need for increased efficiency and diversity. The service allows for instant proxy uploads upon calling 'cut' and live streaming footage to authorized devices globally, facilitating faster editorial processes and reducing on-set personnel.
Apple's iPhone 13 Cinematic Mode will allow users to edit depth-of-field and refocus video in post-production. This functionality, currently unique to the iPhone 13, is being extended to iMovie for iOS/macOS and Final Cut Pro. This development is expected to pressure other camera manufacturers and non-linear editors (NLEs) to develop similar post-refocusing capabilities.
The National Association of Broadcasters (NAB) canceled the 2021 NAB Show for the second consecutive year due to the Delta variant, impacting marketing and technology planning for the streaming industry. This decision was described as brave, smart, and correct due to safety concerns for attendees and exhibitors.
Apple's upcoming macOS Catalina update will remove 32-bit application support and QuickTime 7 reliant codecs, posing a risk to video production workflows. The author advises streaming professionals to delay upgrading to avoid disruptions, drawing a parallel to a recent Google Chrome update that impacted Avid Media Composer. The article suggests waiting for the .1 update and preparing by converting media and updating 32-bit applications.
Larry Jordan re-evaluates 360/VR, suggesting its success lies in delivering immersive experiences rather than replacing traditional filmmaking. The article guides filmmakers on how to leverage 360/VR as a new revenue stream, outlining its strengths, weaknesses, and production considerations for creating engaging content that puts viewers 'in the middle of an experience.' This includes distinguishing between interactive, cinematic, and 360/VR, along with technical terms like stereoscopic and monoscopic VR.
AJA announced the IP25-R v2.0 firmware update for its SMPTE ST 2110 Mini-Converter, adding a Tx (transmit) mode for 12G-SDI to ST 2110 or HDMI conversion. The update also increases supported video and audio channels in Rx (receive) mode from four to six streams. This enhancement allows for more flexible and cost-efficient baseband/ST 2110 conversion solutions.
Location Collective and its OMA Studio Group offer cost-effective production spaces and filming locations in the UK for film and TV producers, aiming to reduce expenditure for ambitious projects. They provide flexible options, from multi-site production hubs to backlots, and boast high-spec soundstages and sustainable practices. The company has worked with clients like Universal Pictures and Apple TV.
LiveU is providing its live video technology for a major global soccer tournament across North America, enabling broadcasts and enhancing multi-agency public safety communications through bonded cellular technology. The company's solutions, including LiveU IQ and LiveU Reliable Transport, are highlighted for maintaining stable, low-latency video feeds even in congested network environments. This deployment showcases LiveU's role in real-time communication for both media and public safety at large-scale multi-venue events.
This article rounds up new tools for post-production, including Filmsticks' new clapperboard range and Matchmove Machine's lens distortion grid database. It also highlights First Rush's macOS multi-camera SDI recorder and new AI tools like Beeble's SwitchX model powering OpenArt VFX and CETA's Morpheus AI reporting tool.
Apple announced new hardware and software updates at WWDC 2019, including the new Mac Pro and Pro Display XDR, which are aimed at video professionals. The Mac Pro features an Intel Xeon processor, extensive PCI Express expansion, and high-performance I/O, while the Pro Display XDR offers a 32-inch Retina 6K display with high brightness and color accuracy. Additionally, macOS Catalina was previewed, replacing iTunes with new entertainment apps and introducing Sidecar for using iPads as second displays for Macs, which can benefit video editing workflows.
The article discusses the evolving relevance of NAB Show, highlighting its shift from traditional broadcast to TV 3.0 content creation driven by accessible production tools like the Canon 5D MKII and affordable software. The author suggests that the 2020 cancellation of NAB provides a unique opportunity for the event to reinvent itself for a completely changed industry. The piece reflects on how the professional media landscape has been transformed by new technologies and content creators.
Snap Inc. has launched SPECS, augmented reality glasses priced at $2,195, designed for standalone spatial computing. These glasses feature Snap's proprietary displays, optics, and computer vision, aiming to integrate AI assistance, work tools, and entertainment into daily life. Snap also introduced new developer tools for the SPECS ecosystem, including agentic development for Lenses in Lens Studio and a Native Development Kit.
Christie has released Spyder-S 6.1, an update to its video processing platform, enhancing connectivity with new DisplayPort 1.4 and SFP Frames. This expansion aims to support more complex productions for rental, staging, live events, and fixed installations. The platform offers increased flexibility, scalability, and performance for demanding live environments.
Limecraft has launched version 2026.4 of its platform, introducing Team-Based Access Control to streamline user and permission management for large-scale media operations. The update also includes GPU-accelerated media processing for Apple Silicon Macs, speeding up ingest and proxy-generation workflows, and enhanced localization features. These improvements aim to help media organizations scale efficiently while maintaining operational control.
Insta360 has launched its Mic Pro wireless system, featuring a customizable e-Ink display, stereo 32-bit float internal recording, and the ability for the receiver to connect up to four transmitters. The system offers multiple pickup patterns and noise cancellation, positioning it as a versatile audio solution for video production in an increasingly crowded market.
