Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Raspberry Pi Holdings is increasingly being adopted for industrial edge AI inference, moving beyond its traditional educational and hobbyist roots. This shift highlights the growing viability of low-cost, localized hardware for real-time video processing and computer vision tasks in industrial environments.
Molex has made a strategic investment in cooling technology startup CAEPlus to develop and license its BoundaryCool active liquid cooling system. The technology is designed to manage the high thermal loads of next-generation GPUs and ASICs in data centers, with Molex securing exclusive licensing rights for its pluggable I/O product portfolio.
Omdia reports that TCL is differentiating its premium TV lineup by deploying proprietary SQD Mini LED technology, which offers high color performance at a lower manufacturing cost than RGB Mini LED alternatives. While competitors Samsung and Hisense focus on low-cost mainstream solutions, TCL's strategy targets a projected market of over 27 million units by 2030.
USBridge Technologies has launched the USBridge-KVM 2.0, a $219 IP-KVM device designed for remote system administration and bare-metal recovery. The hardware features BIOS-in-Terminal OCR capabilities and supports remote management via a Sunshine/Moonlight-based streaming pipeline.
Calrec has integrated its ImPulseV virtualized digital signal processing software into the NEP Platform orchestration environment. This integration allows broadcasters to deploy scalable audio processing on commercial off-the-shelf hardware or in the cloud, reducing the need for significant up-front capital expenditure.
A stage designer details the technical workflow behind the VTuber Awards, highlighting the integration of Unreal Engine for real-time rendering, Disguise for media server orchestration, and stYpe for camera tracking. The article emphasizes the necessity of treating virtual environments as functional, stable components of a live broadcast system rather than mere visual backdrops.
SMT will provide real-time telemetry, GPS tracking, and 3D landmark pointers for FOX Sports' broadcast of the IndyCar Freedom 250. The deployment utilizes the RACEf/x platform and Ghost Car Live technology to enhance viewer orientation and performance analysis during the street circuit race.
PTZOptics has announced the Rise 4K, a new flagship PTZ camera featuring a 1-inch 50MP sensor, 20x optical zoom, and AI-powered auto-tracking. The device supports professional production standards including 12G-SDI, NDI HX, and FreeD, with a scheduled release in Q4 2026.
Cinematographer Gustav Danielson discusses the technical production workflow for HBO's A Knight of the Seven Kingdoms, highlighting the use of Panavision Ultra Panatar anamorphic lenses and Alexa Mini LF cameras. The production emphasized in-camera naturalism and a custom LUT-based color pipeline to achieve an earthy, gritty aesthetic for the series.
Grass Valley announced it will demonstrate native MXL v1.1 support and NMOS implementations within its AMPP platform at IBC2026. The showcase will highlight a hybrid-by-design workflow that integrates SDI and SMPTE ST 2110 infrastructure with software-defined media processing.
BMG Executive Producer Graham Taylor discusses the evolving responsibilities of sports producers in managing complex REMI and hybrid production workflows. The interview highlights the necessity of coordinating distributed teams and real-time technical operations to maintain broadcast quality across multiple streaming and broadcast destinations.
Kiloview advocates for a hybrid IP production strategy, utilizing its RF02 modular chassis and FXC-A8800 hardware to integrate SDI and IP workflows. The company cites a case study with Beijing Radio and Television, where this approach reportedly increased studio utilization by 80% and reduced maintenance costs by 50%.
Birkbeck, University of London, has completed an 18-month, 80-room HyFlex AV infrastructure upgrade in partnership with systems integrator GVAV. The project utilizes a mix of Sony LED walls, Shure Dante audio, AVer tracking cameras, and Extron control systems to standardize hybrid teaching and virtual production capabilities across the campus.
The LDInnovation Conference at LDI 2026 will host over 100 sessions focused on virtual production, AI-native creative workflows, and cinematic XR design. The event provides technical training for broadcast and live experience professionals on topics including lighting console programming, networking, and AR/VR studio integration.
SP Studios utilized Brompton Technology’s Hydra measurement system and Red Rock OPS to recalibrate 315 Absen LED tiles for its virtual production stage. The process aligned color and luminance across different panel batches, effectively doubling the facility's daily shooting capacity by enabling full-wall utilization.
Leader Electronics will showcase its new LPX500 hybrid IP/SDI monitor and other test and measurement solutions at IBC 2026. The hardware supports high-bandwidth workflows including SMPTE ST 2110, 12G-SDI, and JPEG XS to assist engineers in managing hybrid infrastructure transitions.
QuickLink is launching the StudioEdge-4K hardware appliance and adding native 4K 60fps support to its StudioCall remote contribution platform. The system integrates NVIDIA-powered AI upscaling to allow broadcasters to incorporate HD feeds from platforms like Zoom and Microsoft Teams into professional 4K SDI and NDI workflows.
EMAM, PlayBox Neo, and SNEWS have launched Nuvex, a unified broadcast workflow platform that integrates media asset management, newsroom production, and automated playout. The system is designed to support cloud, on-premises, and hybrid environments for broadcasters and media organizations.
The FCC has issued a further notice of proposed rulemaking to allow radio and TV stations to transition from dedicated hardware-based Emergency Alert System (EAS) encoders to software-based solutions. The proposal aims to address hardware supply chain constraints and improve system reliability, though it mandates that software remain located at physical broadcast facilities to ensure resilience during IP network outages.
Channel 4 has चुosen Encompass Digital Media to provide managed linear playout, channel origination, content supply chain and disaster recovery services for its UK portfolio, including Channel 4, E4, More4, Film4, E4 Extra and 4seven. The multi-year deal will use Encompass’s cloud-native Altitude platform from London and Riga ahead of the 2027 launch.
The British Film Commission is leveraging new tax incentives and expanded studio infrastructure to maintain the UK's position as a global production hub. The organization is also focusing on integrating virtual production, ICVFX, and international collaborations to support the evolving needs of high-end television and film production.
Viavi Solutions has launched Vertex 6.0, a channel emulator designed for 6G and Wi-Fi 7/8 testing, following its acquisition of Spirent's emulation business. The company is positioning the product to capitalize on increased demand for high-capacity optical connectivity upgrades within the data center ecosystem.
Market intelligence firm CONTEXT reports a divergence in the European UC&C market, with collaboration video revenue rising 18% in Q2 while headset sales declined by 7%. The data indicates a shift in corporate spending toward all-in-one video bars and PTZ cameras for hybrid meeting room deployments over traditional peripheral refreshes.
Blustream has announced the launch of its IP300 AVoIP platform and ACM1000 control module, designed for 4K 18Gbps distribution over 1Gb networks. The company also previewed its upcoming PROSync platform, which aims to support 8K video and 4K at 120Hz, and introduced a new network management category called BLUNet.
Nvidia has transitioned its Spectrum-X Ethernet Photonics switches to full production, marking a shift toward commercial deployment of co-packaged optics (CPO) for AI infrastructure. The move involves a supply chain ecosystem including TSMC, Lumentum, and ASE Technology to improve power efficiency and signal path performance in large-scale AI clusters.
Lightware has launched Ubex, an AV over IP system designed for the rental and events market that supports uncompressed 4K UHD 60Hz video streaming. The system features ultra-low latency of 0.01ms and utilizes interchangeable SFP+ modules for flexible fiber or copper connectivity.
Samsung Foundry has confirmed its 1.4nm (SF1.4) process node is scheduled for volume production in 2029, with an enhanced SF1.4+ version following in 2030. The roadmap focuses on multi-generational 2nm development and Design Technology Co-Optimization to improve power and area efficiency for high-performance computing applications.
Olympic Broadcasting Services (OBS) has been awarded the International Honour for Excellence by the International Broadcasting Convention (IBC) for its advancements in live sports production. The recognition highlights OBS's deployment of ultra-high-definition, cloud-based, and remote production workflows used to deliver the Olympic Games to a global audience.
The post-production and VFX sector is experiencing a wave of business closures driven by rising operational costs, a 13% decline in film and TV production volume, and the shift toward in-house production by major streamers. Industry experts suggest that surviving studios must pivot to leaner, remote-first models and integrate AI-driven workflows to remain competitive.
A report from TrendForce predicts that SSD and DRAM prices will remain elevated through 2030 due to manufacturers prioritizing high-bandwidth memory for AI workloads. This supply shift has led to a fivefold increase in DDR5 module costs, impacting enterprise hardware and storage infrastructure budgets.
TechInsights forecasts the logic packaging market will reach 144.8 billion units by 2030, with high-value growth driven by 3D GPU packaging and datacenter processors. The report highlights a shift toward application-specific packaging roadmaps, particularly for AI infrastructure and agentic AI workloads in client compute.
Sony has launched the FX5, a compact cinema camera featuring a 5K 3:2 Open Gate sensor and internal X-OCN RAW recording capabilities. The camera is designed for small-crew productions, prioritizing a compact form factor by omitting SDI and internal ND filters while offering advanced autofocus and stabilization.
Boland Communications is introducing a SMPTE ST 2110 input option for its 4K HDR monitors, utilizing 25GbE SFP connections to eliminate the need for external gateways. The company will also debut the 4K55HDR7SNB super-narrow bezel display for tiled video wall configurations at IBC2026.
Video Village has entered an exclusive distribution partnership with Node Mill for the LensNode lens-simulation plugin. The release of version 2.0 introduces a 16-bit processing mode for improved performance and expands compatibility to include Adobe Premiere, After Effects, and Apple Final Cut Pro.
Honor has launched the Robot Phone, a mobile device co-engineered with ARRI that integrates professional imaging technologies including ARRI LogC3, Wide Gamut 3, and ARRI Looks. The device features a motorized gimbal and 10-bit recording capabilities designed to bridge the gap between mobile content creation and professional motion picture workflows.
PTZOptics has announced the Rise 4K, a new flagship broadcast PTZ camera featuring a 1-inch 50MP sensor, 12G-SDI connectivity, and AI-driven auto-tracking. The camera supports multiple professional protocols including NDI HX, SRT, and FreeD, and is scheduled to begin shipping in Q4 2026.
LiveU and Panasonic Lumix have launched the 'Live Anywhere' production workflow, a mobile-first system integrating Lumix cameras with LiveU's IP bonding technology. The solution is designed to enable professional live streaming for sports and news without the need for traditional broadcast infrastructure or satellite trucks.
Calrec has integrated its ImPulseV virtualized DSP software into the NEP Platform orchestration layer. This integration allows broadcasters to deploy scalable audio processing across COTS hardware and cloud environments, reducing the need for upfront hardware investment.
Anton/Bauer has received full cUL/UL certification for its EDEN Mobile Power Station, confirming compliance with electrical safety and fire risk standards in the U.S. and Canada. This certification addresses increasing requirements from major streamers and broadcasters for certified equipment to avoid production shutdowns and liability issues on set.
TAG Video Systems has updated its monitoring and QC platform with Docker container support, MXL standard interoperability, and enhanced network performance for 400 Gbps links. The release also introduces new automated tools for audio, DVB subtitle OCR, and lip-sync synchronization to support cloud-based production workflows.
Chyron has announced a suite of updates for its sports production ecosystem ahead of IBC 2026, including AI-driven player masking in PAINT 10.4 and multilingual graphics translation powered by NVIDIA. The company is also introducing SCTE-35 ad insertion markers for its cloud-native LIVE platform to support remote production monetization.
Matrox Video has announced its upcoming product demonstrations for IBC 2026, focusing on IP-based and software-defined media workflows. The showcase will feature the Matrox Origin framework, Monarch Edge encoders, and various IP-based signal conversion and KVM solutions utilizing SMPTE ST 2110 and IPMX standards.
LiveU and Panasonic LUMIX have launched the Live Anywhere workflow, a mobile production system that integrates LUMIX cameras with LiveU IP bonding technology. The turnkey solution is designed for single-operator and multi-camera setups, enabling untethered live production without traditional broadcast infrastructure.
Sports Video Group has announced the second-annual SVG LIVE! summit scheduled for November 10 in Los Angeles. The event will focus on technical workflows for live production, including remote (REMI) production, cloud infrastructure, AI integration, and the use of cine-broadcast equipment.
AMD has released the Ryzen AI Embedded X100 processor, an APU featuring 16 Zen 5 cores and an integrated 50 TOPS NPU designed for industrial robotics and real-time computer vision applications. The platform supports ROCm.AI and is designed to provide a unified compute environment for low-power edge AI tasks.
Rights holders like TelevisaUnivision and Scripps are adopting IP-based workflows to manage the increasing complexity of delivering localized live sports feeds across multiple platforms. The transition centers on using template-driven automation and resilient IP routing to scale versioning without linear increases in production costs.
Actua Sport utilized LiveU’s LU900Q bonded cellular units and Matrix cloud platform to manage host broadcast operations for the 2026 Glasgow Games. The deployment supported 1,400 hours of live content distribution across 10 venues using AI-driven 5G connectivity and SRT/LRT transport protocols.
Insta360 has launched the X6, an 8K 360-degree camera featuring dual Sony 1/1.1-inch sensors, native Dolby Vision support, and the on-device PanoMind AI model. The device represents a hardware update for immersive content capture with enhanced processing power, storage, and battery life.
Aputure has announced the availability of the STORM CS32, a tunable color point-source LED monolight that uses a seven-emitter BLAIR-CG architecture to replicate 4K HMI output. The fixture features smart power management and granular color control, designed to balance high-intensity cinema output with portability for single-operator production workflows.
Major camera manufacturers including Canon, Nikon, and Sony have integrated C2PA 2.3 provenance standards to provide cryptographically signed media authentication. This technology allows creators to establish content history and enables platforms like YouTube to display 'Captured with a camera' disclosures to help mitigate synthetic media misinformation.
