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← Production Hardware
HardwareSeptember 8, 2026

Camera Corps launches Q4K compact UHD camera at IBC 2026

Camera Corps launches Q4K compact UHD camera at IBC 2026
sportsvideotech.com

Camera Corps is bringing the Q4K compact UHD camera to Videndum’s stand 13.A05 at IBC 2026 in RAI Amsterdam. The broadcast PTZ camera captures up to 60 fps from a 1/1.8-inch 8.4-megapixel Sony sensor and adds an optional SMPTE ST 2110 module for remote IP deployments.

Key Takeaways

  • Q4K compact UHD camera will be shown at Videndum stand 13.A05 at RAI Amsterdam.
  • The camera uses a 1/1.8-inch 8.4-megapixel Sony sensor and records true UHD at up to 60 fps.
  • The Enhanced CCU version includes remote-controllable microphone amplifiers and a 24-bit stereo audio 12G-SDI embedder.
  • An optional SMPTE ST 2110 module is available for IP-based remote broadcast workflows.
  • Camera Corps is also showing its underwater pan-and-tilt system and EV-60 OB nodal remote head.

Why It Matters

The Q4K adds another compact camera option for live sports, commentary booths, and other tight shooting positions where full-size rigs are impractical. Its IBC 2026 debut also signals continued demand for specialty capture tools that fit into multi-camera IP workflows, especially as broadcasters look for cameras that combine UHD output, HLG support, and transport options such as ST 2110. At IBC, the key thing to watch is whether Camera Corps emphasizes production deployments, IP integration details, or new use cases beyond sports and underwater coverage.

Additional Context

Camera Corps’ parent, Videndum, has been using IBC to show a broader remote-production stack that ties camera control, support, and transmission together, which is the clearest sign that the Q4K is entering a market where compact form factors still need to fit into larger workflows. That matters because buyers increasingly want cameras that can sit inside mixed SDI, NDI, and IP environments without adding operational friction.

ST 2110 is now a familiar option in live-production camera fleets, including Sony’s high-end systems with optional adapters for network output, so Camera Corps is not pitching IP support into a greenfield market. The competitive pressure is less about novelty and more about how cleanly a compact UHD camera can slot into remote and shared infrastructures without forcing a full platform change.

Broadcast vendors are also treating IBC as a proving ground for live IP workflows across multiple booths and partner systems, which reinforces why integration matters as much as sensor specs. Camera Corps’ Q4K lands in that same operational context, where broadcasters are weighing whether a small UHD camera can be deployed as part of a wider production chain rather than as a standalone device.


Read full article at sportsvideotech.com

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