Blackmagic Design has released the Camera 10.3 update for the URSA Cine 12K LF, introducing native SMPTE-2110 support for live production via 10G Ethernet. The update also adds a built-in DaVinci Resolve-based color corrector, B4 lens support, and improved imaging features to facilitate cinematic workflows in broadcast environments.
This update signals a significant shift in live production by bringing large-format cinematic sensors into the SMPTE-2110 IP ecosystem. By integrating DaVinci Resolve color tools directly into the camera hardware, Blackmagic is challenging traditional broadcast vendors who rely on separate external processing for high-dynamic-range live feeds. This move simplifies the technical stack for streaming high-end live events, such as concerts or sports, where cinematic depth is increasingly demanded. As IP-based workflows become the industry standard, watch for how quickly legacy broadcast facilities adopt these cinema-first cameras to replace traditional 2/3-inch sensor units.
The Blackmagic Camera 10.3 update introduces native SMPTE-2110 support to the URSA Cine 12K LF, enabling cinematic 12K capture for live broadcast environments. By integrating DaVinci Resolve color correction tools directly into the camera, Blackmagic simplifies high-end live production, allowing creators to stream cinematic-quality footage over 10G Ethernet networks.
The update adds native SMPTE-2110 support, allowing the camera to integrate into IP-based live production environments via 10G Ethernet.
Yes, the update integrates a DaVinci Resolve-based primary color corrector, allowing for live adjustments of lift, gamma, and gain using ATEM panels.
Yes, the camera now supports B4 lenses through the new URSA Cine Mount B4, helping bridge the gap between cinema and studio workflows.
The pre-record feature allows the camera to capture up to 10 minutes of footage before the record button is actually pressed.
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