Blackmagic URSA Cine SMPTE-2110 update enables cinematic live production workflows
Blackmagic Design has released the Camera 10.3 update for the URSA Cine 12K LF, introducing native SMPTE-2110 support for live production workflows. The update also adds a DaVinci Resolve-based live color corrector, support for B4 lens adapters, and a 10-minute pre-record function.
Key Takeaways
- Native SMPTE-2110 support allows for real-time 2160p60 video transmission over 10G Ethernet without external converters.
- Integrated live color corrector utilizes DaVinci Resolve primary controls, manageable via ATEM Camera Control Panels or trackball consoles.
- New pre-record function captures up to 10 minutes of footage before the record button is pressed to prevent missing critical moments.
- Hardware compatibility expands with support for B4 lens adapters and the 7-inch URSA Cine Studio Viewfinder touchscreen.
- Generation 6 color science update adds dual 3D LUT processors and a dedicated LUT for the SMPTE-2110 output path.
Why It Matters
The addition of SMPTE-2110 support to a large-format 12K sensor signals a shift toward high-end cinematic aesthetics in live broadcast environments. By integrating DaVinci Resolve color tools directly into the camera hardware, Blackmagic is bypassing traditional broadcast limitations regarding dynamic range and color grading flexibility. This move pressures legacy broadcast camera manufacturers to offer similar IP-native workflows and cinematic sensors at lower price points. As live events increasingly demand film-like visual quality, the industry should monitor how quickly sports and news productions adopt these hybrid cinema-broadcast systems over dedicated studio chains. The success of this integration will likely be measured by the adoption rate of the new B4 lens adapters in professional live environments.
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