Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
OSEE has debuted the Mega 15S4, a 15-inch multi-view monitor featuring a 1,500-nit IPS Black panel and a new swivel-arm mounting system. The device supports up to four simultaneous sources via 3G-SDI and 4K HDMI and is designed for on-site and outdoor production environments.
The European Broadcasting Union (EBU) is hosting an open-source meetup at IBC 2026 featuring technical pitches on cloud-native production, ST 2110 implementations, and media software projects. Presenters include representatives from Nvidia, Mux, Eyevinn, and Amagi, focusing on advancing standardized, uncompressed broadcast workflows and media processing.
Lawo has introduced two new microservices to its HOME Apps ecosystem, the HOME Logo Inserter and HOME Key and Fill Extractor, at IBC2026. These cloud-native tools enable broadcasters to perform real-time HTML5-based branding and generate SMPTE ST 2110-20 compliant key and fill signals for IP-based production workflows.
Bitfocus is launching version 1.8 of its Buttons media control platform, which adds an NMOS registry server for IP discovery and direct TSL tally management integration. The update also introduces automatic path-finding for routing and support for triple-redundant hardware to enhance resilience in live broadcast environments.
Ikegami has introduced four new VN series cameras to its UNICAM XE line at IBC 2026, featuring variable neutral-density filters for enhanced exposure control and depth-of-field adjustments. The new models support 4K HDR, global shutter sensors, and 12G-SDI connectivity, targeting virtual production and live sports environments.
Limecraft has announced version 2026.6 of its production platform, which introduces automated ingest, transcription, and metadata enrichment workflows. The update also includes a mobile app for direct workspace uploads and a private preview of conversational AI for searching recorded media.
EVS has unveiled the XT-S, a software-defined live production server platform that utilizes CPU and GPU processing to support replay and UHD zoom workflows. The platform is scheduled for initial delivery in early 2027, with early adopters including Game Creek Video and AMP VISUAL TV.
LiveU has launched Hybrid Data, a managed service that integrates Starlink broadband with cellular connectivity for its field production units. The service allows broadcast teams to bond multiple IP connections under a single billing and support plan in the US and UK.
The production of the WWII drama Pressure utilized a combination of high-resolution 35mm archival scanning, AI-upscaling, and colorization to integrate historical footage with new material shot on ARRI Alexa Mini cameras. Cinematographer Jamie Ramsay employed a specific lighting and lens strategy to maintain visual continuity between the restored archival stock and modern digital capture.
iodyne will showcase its Pro Mini Smart Drive at IBC 2026 through collaborative demonstrations with Hedge, Adobe, RED Digital Cinema, and Cintegral Technologies. The demos will highlight the drive's performance in live European production workflows, including capture, archive, and RAW grading.
CBS Sports is transitioning its entire NFL and lead college football production slate to native HDR using HLG, supported by upgraded mobile units from NEP and Game Creek Video. The network is also expanding its deployment of specialized production technologies, including SkyDry rain-clearing systems and NFL Next Gen Stats integration, across its various broadcast crews.
FOX Sports is standardizing its NFL broadcast operations by deploying Production Anywhere Remote Kits (PARK) to integrate onsite crews with remote facilities in Tempe and Los Angeles. The initiative includes expanded use of AR, high-speed pylon cameras, and a shared power infrastructure strategy developed in collaboration with CBS Sports.
OWC has acquired OpenDrives to integrate its Atlas data storage platform into OWC's shared storage portfolio, expanding its enterprise-scale data management capabilities. Additionally, OWC announced new Thunderbolt 5 and USB4 hardware and updates to its Jellyfish NAS platform at IBC2026.
DHD.audio has launched its MX3 modular broadcast console range at IBC 2026, featuring IP-based connectivity and support for AES67, Dante, and SMPTE 2110 standards. The system is designed for flexible studio environments, allowing for modular upgrades without replacing existing digital processing cores.
Creamsource has launched the C3, a 3000W full-color LED Fresnel fixture featuring a proprietary 7-color BCGLARD engine and IP65 rating. The unit is designed for high-end production environments and supports multiple control protocols including DMX, Ethernet, and LumenRadio.
Studio Network Solutions (SNS) announced updates to its EVO storage platform at IBC, including a 40% throughput increase and the launch of AI Suite Advanced for on-premises media analysis. The update also introduces browser-based uploads for Outpost and validates compatibility with Avid Media Composer 2026.8 for collaborative workflows.
Sony Semiconductor Solutions has filed a patent for an event-based sensor that detects scene changes by counting individual photons within specific time windows. This architecture aims to reduce power consumption and data volume by processing only meaningful movement rather than continuous image frames.
Calrec has introduced the Type RT compact digital console range and the Apex M6 1U modular I/O platform at IBC 2026. These new hardware solutions are designed to support ST 2110, Dante, and remote production workflows for broadcast and streaming environments.
Sennheiser Group will showcase its Spectera wireless ecosystem and new ST 2110-30 audio integration at IBC2026. The demonstration highlights end-to-end broadcast workflows, including new Neumann capsule heads and integration with third-party standards like Dante and NMOS.
DaCaPo has announced a new standalone application for DCP authoring, versioning, and quality control, set to debut at IBC2026. The software is designed to integrate into existing post-production workflows to manage encrypted assets, accessibility standards, and Dolby Atmos delivery.
Evertz is introducing new liquid-cooled (LQ) configurations for its ENX media core platform at IBC 2026. The updated hardware supports 12G-SDI and SMPTE ST 2110 hybrid workflows, offering increased processing density and a 25% reduction in cooling power requirements.
Chess Dynamics has launched the CHARM50, a compact edge video processing module designed for low-SWaP platforms. The hardware supports HD-SDI and 3G-SDI inputs, enabling local AI-enabled detection and tracking to reduce bandwidth and latency in distributed sensing architectures.
A survey of cinematography equipment used at the 2026 Venice Film Festival indicates that the ARRI ALEXA 35 remains the dominant choice for high-end productions. While established digital systems lead, the data highlights a growing trend of cinematographers utilizing vintage lenses, film cameras, and compact mirrorless bodies to achieve specific aesthetic textures.
Desview has launched three new professional OLED field monitors, the OL14 Pro, OL16 Max, and OL16 Ultra 12G, ranging from $1,299 to $2,999. The monitors feature 1200-nit peak brightness, 100% DCI-P3 color coverage, and support for 12G/3G-SDI workflows and 3D LUTs.
Broadcasters are increasingly shifting tier-one sports production to IP and cloud-based REMI workflows to manage rising rights costs. Industry experts warn that this transition requires significant investment in network redundancy, monitoring, and specialized engineering talent to address the complexity of distributed production environments.
Atomos has announced the Shogun AV-19M, a 19-inch 4K HDR rackmount monitor designed for hybrid IP and traditional video workflows. The device supports NDI HX3, 12G-SDI, and HDMI connectivity, allowing users to monitor up to four NDI sources simultaneously in a quad-view layout.
Magewell and Zixi have expanded their partnership to integrate the Zixi Protocol into Magewell’s Ultra Encode and Pro Convert hardware lines. This integration allows for managed, error-resilient live IP video contribution and decoding across public and hybrid networks via the Zixi ZEN Master orchestration platform.
Atomos has integrated its ATOMOSphere cloud platform with Imagine Products' ShotPut Studio to automate media transfer, verification, and transcoding workflows. The integration allows users to decode Apple ProRes RAW files into H.264 or H.265 formats directly within the ShotPut Studio interface for faster remote review and editorial delivery.
Arm has introduced its CSS for Mobile 2 platform, featuring the new Mali G2-Ultra NX GPU and C2 CPU cluster. The platform is designed to support agentic AI and AI-native graphics, claiming up to 4x higher performance per watt for neural graphics workloads.
Cobalt Digital is expanding its IPMX-certified product range with JPEG XS Temporal Differential Coding (TDC) support and introducing new fiber I/O options for its Dante openGear audio processors. These updates, along with new capabilities for the blueCORE platform and UltraBlue MV-SW multiviewer, will be demonstrated at IBC2026 to support hybrid SDI/IP workflows.
Haivision announced it will demonstrate JPEG XS support on its Makito ONE platform and AI-powered device management in Haivision Hub 360 at IBC2026. These updates are designed to improve low-latency contribution workflows for sports and newsgathering.
Leader Electronics of Europe has announced the Sx2 Series, a new line of handheld 12G-SDI and 4K UHD test and measurement instruments. The devices feature a new touchscreen interface, enhanced battery performance, and optional HDR toolsets for broadcast and production environments.
Avid and FilmLight have announced a strategic partnership to integrate Baselight color grading tools natively into Avid Media Composer. The collaboration aims to streamline postproduction workflows by maintaining consistent color data from dailies through final delivery.
Sony is preparing to showcase a wide range of new broadcast and cinema hardware at IBC 2026, including the FX5 Cinema Line camera, RIALTO 65 sensor, and updated DWX wireless microphones. The company will also demonstrate IP-based broadcast workflows, AI-powered PTZ auto-framing, and a news authenticity collaboration with Reuters.
Taiwanese broadcaster ELTA Technology has upgraded its playout facility with Imagine Communications' ADC automation, Nexio+ AMP servers, and SNP-XL processors. The deployment supports live sports coverage and OTT services, including UHD-capable workflows and high-availability storage.
The National Association of Broadcasters is accepting technical paper and panel proposals for the 2027 Broadcast Engineering and IT Conference through October 23, 2026. The event seeks submissions on emerging technologies including AI, streaming media, and cloud facility design to address evolving industry requirements.
Telos Alliance strategy advisor Costa Nikols proposes the Media Exchange Layer (MXL) as a framework to eliminate latency and compute overhead in cloud-native production by enabling applications to share media buffers in a unified memory workspace. The concept aims to replace traditional, inefficient packaging and transport methods between virtualized tools with a more modular, software-defined architecture.
Exxact Corp has launched the Halo Station, a high-end desktop workstation featuring AMD Ryzen Threadripper PRO 7000 series processors and support for up to 2TB of ECC memory. The system is designed to support four enterprise-grade GPUs, targeting data scientists and engineers performing local AI model training and inference.
ARRI has released Software Update Package 1.5.0 for its LPS-1 base station, enabling SMPTE ST 2110 support for the ALEXA 35 Live multicam system. The update allows for uncompressed UHD video transport, NMOS interoperability, and hitless redundancy, facilitating integration into IP-based broadcast and remote production environments.
Mimir has introduced Mimir Editor, a browser-based production tool designed to unify content management, metadata, and AI orchestration for live sports workflows. The platform supports multi-track editing, HDR/SDR mixing, and growing-proxy workflows, allowing teams to manage ingest through delivery within a single cloud-native environment.
Audio-Technica has launched the BP880R, an IPX7-rated waterproof contact transducer designed to capture surface vibrations and impacts for sports and live production. The device uses a piezoelectric sensor to isolate structural sounds from ambient noise, providing a specialized audio capture tool for immersive broadcast environments.
The article provides a curated list of key technology trends and product highlights for IBC2026, focusing on advancements in cinema cameras, AI-driven editing tools, and software-defined broadcast infrastructure. It emphasizes the convergence of consumer-grade computational imaging with professional production workflows and the shift toward flexible, software-based media operations.
Insta360 has launched the Luna Pro, a $599.99 gimbal camera featuring a 1-inch 8K sensor and Leica Summicron lens, for global markets including the US. The device supports 8K Dolby Vision and 10-bit I-Log, positioning it as a high-resolution mobile capture tool for professional workflows.
Apple has launched the iPhone 18 Pro and Pro Max, featuring a new 48 MP Fusion Main camera with variable aperture and 4K120 ProRes video capture capabilities. The devices also introduce 'Reference Image' for content provenance and upgraded computational imaging features powered by the A20 Pro chip.
Deity Microphones debuted the D4RX four-channel true-diversity receiver, the PR-2ii wearable recorder, and the TC-2 timecode box at IBC 2026. These new production tools feature 32-bit float recording, encrypted digital audio, and advanced timecode synchronization for professional broadcast and streaming workflows.
DJI showcased the Osmo Pocket 4P at the Venice Production Bridge, highlighting its dual-lens system and 17-stop dynamic range. Professional cinematographers evaluated the compact gimbal camera for its potential to capture shots in confined spaces on professional film sets.
Sony has announced the FE 8-14mm F3.5 Fisheye G, a full-frame E-mount zoom lens designed for professional cinematography and VR capture. The lens features a constant f/3.5 aperture and a compact form factor optimized for use in stereoscopic camera rigs.
Viltrox has announced the upcoming launch of four L-Mount lenses, three Pro Series lenses, and the DC-X4 camera monitor at IBC2026. These new products are designed to expand the company's optical and monitoring portfolio for professional video production workflows.
Leitz Cine has launched the iD Mount, a hardware upgrade for its HUGO and SUMMILUX-C lens lines that records static /i metadata including focal length and shading maps. The system is designed to streamline post-production and VFX workflows by providing immediate access to lens-specific optical data.
Z CAM has announced the E1N, a compact network camera featuring a 1-inch CMOS sensor, Micro Four Thirds mount, and NDI HX3 support. The device is designed for remote operation and networked multicamera environments, with official demonstrations scheduled for IBC 2026.
