Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
NEP is supporting host broadcaster ORF in the production of Eurovision 2026, utilizing its TFC broadcast control system for IP-based SMPTE ST 2110 signal routing, multiview, and redundancy. The company is providing outside broadcast facilities, wireless RF camera systems, cinematic camera integration, a technical operations center, and an engineering crew. Additionally, Creative Technology, part of NEP Group, is supplying LED screens and display solutions for the event.
Solid State Logic will ship its new portable TCA Tour system in July 2026, enabling broadcast crews to transport a full System T setup between venues more easily. The system is designed for mobile production environments.
Vizrt has partnered with Holdan to distribute its visual storytelling tools, including vision mixing, HTML5 graphics, and AR graphics, across the UK and Ireland. This agreement aims to provide content creators and live production teams in the region with wider access to Vizrt's live production technology. The partnership is highlighted as a response to the converging broadcast and AV markets and the growing demand for video content.
TNDV and Live Media, both divisions of Live Media Group, provided live broadcast coverage for Final Four Concerts using multi-truck production facilities. This involved deploying multiple production trucks and equipment to manage the live production for the event. The companies have previously worked on similar large-scale live productions.
Foundry has released Nuke Stage, a hardware-agnostic virtual production application designed for end-to-end virtual production and in-camera VFX. The software now integrates expanded 3D workflows and native USD compatibility, targeting a streamlined approach for film and TV production.
Foundry has released Nuke Stage, a virtual production application designed for end-to-end virtual production and in-camera VFX. The software features expanded 3D workflows and native USD compatibility, positioning it as a hardware-agnostic solution.
Vizrt has been selected by broadcaster ORF as the official supplier for live production workflows and visual storytelling for the 70th edition of the Eurovision Song Contest in 2026. This partnership involves Vizrt providing technology to support the high-impact visual aspects of the event.
HBO's new show 'It's Florida, Man' is leveraging cloud workflows for its post-production process. This approach is intended to streamline the post-production pipeline for the series.
Reports suggest that Apple is developing AirPods with integrated cameras, a feature that could offer advanced functionalities if effectively implemented. Such a development integrates computer vision capabilities directly into wearable audio devices, potentially enhancing real-world interaction.
The article discusses the growing trend of broadcasters adopting hybrid production models, which combine cloud and on-premises infrastructure. This shift is leading to a re-evaluation of traditional control room setups and how production technology is deployed within the industry.
Apple is reportedly not planning to release new Vision Pro hardware for the next two years due to resource allocation, with the company prioritizing embedding underlying Spatial Computing technology and visionOS into other smart devices instead.
Cobalt Digital will demonstrate its IPMX/ST 2110 product range, specifically highlighting the COBALT blueCORE family, at BroadcastAsia 2026. The exhibition will focus on IP-based signal processing solutions for broadcast and production workflows, leveraging industry standards.
At NAB 2026, Austrian private broadcaster Kronehit officially awarded SLG Broadcast AG and Lawo AG contracts for a comprehensive modernization of its infrastructure. The partnership will focus on overhauling the broadcaster's existing systems.
Vivid Broadcast has launched its new custom-built Outside Broadcast (OB) truck, named Barra OB. This new OB vehicle is designed to complement the company's existing traditional OBs and remote production capabilities.
ASUS ProArt is collaborating with Adobe and NVIDIA to develop end-to-end content creation solutions for professional production and education. These partnerships aim to improve workflows using ProArt hardware and integrate AI for enhanced video and image processing, highlighting a focus on hardware and software synergy in content creation.
Riedel Communications will provide end-to-end connectivity and communication infrastructure for the 2026 Commonwealth Games in Glasgow, leveraging its Managed Technology offering. This includes the Glasgow 2026 Games Integrated Network (GIN), powered by Riedel's DIVA+ media backbone, to manage communications, AV signals, and data transfer. Riedel will also supply integrated intercom and radio systems, and Wide Area Networks for live broadcast transmission from venues to the Broadcast Operations Centre.
At the 2026 European Economic Congress in Katowice, Poland, MICROIP announced a "Software-Driven Hardware" strategy and a partnership with Poland. This collaboration aims to establish a resilient Edge AI and ASIC (Application-Specific Integrated Circuit) supply chain within Europe. The initiative seeks to integrate advanced ASIC design expertise with AI models, manufacturing, and packaging across Poland and the broader European market.
Blackmagic Design has implemented a second price increase across its camera and storage product lines. The company attributes these price adjustments to a severe global flash memory shortage, which is reportedly exacerbated by demand from AI data centers.
Solid State Logic (SSL) has launched TCA Tour, a portable fly-away audio production system. This system is built from System T components and is designed for broadcast and touring applications.
Solid State Logic (SSL) has introduced the TCA Tour, a new compact and scalable mixing system. This system is designed for live and broadcast applications and is compatible with the Tempest DSP engine and a specific control app.
Austrian private broadcaster kronehit has awarded SLG Broadcast AG and Lawo AG a contract to comprehensively modernize its infrastructure. The agreement was officially announced at NAB 2026.
Ross Production Services has seen rapid demand for its new 48-foot HyperMax-1 production truck, which integrates Ross gear alongside equipment from Sony, Canon, and Calrec. The truck is designed for live production, with its initial deployments covering a wide range of sports and entertainment events.
Vivid Broadcast has launched the Barra OB remote production truck, designed to cater to remote production requirements for clients such as Sky Sports. The truck commenced its operations with coverage of the Women's Super League.
ASUS ProArt is collaborating with Adobe and NVIDIA to integrate its hardware more deeply into content creation workflows. This partnership aims to bridge the gap "from capture to creation" by optimizing ProArt devices for professional production and educational environments.
Finland's Fireframe Studios, founded by Supercell co-founder Mikko Kodisoja, is launching a slate of "immersive-first" films. The studio specializes in virtual production, indicating a focus on advanced production techniques for content creation.
France Télévisions has implemented Imagine Communications' SNP-XS solution to facilitate its migration to SMPTE ST 2110 IP broadcasting. This deployment aims to achieve low-latency and resilient broadcast workflows for the French public broadcaster.
At Eurovision 2026, ORF is utilizing ARRI Alexa cinematic cameras, managed by technical production manager Claudio Bortoli, to produce a distinct visual aesthetic for the event. This approach aims to deliver a 'greener, more cinematic' production.
QuickLink is showcasing its latest remote guest contribution systems, expanded StudioEdge range, and AI-powered StudioPro at MPTS 2026. This display features enhancements to their hardware and software solutions for production workflows, including AI integration.
Austrian private broadcaster kronehit has engaged SLG Broadcast AG and Lawo AG to modernize its studio infrastructure. This project involves the upgrade of technology and equipment for the broadcaster's studio facilities.
Vizrt has been selected as the Official Technical Supplier for the Eurovision Song Contest 2026, in collaboration with host broadcaster ORF. The company will provide its real-time 3D graphics rendering, compositing (Viz Engine), and virtual and augmented reality (Viz Virtual Studio) solutions for the live television production.
LiveU contrasts general-purpose network bonding with its specialized video bonding solution, explaining that its LRT (LiveU Reliable Transport) protocol integrates video encoding and transport to prevent glitches during live broadcasts. The article highlights that typical network bonding solutions are unaware of video content, leading to quality issues when network conditions degrade, whereas LiveU's system proactively adjusts bitrate to maintain stream integrity. LiveU emphasizes that this integrated approach is crucial for reliable live video transmission across various production scales.
Solid State Logic has introduced the TCA Tour, a portable, pre-wired production system within their System T range. This product is designed for rapid deployment in live touring and broadcast environments, built entirely from existing System T components.
Sony India has introduced OCELLUS (ASR-CT1), its initial camera tracking system to be used in augmented reality and virtual production workflows. The system is priced at Rs 32.37 lakh in India.
Leader Electronics is set to showcase its latest test and measurement solutions at Leader Electronics MPTS 2026. The presentation will emphasize tools designed for hybrid IP and SDI workflows.
Hyphy demonstrated its Sample Analog Processing (SAP) technology at Display Week 2026, which allows for uncompressed 12-bit, 14-bit, or 16-bit video signal transmission over single wire pairs to display drivers, achieving data rates exceeding 4Gbps. This technology aims to overcome current digital TV architecture limitations of 10-bit transmission and supports 4K/8K/16K panels with high refresh rates.
Facilis Technology announced advancements for its HUB servers, focusing on enhanced security authorization and data loss prevention for hybrid workgroups. Version 8.4 introduces network speed improvements via multi-link connectivity and an Avid Media Composer Panel for FastTracker. Additionally, Facilis Technology is partnering with Ortana Media Group for secure web administration of HUB servers.
Intinor will showcase its latest technical enhancements for the Direkt series at BroadcastAsia 2026. This includes improvements in IP transport diagnostics and HDR workflows.
Boland Coms will display its new QD4K32HDR10 4K QD-OLED monitor at the MPTS 2026 trade show. This monitor features a 31.5-inch screen with 1000 nits brightness and is designed for color-critical applications.
Leostream announced unified high-performance computing (HPC) remote access interoperability, aiming to simplify decentralized live and post-production workflows. This initiative is built on a partner ecosystem with technical integrations and validation from companies including Nutanix, AWS, Red Hat OpenShift, HP, Mechdyne, and Microsoft.
Mavis has launched Mavis Studio for iPad, an application that integrates multicamera video switching, playback, graphics, audio mixing, recording, and streaming. This app combines multiple production functionalities into a single iPad device.
Intinor will showcase its latest firmware and products at MPTS 2026, joining its UK partner Zest Technologies at Stand F47. This follows the company's recent introduction of new firmware at NAB. The event will take place on May 13-14 at Olympia London.
The Sports Video Group (SVG) announced that its 2026 Remote Production Forum will be hosted at Warner Bros. Discovery's Techwood Studios in Atlanta from September 23-24.
France Télévisions is continuing its migration to ST 2110 IP video production infrastructure by deploying Imagine Communications' SNP-XS, a new addition to Imagine's SNP product lineup. This project represents the first major broadcast deployment of the SNP-XS.
Limecraft has launched Limecraft 2026.3, an updated cloud-based solution for TV production and media management. The update aims to improve structure for production and post-production workflows.
The Sports Video Group (SVG) will host its 2026 Remote Production Forum at Warner Bros. Discovery's Techwood Studios in Atlanta on September 23-24. The event will focus on remote production in live sports.
Chyron has released PRIME 5.3, an update to its live production graphics engine. The new version introduces an HTML Input feature, enabling designers to embed live web content directly into productions.
Leostream announced unified remote access interoperability for High Performance Computing (HPC) workflows, aiming to simplify decentralized live and post-production. The solution is built with technical integrations and validation from companies including Nutanix, AWS, Red Hat OpenShift, HP, Mechdyne, and Microsoft.
Manifold technologies, a German company specializing in cloud infrastructure for live broadcast production, has announced that its AT300 Multiviewer product now supports its Manifold platform. This follows their appearance at NAB 2026.
Manifold technologies has returned from NAB 2026 to announce that its Manifold cloud infrastructure for live broadcast production now supports AT300 multiviewers. This integration aims to enhance capabilities for cloud-native live production workflows.
Kokusai Denki Electric America showcased its camera and remote production offerings, including 4K capabilities, at the NAB Show. The company, formerly Hitachi, highlighted its advancements in broadcast production technology.
