Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
BoxxTech has launched the APEXX T4 workstation, a high-performance system featuring AMD Ryzen Threadripper 9000 Series processors and support for up to four professional GPUs. This workstation is targeted at demanding motion media and 3D content creation applications and is certified for Avid Technology products. The company also promotes a competitive offer against Dell workstations.
BOXX has launched its APEXX T3 workstation, featuring AMD Ryzen Threadripper 9000 processors with up to 64 cores and NVIDIA RTX PRO 2000 Blackwell GPUs. This workstation is designed for demanding motion media and 3D content creation applications, catering to professionals in the media and entertainment industry.
BOXX has launched the APEXX E3 workstation PC, costing $4,839 and featuring an Intel Core Ultra 200 Series processor and NVIDIA RTX PRO 2000 Blackwell GPU. This workstation is designed for CAD, 3D modeling, and motion media applications. It offers liquid cooling and extensive storage options, making it suitable for professionals in media and entertainment workflows.
BOXX has introduced the APEXX W4 workstation, featuring an Intel Xeon 600 Processor and support for up to four NVIDIA RTX professional GPUs, starting at $21,399. This liquid-cooled system is optimized for GPU-centric workflows such as rendering and simulation, catering to professionals in content creation and visual effects, potentially including those in video production and AI applications for video.
Boxx Technologies has launched the APEXX W3, a versatile computer workstation featuring an Intel Xeon W processor and support for up to four NVIDIA RTX GPUs. It is optimized for GPU-centric workflows such as rendering, simulation, and desk-side deep learning development, making it suitable for media and entertainment professionals. The workstation is available starting at $13,101.00.
BOXX has launched the APEXX S3, a liquid-cooled workstation featuring an Intel Core Ultra Processor running up to 5.7GHz and an NVIDIA RTX PRO 2000 Blackwell GPU. This workstation is certified for demanding applications like SOLIDWORKS and targets professionals in CAD, 3D modeling, and motion media, including applications relevant to media and entertainment production.
BOXX has introduced its new APEXX S4 workstation, touted as the world's fastest multi-core, multi-GPU system for demanding CAD, 3D modeling, motion media, rendering, and visualization. Featuring a 24-core Intel Core Ultra 200 Series processor and NVIDIA RTX PRO 2000 Blackwell 16GB GPU, this system is designed for professionals in media and entertainment. It offers high performance for tasks crucial to pre-production and post-production workflows in streaming content creation.
BOXX has launched the Creativ Plus PC, a new workstation designed for motion media and 3D content creation. It features AMD Ryzen Threadripper 9000 Series processors and NVIDIA GeForce RTX 50 GPUs, starting at $12,769. The system is optimized for applications like DaVinci Resolve, Autodesk Maya, and Chaos V-Ray.
BOXX Technologies has launched the Creativ Core Ultra PC, a workstation designed for video editing, CAD, and 3D modeling. Starting at $4,219, it features Intel Core Ultra processors and NVIDIA GeForce RTX 50 Series or RTX PRO GPUs. The new PC is marketed for applications like Revit, Unreal Engine, and Cinema 4D, which are relevant to media and entertainment production workflows.
BOXX has launched its new Creativ PC lineup, designed specifically for content creators handling 4K/8K video editing, 3D modeling, and rendering. These customizable systems feature NVIDIA GeForce RTX GPUs and a choice of Intel Core Ultra or AMD Ryzen CPUs, offering high performance and BOXX reliability for media professionals.
BOXX Technologies introduces new high-performance workstations and servers, including the HELIXX RTX PRO Servers and APEXX T4 PRO-X workstation, featuring NVIDIA RTX PRO 6000 Blackwell GPUs and AMD Ryzen Threadripper 9000 Series processors. These systems are designed to accelerate engineering, creative, and AI workflows for professionals in the media & entertainment industry, among others. BOXX also highlights its BOXXCloud Workstations as a Service offering and strategic partnerships with Intel, AMD, and NVIDIA.
FOX Sports is centralizing its 2026 FIFA World Cup operations in Los Angeles, using a Dallas-based IBC and remote production workflows. This setup leverages Appear X20 encoders for JPEG-XS and HEVC signal transport over a diverse 100 Gbps network to Pico and Tempe, ensuring resilience and efficiency for live production and disaster recovery. They also deployed custom-built BRISK remote IP studio kits, Arista IP backbones, and Calrec audio processing, with Grafana for network monitoring to manage complex signal flows across multiple sites.
Tupelo Honey utilized Singular.live's cloud-based graphics platform to produce broadcast graphics for 64 matches over five days during The Soccer Tournament. This approach allowed them to manage multiple stakeholders, integrate real-time data efficiently, and reduce hardware costs compared to traditional methods. The solution successfully met tight deadlines and stakeholder requirements.
QSC has introduced the DCIO/DCIO-H, a new cinema-specific audio I/O accessory for its Q-SYS platform. This device routes projector audio to the Q-SYS Core over Q-LAN and offers features like Dolby Audio and DTS-HD decoding in the DCIO-H variant. It serves as a critical interface for audio management within Q-SYS enabled cinema complexes.
Ezurio has acquired Gateworks, adding the Catalina GW9200 SBC with the NXP i.MX 95 SoC to its embedded compute portfolio. This new single-board computer features a VPU supporting 1080p60/4Kp30 H.265 and H.264 encode/decode, and an NPU for Edge AI applications, offering flexible expansion via Flexible Socket Adapter sockets.
Pico's upcoming 'Project Swan' headset design has been leaked via public SDK videos, showcasing a blend of Apple Vision Pro and Samsung Galaxy XR aesthetics. The leaks suggest Pico, owned by ByteDance, is positioning this device to compete in the high-end XR market with advanced micro-OLED panels and a dual-chip architecture. This development indicates a significant push in the XR hardware space, which has implications for how content will be consumed and delivered.
Sony Semiconductor Solutions has introduced the IMX949-AQB, a new global shutter CMOS sensor designed for industrial applications. This sensor is capable of shooting 4K at 502 frames per second in 12-bit, featuring Sony's Pregius S technology. While not intended for cinema, its advanced specifications are noted as relevant for future developments in cinema camera technology.
The Fella's Studios uses Singular.live and Alex.Live to power real-time Formula 1 data visualization for their 'The Last Lap' YouTube stream, which focuses on watchalong content without live broadcast rights. This workflow integrates live data for graphics like timing towers, weather, and car telemetry, ensuring an interactive and data-rich viewing experience for a digital-first audience. The setup leverages Blackmagic Design and ATEM hardware for signal routing and recording, creating content ready for immediate post-production.
Imagine Communications has developed the ADC6800+A4BCD, a 4-channel audio analog-to-digital converter designed for its 6800+ processing platform. This module converts analog audio to two AES digital outputs and includes adjustable delay capabilities for audio-video synchronization. It supports various sampling rates and bit depths, offering remote control options via CCS Navigator, web browser, or SNMP.
GIGABYTE has introduced the GeForce RTX 5070 GPU, featuring NVIDIA's Blackwell architecture and DLSS 4, with 12GB GDDR7 memory. This new graphics card is designed to enhance advanced graphics capabilities and AI-enhanced video workflows for professionals. It also includes NVIDIA's ninth-gen NVIDIA Encoder for video processing.
This article discusses the 2026 GPU market, focusing on NVIDIA's RTX 5000 series with AI frame generation and AMD's RX 9000 series. It evaluates these GPUs based on gaming and professional creative workflows, highlighting features like NVIDIA's NVENC for streaming and CUDA for video production. The piece provides a framework for choosing a GPU based on resolution, use case, VRAM needs, and streaming requirements.
iView Data outlines an architecture for distributing Hikvision IP camera feeds to multiple remote locations using cloud gateways and Magewell Pro Convert IP to HDMI decoders. This solution supports multi-site access without overloading source internet connections, offering a cost-effective alternative to PC-based setups. The article details multi-site scenarios, supported protocols, and various use cases beyond security like broadcast, medical, and sports.
Orei.com has introduced the ToVi DXA-HD-TX, an HDMI audio encoder designed to integrate two-channel HDMI audio sources into Dante networked audio systems. The device supports AES67 compatibility, configurable latency, and flexible power options including USB-C or PoE. It is suitable for applications such as recording studios, live events, concerts, and broadcast environments.
Netflix has approved the ARRI ALEXA 35 Xtreme camera for 4K Originals, which includes support for ARRI's new ARRICORE compressed RGB codec. This approval provides productions with a data-efficient workflow for premium image quality, allowing for longer recording times and faster downloads while maintaining post-production flexibility. The focus is on ARRICORE's debut as a supported capture option within Netflix's ecosystem, enabling higher frame rates with specific caveats.
Panasonic Projector & Display Americas will showcase its updated MEVIX projectors and displays, including the PT-HTQ20 RGB Laser Projector, at InfoComm 2026. The company is advancing an end-to-end visual experience ecosystem with enhanced workflow tools, some featuring new AI capabilities for design, control, and management. These developments aim to support dynamic visual experiences across education, corporate, simulation, and live entertainment environments.
Pleora Technologies has launched the iPORT GEV-TB External Frame Grabber, which enables high-bandwidth GigE Vision camera connectivity for cost-effective computing platforms. This solution streams video at up to 22.5 Gbps via Thunderbolt 3/4 or USB4, reducing system size, cost, and power for demanding imaging applications. It will be showcased at Automate 2026 and is sampling with full availability in Q1 2027.
DJI has filed two US patent lawsuits against Insta360, alleging that its Luna Pro and Luna Ultra gimbal cameras infringe upon DJI's design and utility patents for the Osmo Pocket series. This legal action escalates competition between the two companies in the gimbal camera market. DJI is seeking an injunction and damages, while Insta360 is reportedly preparing countersuits.
Imagine Communications has announced the AES6800+ series of AES-EBU audio distribution amplifiers, available in balanced and coaxial formats. These amplifiers feature cable auto-equalization, error detection, and support sampling frequencies from 30 kHz to 192 kHz. The product meets AES interface standards according to SMPTE 276M, AES3 1992 (r 1997), and AES3 id-2001.
Union and Clear Angle Studios have developed a new crowds pipeline utilizing relightable Gaussian Splats. This workflow, captured using Clear Angle's 40-camera Volumetric Capture Rig, significantly improves realism and editability for digital crowds in film and TV production. The technology reduces the need for manual cleanup, texturing, lighting, and animation, allowing for more convincing and visually varied digital crowds.
Bluebolt delivered 365 VFX shots for Prime Video's "Jack Ryan: Ghost War," utilizing complex CG environments and virtual production techniques. The studio employed Houdini for critical sequences, including a collapsing glass floor and additional CG skyscrapers, and oversaw virtual production elements using LED volumes. Virtual production and extensive CG work were required to augment practical footage and create non-existent scenes.
Versa Studios co-founder Charlie Ingall has urged the UK government to introduce dedicated tax incentives for unscripted productions to remain competitive globally. Ingall highlighted that productions are increasingly moving overseas due to the availability of tax credits, impacting UK investment and job creation. This call supports previous statements from other industry executives regarding the need for better support for the UK screen sector.
Sony showcased the manufacturing wafer behind its new RIALTO 65 cinema sensor at Cine Gear, highlighting its semiconductor capabilities. The 65mm sensor supports 9.6K 3:2 open gate and provides 2.2 times the light receiving area of a full-frame sensor. This achievement extends the VENICE 2 ecosystem upward into 65mm, offering cinematographers a more immersive large format look.
AVPro Edge, in collaboration with Duoson AV and POP Media Technology, successfully deployed the world's largest 10G SDVoE AV-over-IP network at Estadio Banorte stadium in Mexico City. The system powers over 500 displays and 20 video walls, distributing live action, replays, and content throughout the venue for the 2026 World Cup. This installation showcases the large-scale capabilities of AVPro's MXnet 10G AV-over-IP ecosystem for live event content distribution.
Internationally renowned colourist Sandra Klass has joined WeMakeColor, a post-production agency specializing in colour grading, to expand her reach across the U.S. and Latin America. Her recent work includes colour grading for Netflix's "One Hundred Years of Solitude" and "Las Muertas." Klass's approach emphasizes the emotional aspect of colour in filmmaking, seeing it as a collaborative craft to realize the director's vision.
MultiDyne CEO Frank Janchetta discussed trends in audio, REMI, and 4K/HDR production, emphasizing efficient data transport over fiber. He highlighted products like the Crescendo Series, SilverBack, and FiberSaver-10G which address the challenges of managing complex broadcast environments and the need for massive bandwidth in remote production. The company's focus is on streamlining operations and reducing physical footprints for broadcasters.
ZEISS unveiled its new Horizon Anamorphic series of full-frame 2x cinema lenses, ranging from 35mm to 200mm. These lenses integrate motorized systems and a proprietary look-tuning back element for versatile cinematic aesthetics and offer seamless integration with existing production workflows. The series aims to enhance professional video production with capabilities like low distortion and consistent color for VFX-intensive works.
Audinate will preview new Dante AVIO Install adapters and the Iris PTZ camera control platform at InfoComm 2026. These additions aim to expand Dante's ecosystem beyond basic connectivity, offering more comprehensive AV networking and control solutions. The company will also showcase network management and security tools like Dante Domain Manager and Dante Director.
ESPN is adapting its MLB production workflows after a new three-year deal, concentrating 23 of its 30 exclusive games in the summer months. The network is leveraging 1080p HDR distribution, REMI (REMote Integration) workflows, and HEVC transport to manage its new schedule efficiently. Game Creek Video mobile units are being deployed for on-site production.
Televisa's IBC team successfully broadcast Mexico's opening World Cup match from Dallas, utilizing specific hardware and infrastructure for signal distribution. The setup ensured connectivity and commentary circuits from the stadium to their Mexico City studios, handling multiple signal pipelines.
Host Broadcast Services (HBS) is implementing a decentralized production model for the 2026 FIFA World Cup, spanning 16 venues across the US, Mexico, and Canada. This approach heavily relies on software-based processing, a converged ST-2110 network, and a private cloud infrastructure to efficiently deliver 104 matches in UHD HDR. Centralized replay, audio mixing, graphics, and shading operations are being handled from the IBC in Dallas.
Puget Labs, a division of Puget Systems, announced Puget Bench for Unreal Engine, expanding its real-world benchmarking platform for creative applications. This new tool is designed to evaluate workstation hardware performance within Unreal Engine production workflows, addressing needs for real-time 3D artists, technical directors, and hardware manufacturers. The benchmark helps users assess CPU, GPU, memory, and storage performance in integrated workflows, moving beyond synthetic tests.
AJA Video Systems announced the integration of its KONA IP25 PCIe I/O card with Colorfront Transkoder and On-Set Dailies software on Windows. This collaboration enables uncompressed SMPTE ST 2110 I/O, allowing post-production professionals to streamline dailies, transcoding, and streaming workflows over ST 2110 networks.
Adobe's Premiere Color Mode (Beta) introduces a new Operations system for video color grading, separating Adjust and Style functions for improved consistency and workflow efficiency. This modular approach allows colorists to manage technical corrections and creative looks independently, across different levels of a sequence.
The global Connected TV market, valued at $125 billion in 2025, is projected to reach $290.45 billion by 2032, driven by AI-powered entertainment ecosystems, display innovation, and streaming economics. This growth redefines hardware strategies for OEMs and semiconductor manufacturers, emphasizing software ecosystems and AI capabilities over mere hardware differentiation. Connected TVs are evolving into central hubs for digital households, incorporating AI for personalized content and integrating with smart-home ecosystems.
The United Football League (UFL) will showcase its FAST Innovation Suite at the 2026 United Bowl, integrating real-time technology from partners like Sportable, Povora, and DVSport. This event highlights how sports leagues are adopting advanced technologies for enhanced live production and fan engagement, including customizable multi-view controls, player tracking, and in-helmet communication systems. The suite provides a testing ground for technology partners to develop and deploy tools that impact the live sports broadcast and coaching experience.
MainConcept has launched the beta of its ST 2110 Client SDK, a software-based solution designed to receive ST 2110 video and audio streams. This development facilitates flexible, hardware-independent IP-based media workflows, marking a significant step in the broadcast industry's transition from SDI to IP. The SDK supports core ST 2110 specifications and NMOS protocol for stream discovery.
OBSBOT provides a comprehensive guide to RTMP streaming, covering its workflow, encoder types, and recommended settings. The article highlights the company's OBSBOT Tail 2 camera and OBSBOT Talent production studio as key solutions for RTMP ingest pipelines. While a general guide, it serves as promotional content for OBSBOT's hardware.
Intel announces its new Xeon 6 System-on-Chip (SoC) processor family, optimized for networking and edge workloads, with select models launching in Q1 and Q2 2025. These processors offer significant performance-per-watt gains for media transcode and increased RAN capacity, targeting applications in vRAN, 5G Core Network, and media processing. Specific features include built-in networking, Intel vRAN Boost, and media acceleration for live streaming and CDN use cases.
Rambus highlights the official release of the PCIe 7.0 specification to PCI-SIG members, doubling raw data rates to 128 GT/s and offering up to 512 GB/s bidirectional bandwidth. This advancement is critical for data-intensive applications like AI/ML, cloud, and HPC environments. Rambus also details its PCIe controller IP and other solutions designed to accelerate PCIe 7.0 implementation in next-generation SoCs and ASICs.
This article details the post-production workflow for HBO's "US Against the World" documentary, focusing on creative director Lucas Harger's "sound-forward" approach and the technical toolkit used. It covers managing 700 hours of footage, editorial philosophy, spatial audio mixing in Dolby Atmos, and the use of tools like Adobe Premiere, Soundly, and DaVinci Resolve by his team at Park Stories. The piece emphasizes the importance of sound design, relational filmmaking, and the player's perspective in crafting the five-hour series for HBO ahead of the 2026 World Cup.
