Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Production firms dwmedia and oXyFire Media deployed a complex multi-vendor workflow using Blackmagic Design hardware to livestream the Reggae Land 2026 festival to 1.2 million viewers. The setup integrated custom LoRa-based tally systems and bonded cellular encoding to manage multi-camera feeds across a large-scale outdoor venue.
TNDV and GameTime Productions have transitioned to a centralized REMI production model for the fourth season of the Team Boxing League. By utilizing a standardized mobile unit in Texas to process remote feeds, the production team has improved consistency and reduced the logistical burden of deploying full production crews to every venue.
Manifold Technologies was recognized as a key contributor to the EBU's Media eXchange Layer (MXL), an open-source project that won the Content Creation category at the IBC2026 Innovation Awards. The project aims to improve interoperability and compute efficiency for live, low-latency video and audio workflows through shared memory.
Sony, the BBC, AMWA, and Streampunk Media have been awarded a Technology & Engineering Emmy for their collaborative development of the Networked Media Open Specifications (NMOS). These open-source standards are widely used in live production environments to ensure interoperability between multi-vendor audio and video equipment.
LYNX Technik has launched the CDE 1923, a bi-directional converter designed to bridge 3G-SDI and SMPTE ST 2110 IP production environments. The unit features dedicated reference input and output connections to synchronize traditional SDI equipment with PTP-based IP networks.
The South African Broadcasting Corporation (SABC) is upgrading its Johannesburg production facility to an IP-based infrastructure using Ikegami UHK-X600 cameras. The project involves migrating 11 studios from SDI to SMPTE ST 2110 connectivity, starting with four studios.
The Broadcast Tech Innovation Awards 2026 has announced its shortlist across 21 categories, highlighting advancements in AI, production hardware, and sustainability. Winners will be revealed at a gala dinner in London on November 26, 2026.
Pixotope 26.3.0 introduces support for OGraf and HTML-based graphics, upgrades to Unreal Engine 5.8.3, and adds a free Discovery tier for virtual production testing. The release also migrates Pixotope Zone tracking to Windows and establishes a foundation for native video wall support.
StreamU and UnlimitedIRL have launched an on-campus production studio at UC Berkeley to facilitate student-athlete content creation for Twitch. The studio is equipped with professional-grade hardware including Canon and Sony cameras, Blackmagic Design switchers, and LiveU encoders to support multi-camera live streaming.
SWIT has launched the K7, a 7-inch 2800-nit cine monitor that includes integrated HDMI-to-SDI conversion and multiple power input options. The device is designed for on-set production workflows, offering professional monitoring tools and flexible power configurations for various camera setups.
The Esports World Cup 2026 utilized over 50 Sony Cinema Line cameras, including FX3, FX6, and BURANO models, to support live event and promotional content production. The production team implemented a standardized S-Log3 and S-Gamut.Cine workflow to ensure color consistency and operational efficiency across the seven-week tournament.
Sobatech Group has centralized its remote production workflow for the F4 Spanish Championship and Eurocup-3 using Blackmagic Design hardware and Haivision contribution systems. The setup utilizes 4G, 5G, and Starlink connectivity to manage 34 camera inputs at a remote hub, demonstrating a cost-effective REMI production model.
Blackmagic Design is hosting a six-week series of free online seminars for the Asian market starting October 14, 2026. The sessions will cover technical workflows including Blackmagic Cloud, DaVinci Resolve, camera-to-cloud integration, and SMPTE-2110 IP video systems.
Banana Ball TV is executing its largest live production to date for the inaugural Banana Bowl at Nationals Park, utilizing two Ross Production Services mobile units and over 20 cameras. The commercial-free event will be streamed on Disney+ and Disney's YouTube channel, marking the conclusion of a record-breaking season for the league.
Uplynk, Zixi, BroadView Software, and Grass Valley have published a joint white paper outlining a framework for migrating broadcast distribution from satellite to IP and cloud infrastructure. The model, based on a live production deployment, aims to provide a vendor-agnostic approach for broadcasters navigating the FCC's C-band spectrum transition.
Datapath and VITEC will demonstrate an integrated control room workflow at InfoComm América Latina 2026 in Mexico City. The showcase will feature a live demonstration of Datapath's Aetria platform paired with VITEC's IP video distribution hardware to manage video across mission-critical environments.
Calrec is showcasing its new Type RT compact audio console and Apex M6 I/O platform at NAB Show New York, highlighting an IP-native ecosystem. The company is also expanding its ImPulseV virtualized audio engine with support for the Media eXchange Layer (MXL) and Grass Valley's AMPP control SDK.
Ikegami is set to debut the UHK-X700VN 4K-UHD camera at NAB Show New York, featuring variable neutral-density control for improved exposure and depth-of-field management. The camera is designed for live broadcast and virtual production environments, offering global shutter sensors and support for HDR and various color spaces.
CRD Audiovisuel utilized LiveU’s LU900Q production units and LIQ connectivity software to facilitate remote live coverage for the 2026 Tour de France. The deployment leveraged public 4G and 5G networks to achieve 99.9% connectivity, eliminating the need for traditional heavy RF infrastructure.
DTM has deployed Riedel’s Easy5G private 5G platform as a permanent infrastructure for transmitting onboard camera signals across its race car fleet. The system utilizes a 100 MHz bandwidth to support high-resolution video transmission and is designed to scale for future production requirements.
Brazilian broadcaster SBT has deployed the Pebble Automation platform to modernize its national playout infrastructure and support channel expansion. The system integrates media management, graphics control, and remote access to provide a scalable foundation for future television delivery standards.
NVIDIA introduced a suite of GPU-accelerated AI tools for sports broadcasting at IBC, including 3D body pose estimation, AI-driven slow-motion, and HDR conversion. The company is collaborating with partners like Hawk-Eye and Stats Perform to integrate these technologies into professional sports production workflows.
The FCC is set to vote on October 29 to prohibit Chinese laboratories from testing electronic devices for the U.S. market, with the ban taking effect in December 2028. This regulatory action aims to enforce reciprocal testing standards and address national security concerns regarding hardware certification.
Soundstage Studios provides an overview of how traditional green screen techniques remain a cost-effective and flexible alternative to full LED volumes in virtual production workflows. The article argues that production methods should be selected based on specific shot requirements rather than defaulting to the most complex available technology.
Sohonet has launched ClearView Rush, an iPad-first review platform designed for studio creative executives to manage dailies and cuts. The platform integrates with existing production pipelines via OpenTimelineIO and includes 24/7 concierge support.
Digital Alert Systems has released Version 6.1 software for its DASDEC-III emergency messaging platform, introducing enhanced security controls and OpenID Connect support. The update is designed to help broadcasters and cable operators meet new FCC cybersecurity requirements for remote management and system security.
Proton Camera Innovations has been awarded a 2026 Technology & Engineering Emmy for its miniaturized FPV drone camera systems used in live sports broadcasting. The technology enables high-speed, broadcast-quality athlete-following shots by integrating 12-bit HDR imaging into a 24-gram form factor.
Ambarella has launched the N1-665 system-on-chip and the Cooper Pro developer platform, designed to process large language and vision models locally on edge devices. The hardware supports up to 12 simultaneous 1080p30 video streams, targeting autonomous robotics and smart-city video applications.
Rumors suggest Sigma is developing a successor to its fp camera line, the fp II, which is expected to feature a 24MP sensor, internal RAW recording, and a built-in electronic viewfinder. The device is reportedly targeting the compact cine-camera market with a price point around $2500.
Creative Outpost has launched CO-Stream, a remote grading platform designed to facilitate real-time, low-latency collaboration between colorists and international clients. The platform features virtual breakout rooms and a digital reception to simulate an in-suite production environment without requiring dedicated hardware.
Hampshire Cricket has deployed Bolin SD530NX outdoor PTZ cameras at the Utilita Bowl to support in-house live production and performance analysis. The system utilizes simultaneous NDI HX3 and SDI outputs to meet ECB video specifications while simplifying venue infrastructure.
The University of Utah has partnered with Diversified to launch a new IP-based broadcast production facility utilizing SMPTE ST 2110 infrastructure. The facility is designed to centralize production for athletics and streaming distribution while serving as an educational environment for students.
A survey conducted by TVBEurope, TV Tech, and Caretta Research indicates that 70 percent of broadcasters still rely on SDI as their primary infrastructure, with IP adoption largely confined to like-for-like hardware replacements. The findings reveal a significant disconnect between vendor expectations for COTS deployment and the actual preferences of broadcasters, who remain cautious about the complexity of IP-based workflows.
The Cincinnati Bengals have completed a major infrastructure upgrade at Paycor Stadium, transitioning to a SMPTE ST 2110 IP-based control room. The project, integrated by Alpha, utilizes Evertz routing and Ross Video production systems to support future 4K and HDR workflows.
DMC Production has deployed two software-defined remote production vehicles that utilize Grass Valley’s AMPP platform and Calrec’s audio ecosystem to enable remote live event production over 100 Mbps connections. The model shifts processing to the venue edge while maintaining tactile audio control, allowing for more flexible and scalable output structures.
Dell Technologies has announced a new lineup of Windows-based workstations and PCs, including the XPS 16 Creator Edition and Dell Pro Precision with GB300, featuring NVIDIA RTX Spark and Grace Blackwell technology. These systems are designed to support local development and deployment of agentic AI models for creative and enterprise workflows without cloud dependency.
Audiv deployed Solid State Logic (SSL) Live L550 Plus and L650 consoles for a large-scale concert in Bucharest, marking the first dual-console SSL Live deployment in Romania. The production integrated an immersive P.A. system, 128-track recording, and L-Acoustics L-ISA processing to manage audio for over 100 performers.
vMix has published its recommended laptop specifications for the 2026-2027 production cycle, highlighting the Acer Predator Helios Neo 16 and Asus TUF Gaming F16. The company provides specific hardware configurations, including Intel Core Ultra 9 processors and NVIDIA RTX 50-series GPUs, to support multi-camera streaming and recording workflows.
Crispin Corporation outlines the operational advantages of integrating Broadcast Exchange Format (BXF) and Live Log functionality to synchronize traffic and master control systems. The integration aims to replace manual file-based workflows with real-time messaging to improve data accuracy and billing reconciliation.
Nevion has integrated Providius's NVRT platform with its eMerge IP media fabric and VideoIPath orchestration software. This integration allows broadcast operators to visualize network telemetry, PTP timing, and media service routing within a unified operational environment.
The Mentoring and Inspiring Women in Radio (MIW) and the NAB Leadership Foundation have expanded eligibility for their annual LAUNCH mentorship program to include women working for broadcast technology partners and vendors. The year-long program provides professional development in technical areas including IP-based broadcast systems, streaming, and remote broadcasting.
The creators of the Story Object Model (SOM) have introduced a draft of the Event Object Model (EOM) to standardize live sports production workflows. The framework aims to integrate event data with media timelines to streamline highlight generation and multi-platform distribution while maintaining human oversight in the control room.
Netflix has selected IMG as its production partner for the 2027 FIFA Women’s World Cup in the U.S. and Canada. The agreement covers the production of 64 matches and over 100 hours of studio programming, representing a significant expansion of Netflix's live sports production capabilities.
The NHL has implemented a centralized graphics ecosystem for six regional club broadcasts, utilizing Vizrt and Unreal Engine to maintain a consistent league-wide aesthetic. The project, designed by GameDay Creative, features a hub-and-spoke infrastructure that allows for team-specific branding and future integration of NHL EDGE tracking data.
Nikon is developing a modular camera platform to streamline hardware production, while major camera manufacturers including Canon, Sony, and Fujifilm maintain a firm stance against integrating generative AI into their imaging devices. These companies are prioritizing authenticity and human-led photography, limiting AI implementation to functional tasks like autofocus and subject recognition.
Cinematographer Christine Ng discusses the production workflow for FX's series Adults, highlighting the use of ARRI Alexa Mini LF cameras and a custom magnetic lighting grid for stage efficiency. The production also utilized a second-unit approach with animal wranglers and VFX compositing to manage complex scenes involving live animals and puppets.
Vivo is launching its X500 Pro smartphone in Europe on October 27, featuring 10-bit 4:2:2 Log recording, ACES color management, and an official DaVinci Resolve color transform. The device supports 4K video at up to 240 fps, targeting professional mobile video workflows.
Spectra Logic has launched Media Insight, a new feature for its Rio Media Suite designed to provide AI-enriched metadata, proxy previews, and partial file restoration. The tool aims to assist production teams in managing and searching large media archives without the overhead of a full-scale media asset management system.
Grabyo has detailed a cloud-native orchestration strategy designed to enable production teams to generate multiple platform-specific outputs, such as vertical video and localized feeds, from a single live event. The approach leverages AI-assisted tools to automate reframing and localization, aiming to increase production efficiency and audience engagement without requiring separate workflows for each distribution endpoint.
Chinese manufacturer CXMT has begun mass production of its fifth-generation DRAM platform, featuring 24Gb LPDDR5X memory products. This development aims to increase memory density and manufacturing efficiency, potentially helping to alleviate global DRAM supply constraints impacting AI and streaming infrastructure.
