Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Developer Leander Kieweg has proposed an RFC for a Linux DRM driver for GlandaGPU, an open-source 2D graphics core designed in VHDL for FPGA and QEMU environments. The submission aims to integrate custom soft-core GPUs into the mainline kernel, providing a reference for integrating hardware-level display logic.
SIGGRAPH 2026 returns to Los Angeles from July 19-23, 2026, featuring technical sessions focused on generative AI for production, virtual production pipelines, and performance capture. Industry participants including Netflix, Sony Pictures Imageworks, and Lightstorm Entertainment will showcase innovations in interactive graphics and large-format venue workflows.
Tuff-N-Uff Productions and Cox Business discuss the requirements for managing high-bandwidth, remote sports production workflows delivering content to UFC Fight Pass. The article highlights the necessity of designing for peak capacity and resilient infrastructure rather than routine operational baselines.
CNN London has detailed the technical infrastructure of its multi-camera production studio, highlighting use of Litepanels Gemini lighting, Sony cameras, and Grand MA3 control systems. The facility is currently planning a transition to sACN and exploring potential AI integration for its production workflows.
Follow-Me provides performer-tracking technology that integrates with live lighting rigs, allowing operators to convert standard moving light fixtures into automated follow-spots. Recent applications include the Journey 'Final Frontier' tour and festival performances for Miss Li, highlighting the system's ability to reduce labor costs and manage spontaneous performer movement.
DAZN CTO Sandeep Tiku outlines the company's multi-market remote production architecture for the 2026 FIFA World Cup, utilizing a centralized Dallas IBC hub to manage diversified contribution paths and localized processing. The deployment leverages fiber, bonded cellular, and distributed regional hubs to handle market-specific frame rates, HDR requirements, and interactive features like synchronized player-specific camera angles.
Integrated Systems Europe (ISE) is expanding its Spark event, moving to the Fira Montjuïc venue in 2027 to better accommodate growth in virtual production and immersive technology workflows. The event focuses on bridging technical and creative communities, featuring demonstrations of LED volume production solutions and automated studio systems from vendors like Samsung and MoSys.
AXT, Inc. raised $632.5 million to expand its indium phosphide (InP) manufacturing capacity, projecting a capacity increase by 2026 to address rising demand from hyperscale AI data centers. The company is focused on high-bandwidth optical interconnect solutions, positioning its infrastructure to support both tier-1 optical component manufacturers and major hyperscalers.
TYLsemi Inc. has emerged from stealth with $43 million in funding to develop production-ready chiplets and 3D packaging for AI accelerators. The company intends to reduce the cost and development time for application-specific integrated circuits (XPUs) by utilizing modular chiplet designs.
Sony has announced the mass production of the Lytia 610, a 1/2-type 64-megapixel CMOS sensor featuring a new RB2x2 On Chip Lens pixel structure. The sensor is designed to enable 4K 120 fps video recording and improved spatial resolution for mobile camera systems.
Broadcast Solutions has deployed two software-defined outside broadcast (OB) trucks for DMC Production that utilize Grass Valley's AMPP platform for a "reverse remote production" model. The trucks leverage NVIDIA Blackwell GPUs to allow for localized switching and processing while maintaining full control from a remote production suite over 100 Mb/s public internet connections.
The North American Broadcasters Association and the Advanced Media Workflow Association are leading the development of the Dynamic Media Facility and Media eXchange Layer frameworks. These architectures are designed to facilitate software-defined IP workflows and improve resource efficiency without replacing the existing SMPTE ST 2110 standard.
This technical guide explains how to integrate rotary quadrature encoders with Linux-based single-board computers and PLCs for physical control interfaces. It details the implementation of the Linux kernel's rotary_encoder.c driver, hardware decoding strategies, and device tree configuration for low-latency GUI navigation.
Masayoshi Hirashita, President of Ikegami Europe, discusses the company's strategy for navigating the transition from legacy broadcast systems to IP-based, UHD, and cloud-assisted workflows. The interview highlights Ikegami's commitment to hardware reliability while evolving to meet the demands of modern media production and content distribution.
AMD and HPE executives discuss how cloud-native 5G architectures and EPYC processor advancements are improving performance-per-watt in telco infrastructure. The interview emphasizes that consolidating workloads and leveraging silicon-level efficiency gains are vital for managing the increased energy demands of real-time AI inference at the network edge.
Bayerischer Rundfunk has modernized its Ü5 radio outside broadcast vehicle into a fully software-defined mobile unit utilizing SMPTE ST 2110 and Lawo's IP-native production ecosystem. The upgrade features a 48-fader mc²56 console and is designed to handle high-capacity IP audio processing and signal transport for live events.
This technical analysis explores the evolution of Neural Processing Units (NPUs) and their role in handling localized AI inference for media and computing tasks within a low thermal envelope. It highlights how NPUs differ from CPUs and GPUs in data-flow execution and memory hierarchy, emphasizing their growing importance in offloading background video processing tasks.
Nokia has partnered with Taiwan Mobile to deploy an AI-native radio access network (RAN) leveraging MantaRay SON for real-time automation and AirScale hardware for improved energy efficiency. The deployment enables advanced 5G features such as network slicing and RedCap to support industrial IoT and enterprise service-level agreements.
European technology company Laia has launched the t-Joy Touch, a standalone PTZ camera controller featuring a 10.1-inch touchscreen and local streaming/recording capabilities. The device supports multiple industry protocols, including NDI, ONVIF, and VISCA, allowing for production workflows without a dedicated PC.
Canadian semiconductor companies like MaxEpic, Advanced Micro Consulting, and Stathera are shifting manufacturing and sales strategies to the U.S. to better capitalize on aggressive AI infrastructure investment from major tech firms. These firms are pivoting their business models toward providing specialized chip design and energy-efficient components to support the surging demand for AI-driven data centers.
Micron has introduced the 6600 ION SSD, a 245.76TB enterprise-grade drive featuring 16GB of onboard DDR4 memory. Designed for large-scale data center environments, the device uses 232-layer TLC NAND to optimize storage density and power efficiency for massive hyperscale workloads.
Samsung has announced the PM1743 enterprise SSD, which utilizes the PCIe 6.0 interface to achieve read speeds of up to 28.4GB/s and 16TB of capacity. Designed for data centers and high-performance computing, the drive focuses on power efficiency to help manage infrastructure costs in analytics and AI-heavy workloads.
Integrate 2026 will feature a specialized zone for Streaming Media, AVoIP, and Broadcast AV to highlight the convergence of IP-centric infrastructures like SMPTE 2110 and NDI. The event includes a SMPTE Oceania Industry Forum focused on the transition of corporate and live production environments toward cloud-based and IP workflows.
ARRI has entered a definitive agreement to divest its global rental business to H2 Equity Partners through a management buyout. While the rental arm becomes an independent entity, ARRI will retain its Illumination Dynamics unit and continue working with the newly branded rental company as a core technology partner.
Production studio Altitude101 utilized the Blackmagic URSA Cine Immersive camera and Blackmagic's post-production workflow to create content for the Apple Immersive Video format. The production team highlights specific technical challenges of immersive storytelling, including camera placement, pacing, and managing high-volume data requirements.
Sony is reportedly set to launch the FX5 camera, featuring 16-bit internal RAW recording using new high-compression C1 and C2 codecs. These new formats aim to optimize storage and transfer workflows for 5K Open Gate production by providing greater compression than existing X-OCN LT standards.
Digital Camera Systems has launched an industry survey aimed at identifying pain points and workflow breakdowns regarding lens metadata in post-production and VFX. The results will be compiled into an annual benchmark report intended to help studios and technology providers improve metadata consistency and production efficiency.
DMC Production has deployed two new remote production vehicles, AR 1 and AR 2, which utilize Calrec's ImPulseV engine and Grass Valley's AMPP cloud-native environment to enable remote live production over 100 Mbit/s connections. The system uses a reverse remote architecture to process production-critical signals at the venue edge while maintaining low-latency control from remote broadcast centers.
Netflix is deploying an extensive broadcast production workflow for its first live MLB Home Run Derby telecast, featuring 28 cameras including the Muybridge Horizon system and 4K Nucleus units. The streaming service is integrating Game Creek Video remote production units and Bolt6 optical tracking to deliver real-time Statcast data and high-fidelity live sports coverage.
This guide from software developer Fora Soft outlines the current landscape and procurement strategy for AI-powered IP security cameras. It emphasizes the importance of selecting open-standard VMS software and prioritizing ONVIF Profile M support for professional surveillance deployments in 2026.
Magewell has launched the Director Plus, a $2,099 portable all-in-one system designed for 4K60 live production and multi-destination streaming. The device includes an integrated switcher, recorder, and encoder with support for network bonding, 5G connectivity, NDI HX3, and SRT.
Ross Video is deploying its in-venue production systems for the seventh consecutive year at the MLB All-Star Week in Philadelphia. The integration features the debut of two specialized products: Brushback: Full Count for live game-scoring and CapGo for automated real-time captioning.
NEP Group has renewed its multi-year contract as the technical broadcast provider for The Championships, Wimbledon, through 2026. The production utilizes SMPTE ST 2110 IP infrastructure, the TFC orchestration system, and AI-powered robotics to deliver UHD HDR content to global rightsholders.
BBC Sport successfully deployed a remote production workflow for the 2026 FIFA World Cup using an LED-based virtual production studio in Salford to optimize costs and sustainability. The setup integrates live-streamed content and fan atmosphere into the studio environment, prioritizing interactive presenter engagement over traditional green-screen workflows.
Intinor has updated its Direkt series with NDI 6.3 support and HDR HLG metadata passthrough to improve color fidelity in IP workflows. The company also announced upcoming support for SMPTE ST 2110 and DVB-compliant HEVC to facilitate transitions between internet-delivered content and uncompressed production environments.
Enterprise demand for broadcast-quality studio infrastructure is driving a shift in corporate AV requirements, as evidenced by record attendance at NAB Show 2026. The adoption of the IPMX standard, which recently completed interoperability testing, is providing the technical framework for this convergence of production workflows.
Chyron has released Prime 5.4, an update to its unified graphics and playout platform that introduces integration with Axis News, new SDI hardware options, and an online watermarked edition for system testing. The update also features enhanced color channel property bindings and improved audio playout capabilities for broadcasters.
MLB SVP of Broadcasting Ryan Zander discusses the league's integration of advanced production technology, including Bolt6 optical tracking, Virtual Eye AR, and Muybridge camera arrays, to enhance fan engagement for All-Star events. The discussion highlights the league's collaborative technical approach with new broadcast partners like Netflix and NBC to improve real-time storytelling and production workflows.
The ACM SIGGRAPH 2026 conference will debut a dedicated Games Summit alongside technical sessions focused on neural rendering pipelines and generative 3D world models. The event highlights emerging workflows for filmmakers and developers, emphasizing real-time machine learning tools and advanced physical simulation for high-fidelity visual effects.
Meta plans to begin production of its in-house 'Iris' AI chip in September, co-designed with Broadcom and manufactured by TSMC, to supplement existing GPU deployments. The company also intends to scale its infrastructure to 14 gigawatts by 2027 and explore a cloud model by leasing excess computing capacity.
Users of DaVinci Resolve Studio 21.0.2 on Windows are reporting a memory leak issue where the application fails to release up to 20GB of RAM after completing H.264 exports. The issue can cause operating system instability and virtual memory exhaustion, which is only resolved by closing the application or triggering a diagnostic log creation.
Leica has announced the SL3-P mirrorless camera, a professional flagship featuring a 44MP BSI sensor and capabilities for 8.1K Open Gate recording. The device includes direct Adobe Frame.io camera-to-cloud integration and native support for C2PA-compliant content credentials to verify asset authenticity.
Consultancy Qvest has released an adoption guide for the European Broadcasting Union's (EBU) Dynamic Media Facility (DMF), a software-defined architecture for media production. The framework utilizes the EBU-developed Media eXchange Layer (MXL) to facilitate vendor-neutral interoperability and transition production environments from hardware-based systems to agile software configurations.
South African startup Cinergy Mobile Power has launched modular LFP battery and solar-hybrid systems designed to replace diesel generators for film and television production. Major studios, including Netflix and ITV Studios, have utilized the technology to reduce emissions and operational energy costs on location.
Major League Baseball and Peacock are debuting the MLBx: All-Star 3-on-3 hitting competition, produced by the MLB Network. The production utilizes a specialized camera complement including Sony HDC-3500s and a multi-box layout to deliver data-rich content tailored for younger demographics.
The horror film 'Bisikan Desa Gringsing' is set for an Indonesian theatrical release on September 24, 2026. The production is notable for being one of the first in the region to utilize virtual production technology, specifically LED volumetric stages and real-time photorealistic digital environments.
This article explains how the open-source NATS messaging system can be used by broadcasters to simplify communication between microservices in cloud-native playout and transcoding environments. It highlights NATS as a scalable, secure, and resilient alternative to traditional REST API polling for distributed broadcast architectures.
MLB Network is managing the production and operations for the 2026 MLB Draft, leveraging a technical stack that includes NEP mobile units, 14 Sony cameras, and BitFire for remote contribution. The event coverage is set to air across multi-platform outlets, including a first-ever airing of initial picks on over-the-air television via NBC.
TIS Studios has opened a new 18,300-square-foot soundstage in Bogotá, Colombia, aimed at supporting large-scale international film and television production. Concurrently, regional VFX and virtual production firms like Folks Bogotá and Loma are expanding their service capabilities to cater to global streaming platforms including Netflix.
Industry experts from firms including Zixi, Riedel, and Imagine Communications discuss the shift in broadcast facility design from fixed infrastructure to software-defined, distributed IP environments. The roundtable details how standards like SMPTE ST 2110 and NMOS are being used to support hybrid cloud and on-premises workflows.
