Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
The Weather Company, AP, and NBCUniversal are collaborating on the Story Object Model (SOM), a new standard designed to replace legacy MOS protocols for live story assembly. The initiative aims to create a participant-neutral substrate that supports AI-enabled automation and skill-based workflows across multi-vendor newsroom environments.
Power Integrations has demonstrated a 2200 V gallium nitride (PowiGaN) technology, aiming to compete with silicon carbide in high-voltage power conversion applications. The development targets infrastructure sectors including AI datacenters, industrial power, and electric vehicle architectures.
The USTA has transitioned to a full ST-2110 IP infrastructure for the US Open, partnering with HBS and NEP Group to manage host broadcast operations. The new setup utilizes Lawo .edge gateways and NEP fly-packs to deliver 1080p HDR coverage across all courts, replacing previous truck-based production workflows.
Tennis Channel has expanded its onsite production at the 2026 US Open, utilizing a REMI workflow that connects a Fountain Plaza studio to a Santa Monica control room. The production leverages a mix of transport protocols including JPEG XS, J2K, and SRT to support increased live programming and daily podcast production.
Cingularity is utilizing Appear's X5 media processing platform to manage HEVC video contribution for DP World Tour golf events. The deployment supports remote production workflows by providing low-latency, broadcast-grade transport from tournament venues to IMG's London studio facility.
Wisycom is set to debut its MATF Wideband Antenna Matrix and PFL Portable RFoF Box at IBC2026, alongside a firmware update for the MPR60 receiver. These new tools are designed to improve remote production workflows by increasing IFB channel density and extending antenna range via fiber.
ESPN successfully deployed a RedZone-branded whiparound production for the US Open, marking the first time the NFL-licensed IP was used for a non-football event. The production utilized a REMI workflow managed from Bristol, leveraging existing app-based ingest feeds to provide point-to-point coverage across 16 courts.
Sacramento Production Services has upgraded the wireless audio infrastructure at Sutter Health Park using a Wisycom antenna and fiber-based RF distribution system. The installation, which includes wideband antennas and antenna-over-fiber links, was designed to mitigate RF congestion and support MLB broadcast requirements for the Athletics.
NBC Sports has launched its 21st Sunday Night Football season with an expanded production workflow that includes a traveling studio show and a new 'Rover' set. The operation utilizes a complex technical stack featuring 60-plus cameras, 4K dual SkyCams, and a trial of T-Mobile 5G network slicing for remote communications.
Sony has announced the fourth-generation DWX series wireless microphone components, including the DWT-B40 bodypack transmitter and DWR-R40Q rack-mount receiver. The new hardware features 32-bit float internal recording, Dante networking, and simplified channel configuration, with a scheduled release in February 2027.
DZOFILM has expanded its Arles cinema lens series with the introduction of two new full-frame T2.6 zoom lenses, the 25–75mm and 65–180mm. These parfocal lenses are designed for professional cinematography, featuring consistent physical dimensions and 8K resolution support to streamline rig adjustments.
Bitfocus is set to showcase version 1.8 of its Buttons enterprise routing platform at IBC2026. The update introduces features such as virtual routing, tieline management, and expanded support for hardware from vendors including Blackmagic, AJA, and Riedel.
Sony has announced the RM-DP7 and RM-DP5 external monitors, which integrate camera control with 2000-nit displays for its Cinema Line cameras. The units, scheduled for release in January 2027, support remote focus, zoom, and exposure adjustments via wired connections or select third-party wireless transmitters.
Teradek has announced the Bolt 7, a wireless video and data system that integrates a 900 MHz RF pipeline for camera control and telemetry alongside zero-delay 12G-SDI video transmission. The system supports 4K60 10-bit HDR and is scheduled to begin shipping in October 2026 with pricing starting at $5,990.
DoPchoice has introduced the SNAPGRID Core, a flexible honeycomb-style light shaper designed for ARRI Omnibar 2 and 4 linear LED fixtures. The product features a 40-degree cell structure and a Focus Cone effect to provide enhanced illumination control for professional lighting environments.
Editor John Axelrad discusses the post-production workflow for the film The End of Oak Street, detailing the use of Avid Media Composer and ScriptSync. The interview highlights the challenges of managing a non-chronological, VFX-heavy editing process and the importance of in-person collaboration for mentorship.
Facilis has announced version 8.4 of its Hub shared storage platform, featuring new multi-socket and multi-link technology to improve bandwidth saturation for 10Gb and 25Gb connections. The update also includes FastTracker 3.8.6 with Google AI tagging and Avid Media Composer integration, alongside support for ATTO Technology’s Thunderbolt 5 adapters for 8K workflows.
Disney+ has released an IMAX Enhanced Edition of The Mandalorian and Grogu, utilizing advanced virtual production, photogrammetry, and specialized near-field audio mixing. The production team, including VFX supervisor John Knoll and sound designer David Acord, detailed the technical workflows used to optimize the cinematic experience for both home theater and mobile viewing environments.
Hardkernel has launched the ODROID-M1S Lite, a $60 single-board computer powered by the Rockchip RK3566 processor. The device features a dedicated VPU and NPU, making it a low-power hardware option for edge-based video decoding and media playback applications.
Telos Alliance is promoting the use of the open-source MXL standard to facilitate memory-level media sharing in hybrid software and hardware production workflows. The company also addressed the impact of California's SB-576 loudness regulations on streaming services and the integration of AI for automated production tasks.
DaCaPo has launched a standalone professional application for Digital Cinema Package (DCP) authoring, versioning, and quality control. The software is designed to integrate into existing post-production workflows, supporting accessibility standards like SMPTE RDD 52 and various encryption formats.
IQSIGHT, formerly Bosch Video Systems, is introducing new multi-sensor cameras and the BVMS 14.0 management software at GSX 2026. The new hardware and software updates feature deep learning-based analytics and integrate with Genetec and Milestone Systems for enhanced metadata aggregation and real-time tracking.
Audinate is showcasing interoperability between its Dante audio-over-IP ecosystem and SMPTE ST 2110 broadcast standards at IBC 2026. The demonstration includes updates to Dante Controller for PTP configuration and the integration of the Iris software platform for unified networked PTZ camera control.
Panasonic Connect Europe has announced updates to its KAIROS live production platform, including new 12-bus control panels and AI-driven auto colour-matching software. The updates aim to improve visual consistency in virtual production environments and streamline workflows for live event operators.
Spectra Logic has introduced Media Insight, a new feature for its Rio Media Suite that uses AI-powered scene detection and metadata enrichment to improve archive discovery. The tool enables users to preview high-resolution content via proxies and perform partial file restores to optimize storage and retrieval workflows.
Magewell has launched the Director Plus, a 4K all-in-one live production system capable of handling up to 16 simultaneous inputs across HDMI, USB, and IP formats. The device includes integrated 5G bonding, four-channel ISO recording, and support for remote control via the Director Utility app, targeting small production crews.
ARRI has released Software Update Package 1.5.0 for its LPS-1 base station, enabling SMPTE ST 2110 support for the Alexa 35 Live multicam system. The update allows for uncompressed UHD video transport and NMOS interoperability over 25GbE connections, facilitating integration into IP-based broadcast infrastructures.
Apple has announced the iPhone 18 Pro and Pro Max, featuring a 2-nanometer A20 Pro chip and a new 48MP Fusion camera with variable aperture. The devices introduce Apple Reference Image for content authenticity and support 4K Dolby Vision HDR video recording at 60 fps.
Broadcasters are shifting from experimental cloud pilots to permanent hybrid infrastructure models that integrate on-premises hardware with cloud-native software. Industry executives emphasize the need for consistent operational visibility, open standards like ST 2110 and JPEG XS, and cost-effective management across distributed environments.
Industry executives at IBC 2026 are shifting their focus from basic SMPTE ST 2110 compliance to managing complex multi-vendor timing and synchronization in IP-native production environments. The discussion highlights the growing importance of emerging frameworks like MXL and TAMS to address operational challenges as broadcasters migrate away from legacy SDI and satellite infrastructure.
Salem Media engineer Andy Gladding details his use of low-cost, IP-based tools like Sonobus and the Zoom PodTrak P4 to facilitate remote broadcast production. The article highlights how these technologies, combined with custom mobile studio setups, allow for high-quality audio and video contribution over standard internet connections.
AUDIX has launched the NCR2 and NCR4 digital wireless receivers, completing its 16-product Novacore platform. These 1RU units support Dante and AES67 networking, AES-256 encryption, and sub-3ms latency for high-density live production and AV integration environments.
Arm has launched the Mali G2-Ultra NX, its first AI-native mobile GPU featuring integrated neural accelerators for super sampling and frame rate upscaling. The hardware is designed to enable desktop-class visual fidelity on mobile devices by reducing GPU workloads and memory traffic through AI-driven image reconstruction.
Italian public broadcaster RAI has entered a multi-year framework agreement with Grass Valley to deploy LDX 150 camera systems. The initiative supports RAI's transition to IP-based workflows and HDR production, with initial units already integrated into its outside broadcast fleet by Video Progetti.
Nevion, a Sony Group Company, has announced the general availability of MOXELA, a software-based media processing platform designed for live video transport and monitoring. The platform supports various codecs and standards, including H.265, NDI, and MXL, and integrates with Nevion's VideoIPath orchestration for hybrid ground-to-cloud production workflows.
Haivision and Chyron have announced a technology partnership to integrate Haivision's mobile transmitters and encoders with the Chyron LIVE cloud-native production platform. The collaboration aims to streamline camera-to-cloud workflows for live sports, news, and event broadcasting.
Cobalt Digital has announced a suite of new and updated signal processing products for IBC2026, including Dante fibre connectivity for its openGear cards and expanded IPMX support for JPEG XS media streams. These additions aim to simplify the transition to hybrid SDI/IP workflows and software-defined production environments for broadcast and professional AV facilities.
At IFA 2026, Lexar introduced the Muse Ultra-Slim Portable SSD, a 3.8mm thick drive designed for mobile workflows including Apple ProRes 4K 120fps recording. The company also showcased new AI-grade Gen5 storage technology utilizing a 5nm Storage Processing Unit to optimize local AI model performance and reduce DRAM requirements.
Cuez has expanded its cloud-based broadcast production platform with the introduction of Cuez Admin and new AI integration capabilities via the MCP open standard. The update enables newsrooms to automate ingest, fact-checking, and metadata management while integrating with a wide range of studio hardware from vendors including Sony, VizRT, and Grass Valley.
Zixi and Kiloview have partnered to integrate the Zixi protocol into the Kiloview D350 IP video decoder via a firmware update. This integration enables broadcasters to utilize Zixi's error correction and hitless failover capabilities for live production and contribution workflows.
Blackmagic Design has announced a limited-time 20% discount on a wide range of its Ultra HD live production hardware, including ATEM switchers, PYXIS cameras, and HyperDeck recorders. The promotion covers equipment supporting 12G-SDI and SMPTE 2110 IP workflows.
Telefónica has deployed TAG Video Systems' Core platform and Media Control System within its TSAmediaHUB infrastructure to monitor compressed and uncompressed signals. The integration, managed by Aicox, provides real-time visualization and automated alerts for large-scale audiovisual and sports production workflows.
Mo-Sys Engineering has completed a corporate restructuring, appointing Selin Kemal as Managing Director while founder Michael Geissler remains CEO. The company also opened a new London headquarters featuring a hybrid presentation theatre equipped with virtual production and broadcast technologies to serve film, broadcast, and corporate clients.
DHD Audio is set to debut a third-generation modular mixing console and version 10.4 firmware at IBC 2026. The updates introduce AI-driven noise reduction, a new Routing App, and a Control API for AES67 and Ravenna interfaces.
Imagine Communications is set to showcase new features for its XVR media server at IBC 2026, including AI-augmented playout, real-time HTML5 graphics, and MOS-based newsroom integration. The update also introduces an assured ingest feature designed to prevent data loss during storage interruptions and demonstrates interoperability with Appear's software platform.
Grass Valley has updated its Framelight X platform with new mobile reporting capabilities, AI-based semantic search, and browser-based editing tools. The platform aims to unify news and sports production workflows by integrating acquisition, management, and publishing through a federated architecture that supports third-party NLEs and data sources.
Fujifilm has introduced the VF-GFXC2 electronic viewfinder and the ETERNA ProRemote iOS app for its GFX ETERNA 55 camera system. These tools are designed to support remote production workflows by enabling multi-camera monitoring and remote control via Bluetooth, Wi-Fi, or wired LAN.
Nikon has announced firmware 2.00 for its ZR cinema camera, which will introduce H.265 Log3G10 recording by the end of 2025, with open gate and anamorphic support planned for 2027. Additionally, the company is developing a new series of nine NIKKOR Z CINEMA T1.9 VV lenses designed for full-frame and RED V-RAPTOR [X] sensors.
Blackmagic Design has released DaVinci Resolve 21.1, introducing AI assistant integrations with Claude and ChatGPT and expanding the Krokodove toolset for Fusion. The update also shifts Python scripting capabilities to the paid Studio version and includes numerous workflow improvements across the Edit, Cut, and Color pages.
Creative Technology Australia & New Zealand deployed Brompton Technology’s Tessera SX40 processors and XD distribution units to manage large-format LED visuals for Professor Brian Cox’s Emergence World Tour. The technical setup utilized 10-bit color and redundant 12G SDI feeds to ensure high-resolution playback across various international arena configurations.
