The AES Show Nashville 2026 will feature a dedicated program focused on immersive and spatial audio production, including technical sessions and listening rooms hosted by ADAM Audio and Genelec. The event aims to provide industry professionals with hands-on experience in 3D audio workflows, playback technologies, and production techniques.
The concentration on spatial workflows at this event signals a shift from experimental 3D audio to standardized production requirements for high-end streaming and live venues. As platforms demand more sophisticated Atmos and binaural mixes, the involvement of hardware leaders like Genelec and ADAM Audio provides the necessary technical framework for engineers to scale these complex outputs. This focus bridges the gap between creative intent and the hardware limitations of consumer playback systems. Moving forward, the industry should monitor how these standardized 3D workflows influence the adoption of spatial audio formats across mid-tier streaming services and mobile device manufacturers.
The Audio Engineering Society has restructured its annual show format for 2026, moving from a traditional convention model to a more intimate, experience-driven event in Nashville. AES Show Nashville 2026 will take place October 30 through November 1 at the Gaylord Opryland Resort & Convention Center, combining workshops, research presentations, studio tours, and networking events designed to leverage Nashville's deep audio production heritage. The shift to a smaller, more focused format reflects AES's strategy of prioritizing hands-on learning over large-scale exhibition, a model that suits the immersive audio program's emphasis on critical listening and practical workflow demonstration.
Genelec is bringing its full UNIO monitoring ecosystem to the show floor alongside the dedicated immersive room. The company's booth 119 will feature 8320A, 8331A, and 8341A SAM monitors with a 7360 subwoofer and the 9320A Reference Controller running on GLM 5 software, with demonstrations of advanced bass management and AoIP solutions including the 9401A for Ravenna and 9402A for Dante. Thomas Lund will host the Genelec Immersive Room masterclasses, which focus on ITU-R BS.1116 compliance and Auditory Envelopment fidelity, allowing attendees to evaluate spatial transparency at their seat before hearing actual recordings.
ProSoundWeb's coverage of the event highlights the breadth of the immersive program, which spans production, playback, and creative application. The ADAM Audio Immersive Room will cover multiformat mixing, binaural reproduction, spatial recording, and restorative audio, with sessions addressing practical challenges such as mixing in Stereo, Atmos, and Eclipsa within the same session. The program also includes a session on DIY spatial room impulse response capture, indicating that AES is targeting not only established facility engineers but also independent producers seeking accessible entry points into object-based audio workflows.
The AES Show Nashville 2026, held October 30 to November 1, features dedicated immersive audio programming from industry leaders like ADAM Audio and Genelec. This shift toward standardized spatial workflows is critical, as it provides professional engineers with the technical framework needed to meet growing demands for high-end streaming and live venue audio.
The event is scheduled for October 30 through November 1, 2026, at the Gaylord Opryland Resort & Convention Center in Nashville.
ADAM Audio will host a dedicated immersive room covering multiformat mixing, binaural reproduction, spatial recording, restorative audio, and DIY spatial room impulse response capture.
Thomas Lund will host the Genelec Immersive Room masterclasses, which focus on ITU-R BS.1116 compliance and Auditory Envelopment fidelity.
The AES has restructured its annual show into a more intimate, experience-driven event that prioritizes hands-on learning, critical listening, and practical workflow demonstrations over large-scale exhibitions.
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