Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Quectel has launched the SH503FM, SH603FC, and SH803FD smart modules, which utilize MediaTek’s Genio platform to provide octa-core processing and on-device AI acceleration. These modules are designed for edge computing, digital signage, and smart display hardware, offering scalable compute options without integrated cellular connectivity.
AMD has released new Linux kernel patches to improve HDMI 2.1 reliability, including fixes for FRL status polling and link timeout alignment. These updates are part of the preparation for the upcoming Linux 7.4 kernel release, which will enable HDMI 2.1 support by default for AMD graphics drivers.
Original Syndicate founder and CEO discusses the convergence of AV, broadcast, and live production into a unified communications infrastructure. The interview emphasizes the shift toward IP-based standards and the necessity for integrators to prioritize long-term operational reliability over hardware-centric installation models.
The live-dealer gaming sector has evolved into an industrial broadcast operation, utilizing professional studio infrastructure and continuous video production to replace traditional software interfaces. This shift is driven by the significant reduction in the cost of reliable, high-scale video streaming, enabling gaming tables to function as professional television sets.
Hollyland has launched the LARK M3, a wireless audio system supporting up to four transmitters per receiver for multi-camera and multi-person production. The system features 48 kHz/32-bit recording, AI-based noise cancellation, and isolated track recording for complex collaborative workflows.
Major broadcast and AV trade shows including NAB, IBC, and PLASA are experiencing declining attendance and structural challenges as industry professionals reevaluate the necessity of large-scale events. The article highlights shifting industry identities, rising travel costs, and the potential consolidation of events as key factors forcing a change in the traditional trade show model.
4Wall Entertainment deployed a complex virtual production setup for the film Disclosure Day, utilizing Absen LED panels, Brompton Technology processing, and Disguise media servers. The project integrated real-time compositing and image-based lighting across three distinct sets to maintain color consistency and support complex camera movements.
ESPN is leveraging remote production (REMI) and cloud-based workflows to manage the compressed logistics of WNBA playoff broadcasts. The network is utilizing 1080p HDR production, robotic camera systems, and Live From Home (LFH) kits to maintain broadcast quality across shifting game locations.
nxtedition will demonstrate its consolidated production platform with new agentic AI capabilities at CABSAT 2026 in Dubai. The platform allows AI agents to manage tasks from story development to script assembly within a unified production environment.
KRIV in Houston is implementing automated production systems that allow anchors to control cameras, graphics, and audio for streaming newscasts. This shift reflects a broader industry trend of using automation to reduce control room staffing, raising questions about the impact on editorial oversight and production redundancy.
Crestron has released Home OS 4.12, which introduces native Multiview capabilities for its DM NVX AV-over-IP platform. The update allows users to display and manage multiple video sources simultaneously on a single screen without requiring additional custom hardware or programming.
Eurosport utilized VITEC's MGW Ace encoder and ChannelLink gateway to enable low-latency remote sports commentary over the public internet. The workflow maintains sub-250ms latency, allowing the broadcaster to reduce operational costs by replacing dedicated satellite links with internet-based contribution.
France Télévisions implemented a 100% cloud-based production workflow using TVU Networks' ecosystem to broadcast 2024 Summer Games content. The project utilized 5G, Starlink, and drone technology to achieve live coverage while reportedly reducing production costs by 70% and lowering CO2 emissions.
Broadcast Rental has renewed and expanded its fleet of Vislink live production equipment, including UltraLink-Air bonded cellular transmitters and LinkMatrix management software. The deployment is intended to support high-profile live sports and entertainment productions by improving operational flexibility and feed distribution.
Team Coco has transitioned its podcast studio production to a cloud-based workflow using Pronology’s StreamFile Core and Haivision’s Makito X4 encoder. The integration replaces traditional baseband SDI on-premise recording with direct recording of multi-camera feeds to Amazon S3 via SRT.
KenCast outlines the operational and performance benefits of using integrated hardware and software appliances for content delivery. The article argues that unified systems improve stability, security, and power efficiency while lowering the total cost of ownership for service providers.
TRedess announced its upcoming IBC 2026 showcase, featuring 3GPP Release 19 5G Broadcast implementations and a seamless switching solution between MoQ-based broadband and 5G Broadcast. The company will also debut its fourth series of DAB+ transmitters and updated DVB-T/T2 and ATSC 3.0 hardware.
RTW has announced Software Version 2.3 for its TMxCore, TouchMonitor 5, and TouchControl 5 devices, introducing new integration capabilities with Lawo Home and Prometheus/Grafana logging. The update also adds expanded immersive audio analysis tools and enhanced monitor control features for IP-based broadcast environments.
Mo-Sys Engineering has announced MultiViewXR, a new feature for its VP Pro XR platform designed to enable multi-camera workflows in LED virtual studios. The system utilizes machine learning to provide real-time director previews and eliminate the need for multiple render nodes.
Epiphan Video is introducing dual network support for its Pearl-2, Pearl Mini, and Pearl Nexus devices via the upcoming firmware 4.24. The update allows users to isolate video streaming traffic from device control data using a USB-to-Ethernet adapter to improve network performance and security.
Axel Technology provides a detailed overview of its YouPlay software suite, a multi-format playout and ingest solution for live production environments. The platform supports SDI, NDI, and IP workflows with integration for newsroom systems via MOS protocol and compatibility with various broadcast hardware cards.
Brainstorm has announced the release of Suite 7, a software suite for virtual production and real-time graphics, alongside recent demonstrations at ISE and an open house at Pinewood Studios. The new suite focuses on workflow efficiency and hardware optimization for virtual and augmented reality pipelines.
MagStor has launched its M6560 and M3640 LTO-10 tape storage systems, providing up to 25.6 PB of native capacity for broadcast and media archives. The systems feature air-gapped, WORM-compliant storage designed to offer a cost-effective, long-term alternative to cloud and disk-based media management.
CNDLive has launched Open Media Transport (OMT), an open-source, royalty-free IP protocol for low-latency professional video distribution. The company is supporting the new protocol with its Product A1 hardware and the hybrid OMT-NDI Go 4K decoder.
Reviewer Larry Jordan evaluates the Røde Podcaster Pro II, finding it effective as a DAW front-end but inadequate for professional live streaming due to inconsistent audio levels and poor technical support. The review highlights specific technical shortcomings, including a lack of broadcast-standard metering and limited control over output levels for streaming services.
Larry Jordan provides a technical guide on optimizing audio workflows within DaVinci Resolve's Fairlight page. The article details specific techniques for normalization, EQ, multiband compression, and limiting to ensure professional audio output for streaming platforms.
Vizrt has released an on-demand library of its Live Workflow Lab webinar series, providing educational content on production optimization, technology integration, and team collaboration. The sessions are available to broadcast and corporate production professionals without registration.
Lighting designer PJ Carruth deployed 20 GLP JDC2 IP fixtures running firmware 2.0 for the 2026 Spiritbox North American tour. The setup utilized the fixture's native NDI support and new canvas-based positioning workflow to manage timecoded visuals without an external media server.
Westminster Schools in Atlanta has upgraded its student-run broadcast operations by installing the QuickLink StudioPro-3 and Proton control panel. The new system replaces a legacy record-then-edit workflow with live switching, NDI integration, and remote guest capabilities.
Spiritland Productions managed complex audio and communications for Red Bull’s 'Max vs 100' go-kart race, utilizing 101 Sennheiser wireless beltpacks and 100 Riedel Bolero intercoms. The production also integrated custom audio switching and remote streaming tools to support live broadcasts on Disney+ and ESPN.
Systems integrator Diversified reports double-digit global growth driven by enterprise demand for broadcast-grade studio infrastructure and managed services. The company is increasingly supporting financial institutions and other corporate clients with end-to-end production workflows, including content management and distribution.
Major LCD panel manufacturers including BOE, TCL CSOT, and HKC are increasing prices by 4% to 7% in Q4 2026 due to production cuts and supply chain competition. This shift impacts major television manufacturers like Samsung, LG, and Sony, potentially narrowing the historical price advantage of LCD technology against OLED.
Nikon has announced the Z5IIC, a full-frame mirrorless camera priced at $2,399 AUD that features AI-powered subject detection and internal N-RAW video recording. The device is designed for content creators and includes UVC/UAC compatibility for direct webcam use.
Sencore has announced the end-of-sale date of September 30, 2026, for its MRD 4400, 5800, 6000 and AG 4400, 5800, 6000 receiver decoders. The company will continue to provide software maintenance through September 2027 and recommends the MRD 8000 as the primary replacement for these legacy units.
Appear conducted field tests using its X5 and X20 platforms to deliver six simultaneous HD HEVC SRT streams over bonded 5G and LEO satellite connections. The results highlight the importance of avoiding redundant retransmission layers when combining third-party WAN bonding with hardware-accelerated SRT transport.
Solid State Logic is hosting a live demonstration at the University of Texas at Dallas on October 7 to showcase a multi-console audio workflow. The event will feature the integration of SSL Live, studio, and broadcast consoles using Dante for simultaneous audio distribution across three distinct production environments.
Ryval Studios founder Jon Morgan advises MLB creative teams to adopt modular production workflows and contingency planning to mitigate risks from potential 2027 labor-related player access delays. By decoupling pre-production from physical shoot dates, teams can maintain content output despite scheduling volatility.
RØDE has released firmware version 1.4 for its RØDECaster Video console line, adding 4K30 and 1080p60 capture modes with NDI output and isolated recording. The update also expands RØDECaster Sync compatibility across the product range and introduces OTIO timeline export for Adobe Premiere Pro.
Users of DaVinci Resolve Studio 21 on Windows are reporting persistent visual quality and color discrepancies between the Source Viewer and Timeline Viewer when processing HEVC footage. Despite extensive troubleshooting of color management, project settings, and hardware configurations, the issue remains unresolved, prompting an escalation to Blackmagic Design support.
A developer has identified a consistent 43ms latency overhead in the Nvidia Argus library on Jetson Orin NX hardware, independent of ISP usage. The findings suggest a potential architectural bottleneck in the capture pipeline that impacts real-time performance for edge computing applications.
Grass Valley has launched AVORA, a standalone, all-in-one live production system built on its AMPP technology. The platform integrates switching, graphics, audio, and remote guest management into a single web-based interface designed for repeatable live production workflows.
Starting Pixel Live 2026 is scheduled for October 14 in London, focusing on the integration of AI into virtual production workflows. The event emphasizes the necessity of human oversight in technical processes like lighting, scene blocking, and quality control.
RED Digital Cinema’s V-RAPTOR [X] and V-RAPTOR XL [X] cameras have become the first systems to receive GhostFrame Pro Certification from Megapixel. The certification validates the cameras' ability to capture multiple synchronized video feeds simultaneously for virtual production workflows using the Phantom Track feature.
Broadcast Management Group has completed a multi-year systems integration project for Virginia Public Media's new Richmond headquarters. The facility features a unified technical infrastructure supporting television, radio, and digital production, utilizing hardware from vendors including Ross Video, Grass Valley, and Harmonic.
Attendees at World Space Business Week 2026 reported that despite increased satellite manufacturing capacity, the industry is constrained by significant bottlenecks in launch availability, spectrum allocation, ground infrastructure, and component supply. These systemic issues, largely outside the control of satellite manufacturers, are increasingly driven by defense-sector demand and regulatory pressures.
NBC Sports Bay Area is utilizing remote production technology to enable splitcast broadcasts for San Francisco Giants games, allowing analysts to work from a remote studio while play-by-play announcers operate from stadium locations. The workflow relies on a remote access production suite (RAPS) to maintain seamless coordination between distributed broadcast teams.
The Bundesliga has introduced 'Platinum Matches' to provide broadcasters with enhanced access, including locker room and pitch-side interviews. Simultaneously, Sportcast is scaling remote production workflows to deliver unilateral feeds for RTL and Sky, optimizing technical operations for Bundesliga 2 coverage.
The Bundesliga is testing mini drones for live matchday broadcasts and expanding its use of 3D player tracking data to enhance visual analytics and alternate broadcast feeds. Additionally, the league is piloting AI-driven workflows in partnership with AWS to automate the localization of commentary and on-screen graphics for international distribution.
Orange Pi has introduced the OrangePi O1, a single-board computer powered by the Sophgo BM1688 processor. The board features a 16-TOPS TPU and hardware-accelerated video decoding for up to 16 simultaneous 1080p30 streams, targeting edge AI and video processing applications.
The Standard Performance Evaluation Corporation (SPEC) has released SPECviewperf 15.0.1 Linux Edition, a professional graphics benchmark suite that now includes support for aarch64 (Arm) architectures. The tool provides standardized performance metrics for CAD and content creation workflows on Linux workstations without requiring application licenses.
