Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Latin American broadcaster Torneos has deployed Chyron's PRIME, VSAR, and CAMIO systems to modernize its graphics and virtual production workflows. The technology was utilized for the FIFA World Cup 2026 coverage and supports a broader brand refresh for the DSPORTS network.
Pronology has updated its StreamFile Core platform with a new Shot List player for sub-clipping and added Linux support for its mRes encoder. These upgrades are designed to improve workflow efficiency for production teams managing live IP video feeds like NDI, SRT, and SMPTE ST 2110.
Calrec is previewing its ImPulseV v1.5 and Argo v1.5 software at IBC2026, featuring integration with Grass Valley’s AMPP ecosystem and support for the EBU’s Dynamic Media Facility project. The updates introduce automated deployment via Terraform, new DSP pack sizes, and flexible short-term licensing options for software-defined production workflows.
Haivision has integrated its Makito ONE video transport platform with the new CellLink 5G modem to enable bonded cellular contribution for live broadcast. The integration allows for the combination of Ethernet and multiple 5G paths using the SST protocol to support resilient, low-latency 4K and HDR remote production.
Researchers at the University of Kentucky have developed a machine vision camera, dubbed BYOP, that integrates an HDMI controller and FPGA to synchronize global-shutter sensors with commodity projectors. This architecture eliminates the need for external trigger boxes in structured-light 3D scanning by embedding synchronization directly into the video path.
Timeline Television has introduced RoutePilot One, a software-orchestrated production platform designed to integrate vision mixing, audio, and talkback into a single environment. The system utilizes standard broadcast hardware to reduce engineering complexity and headcount for remote and automated live productions.
The Television Academy has announced the 2026 Engineering, Science, and Technology Emmy recipients, honoring a wide range of industry contributors. The awards recognize significant technical advancements in areas including remote broadcast production, AI-based post-production, and ATSC 3.0 standardization.
TriLite Technologies has secured a strategic manufacturing partnership and a new financing round led by AAC Technologies. The collaboration aims to scale the production of TriLite's laser beam scanning (LBS) projection engines for AR, MR, VR, and automotive display applications.
ST Engineering iDirect has demonstrated a pilot version of its INT3000 modem, which supports both 5G NR-NTN and DVB-S2X/MRC waveforms. The device is designed to help satellite operators transition to 5G interoperability while maintaining existing DVB network architectures and reducing reliance on GNSS for timing.
Red Digital Cinema is showcasing its V-Raptor camera line and Red Connect technology at IBC 2026, demonstrating 8K live streaming workflows to Apple Vision Pro. The exhibit highlights the integration of cinematic-quality capture into live sports and entertainment production environments.
CODEX is set to launch a new range of CFexpress cards and a media reader on September 2, 2026. The move brings the company's high-end production reliability and data-integrity verification to the widely used CFexpress storage format for professional cinema cameras.
EVS has announced the upcoming launch of Neuron 4X, a software-defined media processing platform featuring 400Gb/s connectivity and four times the processing capacity of its predecessor. The FPGA-based system is designed to support high-density UHD workflows and centralized production, with the Bridge 4X IP gateway serving as its first application.
FOR-A has launched two new on-device AI solutions, Go Vertical! AiDi and AiDi Sports Hub, developed by Nippon TV for live production workflows. The tools provide real-time 9:16 reframing and automated sports data visualization, aiming to reduce latency by processing data locally rather than in the cloud.
Broadcast Solutions, Studio Automated, and Egripment successfully deployed an AI-powered camera automation system for the Franz Beckenbauer Supercup 2026. The workflow utilized standard on-premises hardware and Egripment's HotHead 3 remote head to generate an international tactical feed, marking a transition from technology showcase to production-ready sports broadcasting.
NVP has established a centralized production facility in Madrid to support over 800 LaLiga Hypermotion matches per season. The operation leverages Grass Valley’s AMPP software-defined platform, IP infrastructure, and 144 LDX series cameras to enable a hybrid remote and outside broadcast workflow.
The Alliance for IP Media Solutions (AIMS) has certified 14 products from eight manufacturers for the IPMX standard following testing conducted at the European Broadcasting Union (EBU) headquarters. This certification program aims to provide an independent verification process for interoperability in uncompressed video, JPEG XS, and HKEP workflows.
intoPIX has achieved IPMX certification for its Titanium FPGA SoC EDK and Titanium Apps suite, enabling interoperable 4K workflows across broadcast and ProAV hardware. The platform now supports the Privacy Encryption Protocol (PEP) for secure content transport and allows for uncompressed HD streaming alongside JPEG XS-compressed workflows.
Axis Communications is showcasing its new ARTPEC-9 system-on-chip, which introduces AV1 encoding and signed video authentication, at the Security Exhibition and Conference 2026 in Sydney. The company is also highlighting its Axis Cloud Connect platform and new radar hardware as part of a broader strategy to unify physical security and network audio infrastructure.
Digi International's Senior Product Manager David Rush discusses the evolution of vehicle connectivity from simple data pipes to mission-critical edge computing platforms. The interview highlights the company's new TX65 5G platform, which integrates 5G, Wi-Fi 7, and edge AI to support real-time video processing and telematics in fleet environments.
IDS Imaging Development Systems will showcase new uEye camera platforms, event-based imaging, and AI-enabled streaming cameras at the upcoming VISION 2026 trade fair. The company is also highlighting innovation projects including GMSL multi-camera integration and active focus control for industrial and autonomous monitoring applications.
Qualcomm has expanded its Dragonwing portfolio with the Q-2390 and IQ-2390 processors, which integrate AI acceleration, computer vision, and connectivity for edge devices. The new chips are designed to support industrial and consumer applications, with evaluation kits scheduled for release in early 2027.
Sony has filed a patent for an image sensor design that utilizes tapered, reflective metal walls between pixels to redirect light toward photodiodes. This technology aims to improve low-light sensitivity and reduce optical crosstalk in high-resolution sensors, particularly for compact imaging systems.
Grass Valley has appointed Ronny Van Geel as vice president of cameras to lead its camera product organization and strategy. Van Geel, formerly the company's director of product marketing, will oversee the development of tools for media production workflows and unified media operations.
Imagine Communications is set to debut its Magellan PanelFlex control surface and design environment at IBC 2026. The new system introduces Model Context Protocol interfaces for AI integration and Prometheus monitoring endpoints to enable observability via platforms like Grafana.
Sports Video Group has published the session recordings from its 2026 Venues & Teams Summit, which focused on IP-based production control rooms, 4K HDR workflows, and the integration of cloud and AI in stadium operations. The event featured case studies from the Miami Heat and Orlando Magic alongside technical insights from various industry vendors.
SoFi Stadium has completed a major broadcast infrastructure upgrade, including the installation of new Ross Video TD5L switching panels and a 17-position production control room. The project also integrated d&b audiotechnik spatial audio and updated LED display systems to support simultaneous multi-event operations.
Avid has released Media Composer 2026.8, which introduces official support for shared projects on third-party NAS and SAN storage for Enterprise license holders. The update also includes a new AI-powered PhraseFind Multicam Auto Cut feature and removes previous track and resolution limitations from the free Media Composer First version.
SWIT has announced the Mini-150B, a compact 150W bi-color COB LED light designed for professional production environments including livestreams and podcasts. The unit features V-mount and USB-C power options, a high power-to-size ratio, and integrated Bluetooth control via the SWIT Console app.
AJA Video Systems has introduced the FS8, a 1RU frame synchronizer and media processor designed to bridge 12G-SDI and ST 2110 IP infrastructures. The device supports up to eight HD or four UltraHD channels and includes advanced audio routing, HDR/SDR conversion, and a node-based web UI for broadcast and pro AV workflows.
New Media AV has expanded its distribution partnership with Teradek to include the full Live Production portfolio across Europe. The agreement provides dealers and integrators with access to Teradek's Prism, Ranger, and RF-X product lines for professional streaming and remote production workflows.
SVT received the 2026 EBU Technology & Innovation Award for its Neo software-defined live production platform. The project demonstrates the industry's transition toward IP-based workflows and the organizational challenges inherent in modernizing broadcast infrastructure.
Matrox Video has published a comprehensive product catalog detailing its current hardware and software offerings, including the Maevex and Monarch EDGE encoder series, IP video gateways, and ST-2110 NIC cards. The catalog serves as a reference for professional broadcast and streaming infrastructure solutions.
AMD and InSync have announced a partnership to integrate InSync's video processing IP into AMD's adaptive SoCs and FPGAs. The collaboration aims to support broadcast OEMs in developing hardware for SMPTE ST 2110, UHD workflows, and motion-compensated frame rate conversion.
OpenDrives executives and Varde Media Solutions founder Eivind Sandstrand discuss why corporate video teams often over-invest in broadcast-grade production technology. They argue that prioritizing business objectives and high-performance storage over complex broadcast suites reduces technical friction and costs for enterprise marketing departments.
Arkona technologies GmbH has entered an OEM partnership with BFE Studio und Medien Systeme to produce arkona-branded hardware control panels for its SDI-IP routing systems. The branded panels, which integrate with arkona's EASY-IP software and BFE's KSC product line, will be available starting October 1, 2026.
ASUS has released specifications for its ProArt P14 creator laptop, which features the new NVIDIA RTX Spark SoC. The workstation is designed for high-end professional workflows, supporting 12K video editing, local 4K AI video generation, and complex 3D rendering.
Global GPU prices have risen 15% between July and August 2026, with average market prices now 28% above MSRP. The surge is attributed to AI companies aggressively purchasing high-performance GPUs, which is constraining the supply of GDDR7 memory for consumer and professional video encoding hardware.
Facilis Technology has announced the release of HUB 8.4 and FastTracker 3.8.6, featuring new Ethernet performance enhancements, OAuth SSO support, and native Avid Media Composer integration. The update also introduces AI-driven metadata tagging via Google and support for Thunderbolt 5 adapters in partnership with ATTO Technology.
Australian media company Foxtel has selected BCNEXXT's Vipe platform to manage playout for 38 channels, including live sports and thematic services. The software-defined deployment allows Foxtel to scale resources across linear, VOD, and OTT services in public, private, or hybrid cloud environments.
FOR-A has expanded its viztrick AiDi brand with two new products, Go Vertical! AiDi and AiDi Sports Hub, developed in collaboration with Nippon TV. These on-device AI systems are designed to handle real-time 9:16 cropping and sports telestration, aiming to reduce latency in live production workflows.
The Cleveland Cavaliers have entered a multi-year partnership with DAZN to serve as their exclusive streaming home starting in the 2026-27 season. The team is simultaneously moving production in-house to the Rock Entertainment Sports Network, upgrading to 19-camera broadcasts featuring 10.5K resolution, predictive AI, and augmented reality.
Encompass Digital Media and Grass Valley have launched Altitude Playout Plus, a software-defined channel origination platform designed for complex live programming. Channel 4 has signed a multi-year agreement to adopt the platform starting in 2027, with operations managed from facilities in London and Riga.
The Big Ten Network has scaled its operations to support 2,500 annual B1G+ streams and 550 remote productions across 18 institutions. The network utilizes a centralized 'home-run' production model and a student-led campus production program to manage high-volume live sports distribution.
Riedel Communications has extended its partnership with the Scottish Rugby Union for a third season to provide managed coach communications. The deployment utilizes Riedel's SidelineComms service, featuring Bolero wireless intercom technology and StageLink adapters to integrate audio for live match-day operations.
Cinematographer Colin Hoult used Sony Venice 2 cameras and Video Village’s Scatter plugin in DaVinci Resolve to achieve a retro 1980s aesthetic for the Amazon MGM Studios series Off Campus. By applying digital filtration during the dailies phase, the production reduced on-set glass filtration requirements and streamlined the VFX pipeline.
DJI has launched the Osmo Pocket 4P, a dual-lens gimbal camera featuring a 1-inch main sensor, D-Log2 support, and 4K 240 fps slow-motion capabilities. While the device offers significant technical improvements in image quality and onboard storage, it faces criticism for limited remote control functionality and restricted log recording modes.
Sigma has expanded its Aizu Prime cinema lens series with three new focal lengths: 21mm, 100mm, and 125mm, all featuring a T1.3 aperture. The lenses include support for Cooke /i and ZEISS eXtended Data metadata, designed to integrate with high-end VFX and production workflows.
Pixotope Technologies has consolidated its virtual production software stack into three distinct editions: Discovery, Core, and Max. The update integrates the company's video-based tracking system onto Windows OS and provides a unified platform for XR, AR, and broadcast production workflows.
Atlona has updated its OmniStream AV-over-IP platform by integrating USB support directly into its new encoders and decoders. This hardware update allows for the transmission of 4K/60 4:4:4 video, audio, and USB signals over Gigabit Ethernet without requiring separate companion hardware.
THine Electronics has introduced new VCSEL drivers and TIAs featuring proprietary Zero Eye Skew technology designed to eliminate the need for DSPs in PCIe6 and PCIe7 optical interconnects. The company claims these components can reduce latency by 90% and power consumption by 73% for high-density AI datacenter applications.
