Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
IBC has announced the finalists for their 2026 Innovation Awards, highlighting collaborative projects involving global media organizations and their technology partners. The selected entries showcase advancements in AI-powered production, cloud-native distribution, and server-guided ad insertion.
The U.S. government is awarding GlobalFoundries $300 million to advance the development of silicon photonics and co-packaged optics technology. This funding aims to enhance data transfer speeds and energy efficiency within AI and large-scale video processing data centers.
Radxa has introduced the CM-Q64 and VMARC-Q9075 compute modules powered by Qualcomm Dragonwing processors. These modules provide hardware-accelerated processing for multiple video streams and edge AI, targeting industrial and machine-vision applications with support for common AV1, HEVC, and VP9 codecs.
Virtual production supervisor Justin Cathcart outlines the technical operations and team structure required for managing LED volume shoots. The process involves real-time camera tracking, Unreal Engine integration, and separate 2D playback systems to maintain accurate parallax and reflections.
Bright Machines has launched the Hybrid BRC, a robotic assembly cell designed to integrate manual assembly steps into a data-monitored manufacturing workflow for AI servers. The system aims to mitigate the production yield issues associated with manual assembly by maintaining a continuous data thread through automated and human-led processes.
The PGA TOUR is piloting an announcer-free 'Quiet Please' stream on ESPN+ for the Rocket Mortgage Classic. The production incorporates enhanced on-course audio submixing, Virtual Eye graphics, and interactivity via Tagboard-powered QR codes.
Major League Soccer, Apple, and NEP collaborated to deploy a massive production suite for the 2026 MLS All-Star Game in Charlotte. The project featured the debut of specialized broadcast technologies including AI-driven robotics, rail-mounted 4K cameras, and ear-mounted RefCams to enhance the live streaming experience on Apple TV.
QuickLink has announced the StudioPro AnywhereTally system, a wireless, cloud-controllable tally light solution designed for distributed live production. The system will debut at IBC 2026, offering 20ms latency and integration with the existing StudioPro ecosystem.
The FCC has expanded its equipment authorization rules to restrict the use of logic-bearing hardware components from companies on the Covered List in regulated communications equipment. Additionally, the new order mandates that online marketplaces display valid FCC IDs for certified devices at the point of sale to ensure supply chain security.
Brazil's 5G network deployment has reached over 57,000 antennas as the market shifts from rapid national expansion to targeted densification. The telecommunications infrastructure sector is currently undergoing significant consolidation and high churn among major tower companies as operators optimize their site requirements.
AEQ has announced the FORUM IP PLUS, a modular digital audio mixing console for radio and multimedia broadcast production. The system features Dante/AES67 connectivity, support for up to 180 audio channels, and remote operation capabilities through virtual control software.
This article provides a technical overview of various digital audio protocols used in professional live production environments, such as Dante, AES67, and Milan. It discusses the functional trade-offs between proprietary point-to-point systems and open networked standards to help technical leaders make informed infrastructure decisions.
4Wall Entertainment has acquired the largest fleet of Disguise EX 3+ media servers in North America to standardize virtual production and live event workflows. The hardware deployment supports 4K output and ACES color management, catering to high-end broadcast projects and virtual production environments.
OBSBOT has announced the release of the Meet Flip 4K, a $119 webcam featuring a physical privacy shutter and broadcast-standard frame rates. The device, aimed at professional and remote production workflows, supports UVC protocol and integrates with OBSBOT's software for live production features.
AMD has partnered with semiconductor startup NeoLogic to integrate high-speed, low-power SRAM alternative architecture into its processors. This strategic move aims to reduce chip footprint and costs for AMD's EPYC CPUs and Instinct accelerators, providing a capital-efficient alternative to the large-scale acquisitions pursued by competitors like Nvidia.
The Dallas Cowboys successfully optimized their remote production workflow for off-site training camp operations by implementing a centralized data hub from iodyne. This transition enabled the organization to scale content production from 200 to over 500 shoots annually while handling up to 10TB of daily footage.
TNT Sports launched the DUNKMAN professional dunking league using a high-end production setup featuring 1080p HDR cameras, EVS Extra Motion, and an Owl AI computer vision system to capture real-time performance analytics. The production is managed onsite in Atlanta using a complex array of specialized cameras, POV sensors, and integrated graphics to provide data-driven storytelling for live broadcasts.
Formula 1 and Sky Sports have centralized their broadcast production infrastructure at Biggin Hill while expanding the use of remote IP-based workflows, 350 km/h FPV drones, and data-driven viewer personalization. This remote-production model aims to increase operational efficiency and minimize the physical equipment footprint at race circuit locations.
nanocosmos is launching a cloud-based chroma key tool for its nanoStudio platform, allowing live production environments to apply multiple backgrounds to a single ingest feed. The technology utilizes Media over QUIC (MOQ) infrastructure to support real-time compositing without increasing latency for viewers.
Startup Bolt Graphics showcased its new Zeus GPU architecture at SIGGRAPH 2026, claiming significant performance gains in real-time path tracing via custom SIMD layout and RISC-V processors. The hardware is designed for professional 3D rendering and simulation workflows, with initial market delivery targeted for late 2027.
Solid State Logic will use IBC 2026 to showcase updates to its System T platform, including the integration of the EBU’s Dynamic Media Facility initiative and Media eXchange Layer for containerized shared-memory media transfer. In addition to software-defined production enhancements, the company is debuting new hardware solutions including the Net I/O ST 2110 Bridge.
Octopus Newsroom has released two new tools, No-Code Workflow Designer and Show Flow Designer, designed to integrate editorial storytelling processes with live studio automation. The software allows broadcasters to manage newsroom tasks and production templates via a visual, no-code interface rather than custom programming.
Engineering leads from BBC Wales, CBC Radio-Canada, and EMG Belgium discuss their experiences migrating broadcast facilities from traditional SDI infrastructure to SMPTE ST 2110 IP-based systems. The discussion highlights the critical role of interoperability standards, the shift in required engineering skill sets, and the ongoing challenges of testing and monitoring complex IP media transport.
Cisco executive Bill Gartner outlines the shifting landscape of data center optics as the industry transitions to 1.6T networking. The interview highlights that optical link reliability is increasingly becoming a critical metric for compute efficiency in AI training clusters, as connection failures can lead to significant GPU downtime.
Production firms Vivid Broadcast, QTV, and World Archery are adopting IP-based workflows using SRT and RIST protocols to deliver high-quality, cost-effective live sports coverage. This nimble production approach allows organizations to reach broader audiences via OTT and FAST channels without relying on traditional, high-cost broadcast infrastructure.
Channel 4 has selected Encompass Digital Media under a multi-year agreement to provide managed linear playout, content supply chain, and disaster recovery services. The services will transition to the cloud-native Altitude platform, supporting the broadcaster's regional and thematic channels beginning in 2027.
Cinematographer Claudio Miranda conducted a comparative analysis of Sony's FX5 and FX3 cameras using the VENICE 2 as a reference point. The tests focused on evaluating highlight roll-off, shadow integrity, and low-light performance to illustrate where the FX5 aligns with Sony's high-end cinema image philosophy.
Formula 1 and Sky Sports are expanding their long-term technical collaboration by consolidating remote production at the Biggin Hill Media & Technology Centre and integrating AI-driven data workflows. The initiative aims to enhance broadcast storytelling through shared RF infrastructure, high-speed FPV drone cameras, and reduced latency for team radio communications.
Radio France deployed an IP-based audio production infrastructure from Lawo for the 2026 Concert de Paris, utilizing mc² consoles, A__UHD Core audio engines, and RAVENNA networking. The setup enabled live sound reinforcement, stage monitoring, and broadcast distribution across 70 countries, incorporating new Dynamic EQ functionality.
Gravity Media has launched the MT501, a scalable outside broadcast vehicle featuring two production galleries and 14 operational positions. The unit, which supports workflows like live editing and real-time simulation, made its debut providing production support for Sky Sports' coverage of the 2026 World Matchplay.
Solid State Logic is demonstrating expanded software-defined production capabilities for its System T platform at IBC 2026, including the Virtual Tempest Engine (VTE) and new ST 2110 conversion hardware. The updates focus on cloud and hybrid broadcast workflows and alignment with the EBU’s Dynamic Media Facility project for containerized media processing.
The International Cricket Council (ICC) upgraded broadcast production for the 2026 Women’s T20 World Cup, implementing full 1080p HD acquisition, 360-degree replays, and at least 35 cameras per venue. The technical deployment was supported by technology partners NEP and Sunset+Vine, alongside specialized solutions from Quidich for player tracking and replays.
Calnex Solutions outlines the technical causes of Precision Time Protocol (PTP) synchronization errors, including path asymmetry and packet delay variation. The article details multi-phase testing methodologies required to ensure nanosecond-level accuracy in IP-based broadcast and streaming infrastructures.
Juniper Networks has published a technical overview explaining the critical role of Precision Time Protocol (PTP) and related synchronization standards like SMPTE ST 2059-1 for AI and IP-based media data center clusters. The post details how accurate clock synchronization enables low-latency performance in compute fabrics, financial trading environments, and broadcast media workflows.
DHD Audio has announced the release of firmware version 10.4 for its modular broadcast mixers, adding AI-based noise reduction and a new license-free control API for IP-based audio integration. The update also includes enhanced tools for remote production workflows, such as new routing applications and improved PTP clock synchronization.
LA Center Studios has upgraded its production facilities by integrating a new LED volume stage through a partnership with Synapse technology. This investment aims to support modern hybrid production workflows for streaming and traditional media within the competitive Los Angeles studio market.
Chyron has released version 5.4 of its PRIME platform, which introduces integration with AXIS News, additional SDI hardware support, and new color control functionality. The update aims to standardize graphics workflows within newsrooms and provides a watermarked online edition for pre-production testing.
AJA has launched the Io Xpand, a Thunderbolt 5 expansion chassis designed to bridge PCIe 4.0 video I/O cards to laptops and compact workstations. The device supports bidirectional bandwidth of 6000 MB/s and is intended for remote production, live switching, and post-production workflows.
Riedel Communications has integrated SKAARHOJ hardware control panels into its SimplyLive 2.1 production suite using a gRPC API. This update allows operators to use tactile hardware for source switching and macro control alongside the existing touchscreen-based interface.
AVEO successfully deployed a remote production workflow for the Paris-Troyes cycling race using Blackmagic Design hardware in a custom-equipped van and motorcycle fleet. The solution utilizes cellular bonding and Starlink for reliable contribution over 180km, enabling live broadcast from a regional budget for the first time.
Blackmagic Design has launched a new series of UltraStudio Mini 12G capture and playback devices supporting Thunderbolt 4 and resolutions up to 2160p60. The three models, including a new Replay variant, are designed to integrate with professional production switchers and editing software for broadcast graphics and live grading workflows.
Grass Valley discusses the shift toward software-defined 'Dynamic Media Facilities,' emphasizing that modern resilience is achieved through flexibility, observability, and hybrid cloud-on-premises orchestration. The company highlights Warner Bros. Discovery’s use of the AMPP platform to manage large-scale sports production workflows, including 42 linear channels and 62,000 hours of content.
Korean streaming platform CHZZK deployed TVU Networks' TVU One mobile backpack and ISX bonding protocol to broadcast the World Football Championship final from New York. This remote production setup enabled the creators to transmit broadcast-grade live video directly to the platform from a highly congested network environment.
Innosilicon has announced that a major Korean DRAM manufacturer has adopted its LPDDR6 memory IP, which delivers speeds up to 14.4 Gbps. The technology aims to mitigate memory bottlenecks in high-performance computing and AI inference workloads, critical for next-generation streaming infrastructure.
This article discusses the thermal limitations of current edge AI hardware cooling solutions, specifically targeting the 'Hybrid Flaw' where legacy liquid cooling fails to address total system heat load. The author argues that as AI accelerator power requirements exceed 1500W, system-level thermal architectures that eliminate reliance on air cooling are necessary for edge deployments.
Sports Video Group is hosting its 2026 Venues & Teams Summit at the Kaseya Center in Miami on August 12. The event will feature technology professionals from organizations like the Miami Heat and Florida Panthers, along with various technology vendors, to discuss in-stadium production, AI integration, and cloud-based media workflows.
Kiloview has released the KiloLink Station Pro, an all-in-one hardware appliance designed for network video source aggregation, decoding, and centralized management. The device supports up to 64 connected units, handles multiple streaming protocols, and provides 3G-SDI frame-level synchronization for live production workflows.
TAG Video Systems has announced new platform updates for IBC2026, including containerized deployment of its MCM and MCS components via Docker and enhanced support for the MXL standard. The release also introduces expanded quality control features and performance optimizations for high-density, IP-based production environments.
Slovakian public broadcaster STVR successfully upgraded its Bratislava sports studio with a Leyard DirectLight Slim Series LED video wall to prepare for the 2026 Winter Olympics. The project, completed in a three-week window, utilized the hardware's 1.2mm pixel pitch and built-in power redundancy to support mission-critical live broadcast requirements.
Host Broadcast Services (HBS) utilized intoPIX's JPEG XS compression and ST 2110 IP-based workflows to manage ultra-low latency remote production for the 104 matches of the 2026 FIFA World Cup. The deployment enabled centralized remote camera shading and commentary across 16 venues in North America by reducing bandwidth requirements.
