Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Adder Technology's Adder API for the ADDERView Matrix range received the TV Tech Best of Show award at NAB 2026. This award recognizes the product's innovation and impact on the media and entertainment industry by enhancing flexibility, control, and integrations for users.
Adder Technology announced AIM 6, an update to its IP KVM management system. The company states this update aims to improve visibility, simplify workflows, and enhance day-to-day control for managing complex environments within IP KVM systems.
The article from Adder Technology discusses the technical challenges in virtual production workflows, specifically regarding managing the increasing number of high-performance systems. It highlights the need for precise control and connectivity solutions to integrate physical and digital environments in real-time filmmaking and broadcast.
Adder Technology has released the AIM 6 software upgrade for its IP KVM matrix control systems. This upgrade aims to provide administrators and operators with improved system visibility, simplified control, and an enhanced user experience.
Telestream has announced Pulse, a new software-defined test and measurement platform designed for IP production workflows. This platform aims to simplify ST 2110 operations and consolidate vendor tools for modern live production environments. Telestream plans to showcase Pulse at NAB 2026.
Telestream announced UP.Lens, a new cloud-native monitoring and multiviewer service for live and remote production workflows. This service provides real-time visibility, automated alerts, and diagnostics for distributed environments. Telestream plans to showcase UP.Lens at NAB 2026.
Fox Television's WTTG/WDCA in Washington D.C. has implemented SMPTE ST 2110 for a new IP-based local television station. A report on this project was presented by Jim Beahn and Nikhilesh Kumar.
Maxon announced new tools and mobile expansions for its ZBrush and Cinema 4D products, including bringing Cinema 4D professional 3D workflows to iPad and ZBrush expanding to Windows on Arm. These updates will be showcased at NAB 2026, alongside the return of Autograph.
FOX Sports utilized Aspera Streaming technology to remotely edit content in near real-time during the 2018 FIFA World Cup. This allowed for the broadcast of all 64 matches via a cloud workflow.
This article discusses Walmart's transformation of its broadcast infrastructure to an IP-based system. The objective was to create a space for communication and collaboration at the company's scale.
EVS announced the launch of Choreon, a new robotics controller for media production, at NAB 2026. Choreon provides a unified orchestration layer to integrate various robotic systems under a single platform, supporting diverse production setups.
Chyron announced new updates for its LIVE cloud production solution, introducing multiviewer monitoring capabilities to its cloud environment. These enhancements are designed to improve production workflows for sports, news, and OTT content.
Chyron has released PRIME 5.1, an update to its graphics system, which includes support for SRT streaming. The update also features workflow enhancements aimed at designers and playout operators.
Chyron has announced Virtual Placement 7.9, an update to its virtual graphics system. The new version features PRIME graphics integration, enhanced tracking capabilities, and improved calibration functionality.
Chyron has released PAINT 10.1, an update to its telestration and branding tool. This version introduces expanded calibration, transparent text, dynamic matchups, and flexible branding options specifically for broadcast analysis of NFL, NCAA, and 3x3 basketball.
Chyron has announced PRIME 5.2, an update to its CG graphics software platform. The new version features enhanced integration with Adobe After Effects and Illustrator for easier imports and faster live graphics workflows.
Chyron has announced AXIS Maps 2.0, a new version of its broadcast map production tool. This update features mobile-first vertical support, advanced branding capabilities, smarter navigation, and streamlined broadcast workflows for enhanced map creation.
Chyron has released PRIME VSAR 2.3, an update to its Unreal Engine-powered virtual set and augmented reality solution. This new version aims to create more immersive visuals, streamline workflows, and enhance reliability for live productions.
Hollyland showcased its wireless audio and video ecosystem at MPTS 2026. The display included products such as the LARK MAX2 and MELO P1, focusing on professional production solutions.
Riedel is showcasing a new offering at MPTS 2026, focused on shifting audio production towards software-based workflows. This move represents an evolution in how audio is handled within broadcast and production environments.
Warner Bros. Studios Leavesden is expanding its studio complex in the UK, increasing its production stage count to 30. This expansion is part of a major investment in UK production infrastructure and includes training initiatives.
Broadcast Now's annual Broadcast Tech Special for Spring 2026 focuses on several key areas within the media technology landscape, including coverage of MPTS 2026 and developments for traditional TV companies in partnering with creators. The publication also details new types of content production utilizing AI, sustainability efforts in post-production, and the use of VFX with AI, among other topics, for the UK and US markets.
This AJA Video Systems article highlights Korean virtual idol group PLAVE's use of AJA gear, including the KONA 5, T-TAP Pro, and Io 4K Plus, for their Asia tour encore. The equipment facilitated the real-time processing and display of 3D virtual characters. VLAST, the production studio behind PLAVE, integrated these tools into their workflow for live performance production.
Dibview announced the OTV-MD16 Multi Channel H.265 H.264 4K IPTV Decoder, a new product featuring H.265/H.264 video compression and supporting up to 4K@60fps with multiple streaming protocols. The decoder offers two HDMI outputs, each capable of supporting up to 16 channels, and is designed for 24/7 operation in professional fields like IPTV, education, and healthcare.
Turtle AV has launched the Mineola 4x4 Dante Bridge, a device designed to connect digital Dante and analog XLR audio systems with four inputs and four outputs. The PoE-powered device features 48V phantom power, redundant network ports, and a WebGUI for DSP control, and is compatible with live production systems like vMix, Vizrt TriCaster, OBS, and Telestream Wirecast. The Mineola 4x4, along with its 2x2, 8x8, and 16x16 counterparts, is built for durability and supports both Dante and AES67 protocols.
Sony announced the discontinuation of its HDCE-100 Single Mode Fibre Adapter, a product designed to convert SMPTE-311M fiber signals from HSC or HDC Series cameras to single-mode fiber for long-distance transmissions and provide power to the camera head. The device could also power 4K live cameras via a BPU-4000 baseband processor unit. The product, weighing approximately 4 kg and designed for 19-inch rack mounting, was marketed for enabling long-distance HD production.
Dvb-iptv has launched the OTV-MD16, a multi-channel IPTV 4K 60fps H.264 H.265 HDMI Decoder. This professional UHD streaming decoder features H.265 video compression technology, two HDMI outputs, and supports various streaming protocols including RTMP, RTMPS, RTSP, HTTP, UDP, SRT, and RTP.
ITDev has launched a new FPGA video IP core designed for SDR/HDR color space conversion, aiming to support integrators in broadcast and Pro AV workflows. This is ITDev's first self-funded commercial FPGA IP core, developed after 15 years of experience in FPGA designs for clients. The IP is already being integrated into a commercial product for a major broadcast equipment manufacturer.
Haivision hosted a webinar showcasing its broadcast contribution ecosystem, including the new Makito ONE video transport platform and Falkon X4 5G mobile video transmitter. The webinar featured Minor League Baseball (MiLB) as a customer, detailing how Haivision's solutions power MiLB's live video contribution, production, and distribution workflows across its 120 teams.
Freelance director and producer Tony details his use of BirdDog PTZ cameras and an NDI workflow, powered by a Netgear AV switch and TriCaster, to produce a live six-camera outdoor concert with minimal cabling and operators. This setup, which earned him a Silver Telly Award for Directing, highlights the efficiency and reliability of NDI-based production for various events. He advocates for the single-cable setup and seamless integration provided by BirdDog and Netgear products.
BMG's VP of System Design & Engineering, Tawfiq Rahman, presented on the evolution of broadcast infrastructure towards software-defined and AI-augmented systems at SMPTE Bits by the Bay. The presentation highlighted the shift from SDI to IP and NMOS as a foundation and identified practical AI use cases in operational workflows. It emphasized the need for facilities to be designed for flexibility and for engineering teams to expand their skill sets to include IT and AI literacy.
PlexusAV will launch its new flagship P-AVN-6-S transceiver at InfoComm 2026, a 25Gb uncompressed IPMX and SMPTE ST 2110 solution with native 12G-SDI I/O. This device is designed to bridge broadcast and ProAV workflows across a single open-standard network, enabling high-performance hybrid SDI/IP deployments. The launch completes PlexusAV's AV-over-IP portfolio, expanding its ecosystem into environments requiring uncompromised quality, precision, and interoperability.
This article details Intel's Media Transport Library (MTL), a software data-plane library for ST 2110-compliant media transport on commercial off-the-shelf (COTS) servers, and its integration with FFmpeg and OBS Studio. It explains how MTL addresses the challenges of uncompressed ST 2110 streams by enabling software-based real-time media transport with high throughput and low latency, reducing reliance on dedicated hardware. The article positions MTL as the ST 2110 media packet TX/RX data-plane layer, working alongside applications like FFmpeg and OBS for media processing and NMOS for control.
Dale Pro Audio's Eric Eldredge discussed the expanding use of wireless communications for pro audio, particularly RF Over Fiber technology. This conversation took place during a company webinar, highlighting the challenges of constrained spectrum. The discussion was topical due to upcoming major sports events like the NBA and NHL finals and the MLB All-Star Game.
Blackmagic Design has released Beta 4 of DaVinci Resolve 21, introducing several enhancements. Key improvements include better Resolve FX handling for still images and improved AI CineFocus quality, alongside general updates across various functions of the software.
Boris FX announced Silhouette 2026, a new version of its video effects software that offers faster performance and new AI-assisted features for tasks like matting, roto, and paint. The update includes an automated 3D head mesh and enhanced Cryptomatte integration to streamline post-production pipelines. These improvements aim to simplify complex visual effects work for artists.
METEO CONSULT and La Chaîne Météo have chosen Actus Digital for broadcast compliance and archiving solutions. This partnership will see the deployment of Actus Digital's platform to manage broadcast content and ensure regulatory adherence for the weather channels.
The article explores how broadcasters are implementing ST 2110 and IP-based workflows for live sports production. It highlights real-world lessons from deployments in mobile and remote production environments.
Studio Hamburg Serienwerft, a German production company, has redesigned its audio and video post-production workflow by adopting DaVinci Resolve Studio. This new setup has been applied to "Rote Rosen," one of Germany's daily drama series. The implementation was announced by Blackmagic Design.
CBS Sports' graphics team discussed the vision behind The NFL Today's "Virtual Time Machine" segment, which debuted in 2024. The segment utilizes augmented reality (AR) and a motion-controlled crane to recreate historical plays live on set. The team integrated Unreal Engine for rendering and advanced control systems to manage the complex real-time graphics and camera movements.
Jamie McCombs of FOX Sports discusses the broadcaster's approach to enhancing the baseball viewing experience through immersive audio. The focus is on capturing and delivering the authentic sounds of the game to create a more engaging atmosphere for televised MLB. This involves showcasing the crack of the bat, the pop of the glove, and crowd reactions.
NBC Sports' Chad Hudson discussed the development of graphics for the return of NBA on NBC, focusing on production aspects for the live sports broadcast. This initiative marks the return of media rights for the NBA to NBC Sports.
MLB's Ryan Zander discusses the technological innovation behind the league's UmpCam AR system. This wearable technology provides fans with views from the batter's box.
ZEISS debuted its new Panoptes 65 series of cinema lenses at Cine Gear Expo LA. Designed for the 65mm format, this comprehensive set consists of ten prime lenses and represents ZEISS's commitment to large-format cinematography.
German production company Podstars by OMR is utilizing 12 Sony FX3 full-frame cameras, G Master II lenses, and Sony's Monitor & Control app to enhance the cinematic production quality of its visual podcasts. This setup allows for production oversight on location, supporting their goal for high-quality visual content.
Sejong University has opened Team Studios Sejong, described as Asia's largest AI virtual media studio at a university, featuring a 16m x 8m LED wall, a 11m x 6m LED floor, Mo-Sys tracking, Sony VENICE cameras, and Disguise media servers. SK Telecom donated equipment previously used in its Pangyo virtual studio for this new facility. The studio is integrated with motion capture and supports AI Convergence College initiatives.
This video provides an in-depth look at QuickLink's Studio Pro line of all-in-one 4K live production switchers, which includes NDI, SDI, and ST2110 models. It highlights features such as low-latency live switching, recording, streaming, graphics via NewBlue Captivate, and remote guest integration with Studio Edge that includes AI eye correction. The detailed overview covers different configurations, input capabilities, and control options for varied professional live streaming and broadcast workflows.
ITV Studios, the production arm of the UK's commercial broadcaster, has implemented the Cuez live production platform to manage three of its back-to-back live shows. This deployment unifies live rundown and studio automation from a single platform for their daytime magazine, talk, and lifestyle programs.
Sony has introduced the Bravia Theatre Trio, a new wireless Dolby Atmos system designed to offer a home theater sound experience from separate speakers. The article highlights this system as an alternative to soundbars, specifically mentioning its capability to deliver big sound.
Matrox Video is celebrating its 50th anniversary, marking five decades of developing video technology from its headquarters in Montreal, Canada. The company announced plans for a new product launch in June.
