FIFA has detailed its production plans for the upcoming North American-based World Cup, two weeks ahead of the tournament. The organization's Oscar Sanchez provided insights into how the event will be covered from start to finish.
Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
FIFA has detailed its production plans for the upcoming North American-based World Cup, two weeks ahead of the tournament. The organization's Oscar Sanchez provided insights into how the event will be covered from start to finish.
Host Broadcast Services (HBS) executives Paul King and Oscar Sanchez discuss their approach to capturing the atmosphere of the FIFA Men's World Cup. They describe how HBS plans to convey the scope of the continent-wide tournament to a global audience.
FOX's MLB coverage was recognized at the 47th Annual Sports Emmy Awards, winning for Outstanding Live Sports Special: Championship Event and Outstanding Technical Team. The awards specifically highlight the production and technical aspects of FOX MLB: World Series broadcast.
FOX's technical team, led by Mike Davies, received an Outstanding Technical Team award for their work on the 2025 World Series. The article highlights the importance of flawless technical operations in broadcast sports production.
Sports Video Group (SVG) has launched its SportsTechLive blog in anticipation of the FIFA World Cup 2026. This initiative aims to cover the sports production technology aspects of the upcoming tournament. The blog will track developments as the industry prepares for the event.
The 18th Annual SVG College Sports Media Awards honored excellence in college sports video production. The ceremony recognized winners from various organizations including athletic departments, conference offices, professional networks, and student ranks. Awards were given across six categories, including Live Game Production.
The article introduces 'Kolor' as a new approach to color correction within Final Cut Pro, contrasting it with other NLEs like Resolve and Premiere. It discusses how color handling has traditionally differed across these major non-linear editing systems. The piece appears to be a preview or announcement of a new tool designed to enhance Final Cut Pro's color capabilities.
Zeiss has unveiled a new line of 10 Panoptes 65 prime lenses, specifically engineered for 65mm-format cinematography. These lenses are designed to offer natural colors, gentle focus fall-off, and silky bokeh, catering to diverse production requirements in modern filmmaking.
Technologist Katie Hinsen is working to establish a "post facility of the future" that centers on developing infrastructure to support the freelance market. This initiative leverages her background as an artist, technologist, and facility head. The project aims to innovate within post-production by focusing on the needs of freelance professionals.
ZEISS has introduced its new Panopte 65 line, a set of ten large-format cinema prime lenses. These lenses range from 25mm to 180mm and feature a T2.2 aperture, designed for large-format cinematography.
An Apple iPhone 17 Pro was used to broadcast a Major League Soccer match, a feat made possible by a $250,000 Fujifilm broadcast-grade zoom lens.
TVBEurope has published a new ebook titled "Eye-catching audio" which examines the technology and rising popularity of visual podcasts. The publication details the equipment used in visual podcasts, including cameras, microphones, lighting, and visual effects.
Cuez's live production platform is being utilized to unify multiple production roles for ITV's morning programming. The platform aims to streamline the workflow for three consecutive live shows.
TV Tech and Radio World have partnered with TVBEurope to release an ebook titled "Eye-Catching Audio," focusing on the increasing popularity of visual podcasts. The guide explores the technology behind visual podcasts, including cameras, microphones, lighting, and visual effects.
DJI has released the 2026 Edition of its RS 4 Pro Combo, which now includes SDR Transmission functionality. This new version offers wireless 1080p monitoring with a range of up to 3 km. The combo is currently available for purchase at a price of $1338.
Calibrite has released the Display Plus HL, which is the first colorimeter officially approved for hardware-level display calibration across Apple's Studio Display, Pro Display XDR, and MacBook Pro devices. This product allows for precise color calibration directly at the hardware level for these specific Apple displays. The company states this is a significant step for accurate color workflows involving Apple hardware.
ZEISS has announced the new Panoptes 65 line of large-format cinema prime lenses, consisting of ten T2.2 focal lengths from 25mm to 180mm. These primes are designed to cover large-format cameras including the Alexa 265, URSA Cine 17K 65, and GFX ETERNA 55. The lenses will be showcased for the first time at Cine Gear Expo LA on June 5.
Grabyo published a definitive guide on vertical video production, targeting broadcasters and rights holders. The guide covers live workflows, various formats, and scalable production methods specific to vertical video.
Green Hippo, an ACT Entertainment brand, is unveiling its new Estuary Series media control platform at InfoComm 2026. The platform is designed for high-speed media control.
Broadcom has announced the world's first integrated 5G and Wi-Fi 8 FWA (Fixed Wireless Access) platform, developed in collaboration with Samsung Electronics. This new platform aims to deliver advanced capabilities for next-generation wireless connectivity.
Zeiss is set to unveil its new Panoptes 65 prime cinema lenses on June 5, 2026, at the Cine Gear Expo in Los Angeles. Attendees will have the opportunity for a hands-on experience with the new product.
Hamm-Lippstadt University of Applied Sciences has established a virtual production lab by converting a warehouse. The new facility features a 19m INFiLED curved display wall. This lab is intended for creating visual effects.
Rob Chandler, founder of global virtual production network Starting Pixel, has provided an opinion piece discussing the current value proposition of virtual production.
Solid State Logic will showcase its new compact, fly-away TCA Tour audio production system at InfoComm 2026. The company will also present its Live V6.2 software and a new SSL Live Trade-in Program.
Skyway Studios, a production facility, is utilizing Lumen's networking capabilities to support its live production workflows, including virtual production and high-resolution content. This allows Skyway Studios to manage demanding infrastructure requirements for modern media production. The collaboration focuses on delivering reliable connectivity for their studio operations.
Apple TV broadcast an MLS football match using iPhone 17 Pro Max cameras, integrated into a professional broadcast rig, including a Fujinon lens.
ITV Studios has implemented Cuez's live production platform to manage three live shows as a single production from one studio. The platform is designed to streamline live broadcast workflows.
Stage Precision will showcase its evolving SP Grid ecosystem, including Grid Studio 2.1 and new extensions, at InfoComm 2026. The company highlights the ecosystem as a control and data management solution.
Stage Precision will showcase its updated SP Grid ecosystem at InfoComm. The company plans to highlight upgrades and an expanded ecosystem for its core product.
Cobalt Digital will showcase its expanding range of ST 2110 signal processors, converters, and monitors at InfoComm 2026. This US manufacturer plans to display its IPMX ecosystem at the event in Las Vegas from June 17-19.
VITEC has integrated its ruggedized, ultra-low latency video encoding technology into Hyperever's Proteo quadruped robot. This deployment aims to enable mission-critical live video capabilities for the robot.
Megapixel has developed GhostFrame, a software toolset within its HELIOS LED Processing Platform, designed to enhance on-set, real-time in-camera VFX (ICVFX) workflows for film, broadcast, and event production. This technology allows cameras to capture multiple content experiences or hidden elements like cue markers and chroma key frames during a single take, by utilizing the faster refresh rates of LED screens compared to human perception or camera capture rates. GhostFrame is exclusively available in ROE panels for Live Events, Broadcast, and XR use.
Systems & Network Training offers a five-day hands-on training course for engineers focused on SMPTE ST 2110, covering modern IP-based media systems. The course details various ST 2110 standards, PTP timing, multicast delivery, and AMWA NMOS, with practical labs involving packet analysis and troubleshooting. This training aims to equip broadcast and AV engineers with the skills to implement and manage ST 2110 workflows.
Orivision promotes its HDMI video encoder product line, featuring H.264 and HEVC encoding for ultra-low latency, high-quality HD video transport. The offerings include various models supporting resolutions up to 4K@30 and multi-channel configurations for both H.265 and H.264 codecs.
Hangzhou Dibview Technology Co., Ltd. is advertising its OTV-HE04AU ProHD Video Streaming multi-screen multi-protocol Encoder, designed for live video delivery to various platforms. The device supports up to four channels of HDMI input, H.265/H.264 encoding for up to 4K@30fps or 1080p@60fps, and outputs streams via multiple protocols including SRT, HLS, HTTP, RTSP, UDP, and RTMP. It is positioned for diverse applications like broadcasting, VOD, education, and live streaming to platforms like Facebook and YouTube.
Magewell announced it will showcase new products at InfoComm, including the Pro Convert IP to USB, a plug-and-play device for capturing NDI and other streaming sources via USB. Additionally, the company is introducing the Pro Convert Xmit AIO, a new standalone encoder/decoder within its Xmit family, capable of converting SDI or HDMI to/from 4Kp60 NDI HX formats.
Systems & Network Training announced a new five-day, hands-on training course for engineers focused on SMPTE ST 2110 IP-based media systems. The course covers comprehensive aspects of ST 2110, including uncompressed video, Audio-over-IP, ancillary data, timing, synchronization, multicast delivery, and AMWA NMOS standards such as IS-04 to IS-10. It is designed for broadcast and AV engineers to learn practical skills in analyzing, troubleshooting, and deploying ST 2110 workflows.
TVU Networks utilizes Agora's real-time video technology to facilitate broadcasts. This integration enables TVU Networks to connect various participants in a live production workflow.
The VFX and graphics software market, valued at over $1 billion by 2025, is projected to grow by 40% in the next five years, driven by live graphics and virtual ad insertion. Broadcasters are increasingly using AR/VR graphics and virtual studios to enhance live sports delivery, offering new ways to visualize data and engage viewers. Industry experts highlight the importance of integrated workflows and real-time data integration to leverage these technologies effectively.
Two Wheels Motor Racing Sdn Bhd (TWMR) has invested in Ikegami Electronics' broadcast camera systems. This acquisition aims to enhance live race production and motorsports coverage specifically across the Asia Pacific region.
Sennheiser deployed its Spectera network at Vienna's Stadthalle for Eurovision Song Contest (ESC) 2026, serving as the official audio supplier to host broadcaster ORF. The deployment, which included manufacturing samples of the unreleased Spectera handheld transmitter, is its largest Spectera set-up to date.
Torneos y Competencias S.A., an Argentina-based sports media company, has implemented Imagine Communications' Versio integrated playout platform and ADC automation to upgrade its multichannel playout operations. This deployment supports 10 live on-air channels, modernizing their broadcast infrastructure.
Sports Video Group (SVG) is hosting a webinar titled "From Control Room to Crowd – How Levi's Stadium is Reimagining the Live Sports Experience." The webinar will feature the San Francisco 49ers and technology leaders from Ross Video and Diversified, discussing how Levi's Stadium utilizes technology in its live sports production.
NESN is hosting its second annual "Monster Week" during the Red Sox-Braves series from May 26–28, 2026. This special broadcast will feature a live game production from atop the Green Monster, along with exclusive camera angles and live reporting.
Wooden Camera has released new accessories for the Blackmagic URSA Cine Immersive camera. These accessories include a redesigned Top Plate and Side Rails. The company notes the emerging market for immersive filmmaking.
DMC Production Germany GmbH has been selected as the technical service provider and studio partner for MagentaTV's coverage of the FIFA World Cup 2026. This partnership will involve DMC handling the technical production aspects of the event.
Two Wheels Motor Racing Sdn Bhd (TWMR), a Malaysia-based motorsports event production company, has invested in Ikegami broadcast camera systems. These systems will be used for live race production, enhancing their capabilities for motorsports coverage.
Cobalt Digital will showcase its IPMX-certified product portfolio at InfoComm 2026. The lineup includes signal processors, audio monitors, and multiviewers, designed for ST 2110 workflows in Pro AV environments.
Mediapro Belgium, on behalf of DAZN Belgium, executed an extensive television production for the 2026 Croky Cup Final between Union Saint-Gilloise and Anderlecht. This event deployed significant technical resources, making it the largest TV production for a Belgian football match to date.
BBC Sport's creative director, John Murphy, provided details on the mixed reality studio operations designed for its coverage of the FIFA World Cup 2026. This setup involves the design, execution, delivery, and production aspects of the XR presentation studio.