Kolor rethinks color correction inside Final Cut Pro
The article introduces 'Kolor' as a new approach to color correction within Final Cut Pro, contrasting it with other NLEs like Resolve and Premiere. It discusses how color handling has traditionally differed across these major non-linear editing systems. The piece appears to be a preview or announcement of a new tool designed to enhance Final Cut Pro's color capabilities.
Key Takeaways
- Kolor is presented as a new color-correction approach for Final Cut Pro.
- The article contrasts Final Cut Pro’s color handling with Resolve and Premiere.
- Resolve’s grading-tool roots are cited as giving it a technical edge, including nodes and color space transforms.
- Premiere is described as undergoing a complete rethink of its color engine.
Why It Matters
Kolor matters because it signals another attempt to narrow the color-workflow gap inside Final Cut Pro, which the article places beside Resolve and Premiere’s very different color systems. Resolve’s grading-first design is explicitly described as a technical advantage, while Premiere is in the middle of a color-engine rethink, so color management remains a live differentiator across major NLEs. The main signal to watch is whether Kolor translates into a tangible Final Cut Pro color workflow change beyond the preview described here.
Read full article at provideocoalition.com
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