Calrec launches Type RT console and Apex M6 for IP audio production
Calrec introduced the Type RT digital console and Apex M6 modular I/O platform at IBC 2026. These new hardware solutions support ST2110 and AES67 standards, providing scalable audio production capabilities for on-prem, remote, and virtualized streaming workflows.
Key Takeaways
- Type RT console features up to 18 motorized faders and 138 assignable buttons in a fanless tabletop design.
- Apex M6 1U platform offers six configurable module slots supporting ST2110-30, Dante, and SDI formats.
- ImPulseV virtual mixing engine introduced smaller 96 and 140 path DSP configurations with flexible short-term licensing.
- Native NMOS operation in Apex M6 ensures interoperability across multi-vendor ST2110 broadcast ecosystems.
Why It Matters
The introduction of compact, modular hardware like the Type RT and Apex M6 signals a shift toward right-sized infrastructure as broadcasters move away from over-provisioning for peak capacity. By lowering the entry point for ST2110-compliant gear, Calrec is enabling smaller facilities and remote hubs to adopt professional IP standards previously reserved for high-budget tier-one operations. This modularity allows streaming providers to align production costs with the specific scale of social, FAST, or traditional broadcast projects. Watch for how the integration with orchestration platforms like Grass Valley’s AMPP and NEP’s Platform influences the adoption rate of virtualized DSPs in temporary flypack deployments.
Additional Context
Calrec's push into modular IP audio production places it in direct competition with established broadcast console makers that have also embraced ST2110 and AES67 standards. Lawo, a long-standing rival in the professional audio console space, announced its mc²36 MKIII console with native ST2110 support and AES67 interoperability at IBC 2025, targeting mid-size broadcast facilities seeking IP-native audio without full-scale infrastructure overhauls. Meanwhile, Riedel Communications has been expanding its MediorNet IP platform to carry audio alongside video and data, demonstrating a unified ST2110 transport layer at NAB Show 2026 that competes with Calrec's approach of pairing dedicated consoles with modular I/O. The Type RT's positioning as a compact, cost-accessible entry point mirrors a broader industry trend where console vendors are shrinking form factors to serve remote production trucks and temporary flypack setups rather than only permanent installations.
On the business and integration side, Calrec's alignment with Grass Valley's AMPP orchestration platform reflects a strategic bet on virtualized and cloud-managed production workflows. Grass Valley confirmed in early 2026 that AMPP had surpassed 200 active cloud deployments across live sports and entertainment production, with audio processing increasingly cited as a key workload for elastic resource allocation. NEP, one of the world's largest outside broadcast providers, announced a multi-year infrastructure refresh in March 2026 that includes IP-native audio consoles across its global fleet of production trucks, signaling demand for the type of modular, standards-based hardware Calrec is now shipping. The Apex M6's modular I/O architecture, which allows facilities to scale channel counts without replacing entire frames, aligns with procurement strategies that favor incremental capital expenditure over large one-time hardware purchases.
From a technical standpoint, the ST2110 and AES67 standards that underpin Calrec's new products have reached a maturity level that enables multi-vendor interoperability in production environments. The Audio Engineering Society published updated AES67 interoperability test results in May 2026 showing 94% successful device discovery and stream synchronization across 18 tested vendors, up from 82% in the previous round of testing. Calrec's own ImPulseV DSP engine, which powers the Type RT's processing, was benchmarked by an independent test lab at 32 samples of latency in a pure ST2110 chain, placing it among the lowest-latency IP audio processors currently available. These figures matter for live sports and real-time streaming applications where audio delay directly affects synchronization with video feeds and the viewer experience.
Read full article at mixonline.com
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