Lawo is using InfoComm 2026 to showcase its software-based IP AV workflows. The company is highlighting how these infrastructures are transforming professional AV environments, specifically featuring its Edge One Platform.
Most broadcast facilities are mid-transition from SDI to IP, running both at once. Here you'll find coverage of SMPTE ST 2110, remote and cloud production, bonded cellular contribution, camera-to-cloud workflows, and the switchers and gear keeping live shows on air.
Lawo is using InfoComm 2026 to showcase its software-based IP AV workflows. The company is highlighting how these infrastructures are transforming professional AV environments, specifically featuring its Edge One Platform.
This article introduces MXL (Media eXchange Layer), a new standard designed to facilitate efficient, low-overhead media exchange between software functions within a broadcast compute cluster. MXL aims to complement existing standards like SDI and ST 2110 by standardizing internal media handling, preventing repetitive packetization and de-packetization overhead for software-defined production workflows. It is positioned as a core component of the EBU Dynamic Media Facility (DMF) reference architecture.
Apple TV broadcast the first major professional live sports event, an LA Galaxy vs. Houston Dynamo FC soccer match on May 23, that was shot entirely on the iPhone 17 Pro. This marks a new application for smartphone camera technology in live sports production.
Alphabet launched new Android XR-powered AI smart glasses at Google I/O. The product integrates with Google's software ecosystem, extending the company's AI hardware ambitions.
GatesAir announced the successful completion of a direct-to-mobile (D2M) broadcasting trial in India. The trial demonstrated the company's ability to deliver content wirelessly and over-the-air to mobile devices.
AMD has begun the production ramp of its 6th Gen EPYC 'Venice' server CPUs, featuring 2nm technology and up to 256 cores per processor. This development marks a significant advancement in semiconductor manufacturing, directly relevant to the high-performance computing required for video processing and streaming infrastructure.
Ulster University's Screen Academy and Indian institutes have partnered to establish a Derry-Mumbai virtual production film lab. The initiative aims to co-create a short film utilizing low-cost digital production technology.
IMG's 25-year contract to produce Premier League content is ending today, as the Premier League brings its production facilities in-house. This strategic shift means IMG's role as the primary production partner for the league concludes, with the Premier League opting for self-sufficiency in its content creation.
NVIDIA CEO Jensen Huang and AMD CEO Lisa Su have arrived in Taiwan in anticipation of Computex 2026. Both executives are expected to unveil their companies' next-generation technology lineups at the upcoming event.
Each Formula 1 car on the 2026 grid will be equipped with 300 sensors, collectively generating over 1 million data points per second. This significant data generation points towards race weekends approaching petabyte-scale data volumes.
FOX Sports has introduced a new 'Top Gun' camera for its IndyCar broadcasts, a rear-facing cockpit camera that offers a wide field of view. This new camera is part of an ongoing effort by FOX Sports and BSI to implement innovations for IndyCar broadcasts, including the Driver's Eye camera and live data integration, aiming to enhance the viewer experience.
EVS highlights Cuez as a premium solution partner for planning, scripting, and automating production workflows. The collaboration aims to integrate Cuez's capabilities with EVS's offerings.
EVS is offering basic technical training for its Cerebrum Designer software, which is used for live production control and monitoring. The training aims to equip participants with the essential skills to operate and customize the system for various broadcast environments. This course is part of EVS's educational offerings for its production hardware solutions.
EVS has introduced VIA MAP, a new solution designed to connect live production workflows with editorial and distribution processes. The system is built on an open architecture to optimize efficiency in video operations.
EVS offers advanced technical training for its Cerebrum broadcast control and monitoring system engineers. This Tier 2 course focuses on advanced configuration and maintenance, building on foundational knowledge for customers managing their EVS installations.
EVS is offering basic technical training for its Cerebrum broadcast control and monitoring system. The course is designed for engineers and covers essential operations like system configuration, device control, and troubleshooting. It aims to equip participants with the skills to effectively manage and optimize their Cerebrum installations.
Aurora has been appointed as the host broadcaster for Athlos, a new women's athletics league, and will also manage its digital coverage. This indicates Aurora's role in producing and distributing the league's content across various platforms.
AI-Media announced two new AI-powered captioning encoders, the LEXI Text Encoder (UHD592) and the LEXI Voice Encoder (AIX-1), ahead of NAB 2026. These encoders offer upgraded performance, native 4K 12G-SDI UHD support, and AI capabilities for real-time captions, translation, and audio description, available via a Hardware-as-a-Subscription (HaaS) model.
Haivision has been named the Official Video Encoder of Minor League Baseball (MiLB) and will deploy its Makito X4 video encoders across MiLB's 120 ballparks. This partnership will standardize live game video contribution for over 8,000 games annually, enabling ultra-low latency transport via SRT protocol for distribution to MiLB.TV, MLB Network, and other partners. The deployment is scheduled to begin during the 2026 season.
DDMALL offers a range of HDMI and SDI encoders and decoders for live streaming, including 4K video encoders and decoders supporting SRT, RTMP, and ONVIF protocols. The product line emphasizes compact, low-power solutions for AV over IP applications, with models featuring H.265/H.264 compression, WiFi 6, and wireless transmission capabilities.
Creative Technology has been appointed as the main studio technology supplier for the CoSTAR National Lab, a new R&D facility opening at Pinewood Studios later in 2026. The lab will integrate advanced computing, creative tools, and production technologies to support AI-driven screen and live performance in the UK, with Creative Technology providing audio-visual and technical services, including a fully IP-native media production system featuring a modular LED wall, projection mapping, motion tracking, and SMPTE ST 2110 media networking.
Apple TV will broadcast an MLS soccer match between LA Galaxy and Houston Dynamo FC this Saturday, which was exclusively captured using 15 iPhone 17 Pro devices. This marks the first full broadcast of a major sports event shot entirely on iPhones for Apple TV.
TCL has launched its Phase 1 television portfolio in India, featuring advanced QLED and Mini LED display technologies. The announcement includes new premium models for the Indian market.
Roku is reportedly introducing two new budget projector models, expected to cost under £200. These projectors will feature autofocus and autokeystoning, timed for release in anticipation of the World Cup.
Nova Lume is bringing Green-GO's digital intercom products to live sports productions. This initiative aims to address the demand for more flexible, scalable, and cost-conscious communication workflows in the industry.
Pebble was recognized for its multi-channel playout system at the Asia-Pacific Broadcasting+ Awards 2026. This system provides a resilient hybrid IP and SDI playout ecosystem that supports 10 broadcast channels with synchronized operations.
The article introduces AI cinematic smartphones which are transforming mobile devices into tools for content creators. These devices combine advanced camera hardware with generative AI to offer production capabilities. The focus is on enabling advanced video creation through mobile technology.
Calibrite announced its Display Plus HL colorimeter has received Apple approval, making it the first such device for hardware-level display calibration. This allows for professional color accuracy on Apple displays. The product aims to provide precise color management for professionals.
The article provides a guide to choosing optimal aspect ratios for live video production, discussing common formats like 16:9, 9:16, and 1:1. It explains scenarios where multiple aspect ratios might be used simultaneously for different platforms. The piece aims to assist live producers in making informed decisions about video formatting.
Apple TV will broadcast a special live Major League Soccer (MLS) match on May 27, which will be entirely captured using iPhone 17 Pro devices. This event marks the first time a major live sports event will be exclusively filmed using smartphones.
Sony has released new firmware updates for its BURANO cinema camera and a7 V mirrorless camera. The BURANO V3.00 update adds FF 5.8K 6:5 anamorphic and S35c 3.8K 120fps modes, while the a7 V V2.00 update introduces 32-bit float audio compatibility with the XLR-A4 adapter.
Chyron launched PRIME Scorebug, a new hardware offering, and simultaneously added a SaaS scorebug to its Chyron LIVE platform. This expands Chyron's sports graphics capabilities with both on-premise and cloud-based solutions.
Apple TV will capture an entire Major League Soccer (MLS) game using only the iPhone 17 Pro on May 23. This event marks the first time a major professional live sporting event broadcast will be shot entirely with iPhones.
The article states that hybrid facilities, which combine IP-native and legacy broadcast equipment, may appear simpler from a distance but demand a different management approach. It suggests that the adoption of all-IP broadcast infrastructure has shifted complexity rather than simplified it.
Ross Video announced its intention to invest C$122.5 million to expand its manufacturing and research and development (R&D) operations. This expansion is supported by Invest Ontario and is projected to create 125 highly-skilled jobs.
Torneos has upgraded its multichannel playout system by deploying Imagine Communications' Versio platform. This deployment is designed to preserve existing workflows while providing a pathway to support UHD and SMPTE ST 2110 standards.
Vadzo Imaging has launched the Innova-900MGS monochrome global shutter Gigabit Ethernet camera. This new camera incorporates the Sony Pregius S IMX900 sensor, featuring 3.2MP resolution, True Global Shutter, Quad HDR, and enhanced NIR 2X capabilities, aligning with GigE Vision and ONVIF Profile S, T & G standards with PoE.
EVS will offer technical training sessions on its VIA MAP end-to-end production workflows at its offices in Liège, Belgium from June 24-28. The training focuses on live production workflows including content ingest, logging, streaming, media management, and playout using the VIA tools.
EVS's VP of Innovation and Architecture, Olivier Barnich, discusses the company's innovation strategy, emphasizing its focus on leveraging AI and machine learning to develop solutions for live video production. The strategy involves integrating AI into core products, maintaining modularity for hybrid workflows, and using customer feedback to guide development in areas like AI-assisted content indexing and sports statistics.
Jigsaw24 has partnered with EVS to offer EVS's Move product range to UK broadcasters, aiming to modernize broadcast workflows. This collaboration will showcase unified baseband and file-based capabilities within the UK market.
Cooke has announced AP3 1.5x anamorphic prime lenses for mirrorless cameras, available in 35mm, 50mm, and 85mm focal lengths. These lenses operate at T2.4–T16, feature native E-mount compatibility, and offer user-interchangeable mounts. The new lenses start at $7750.
The Marché du Film's Cannes Next program will host a Virtual Production Conference & Showcase Stage from May 13-18, 2026, featuring a large virtual production setup powered by ROE Visual and Orbital Studios, with support from several other technology companies. The event will offer masterclasses and workshops on virtual production workflows, tools, and technologies for film and streaming platforms.
Blackmagic Design introduced Fairlight Live, a new software-based audio mixing solution for live production, offering features like custom workflows, extensive channel support, and integration with ATEM switchers and SMPTE-2110 IP environments. The launch also includes companion Fairlight Live Audio Panels in 10, 20, and 40 fader configurations for hardware control.
Draper Media, an independent media company operating multiple television properties in the Delmarva region, has improved its news and sports production workflows using latakoo's cloud-based video workflow platform. After nearly a year of deployment across WBOC-TV, CoastTV, and Delmarva Sports Network, latakoo has reduced breaking news turnaround times by streamlining video ingest, transcription, transcoding, archiving, and sharing processes.
Vivid Broadcast has integrated Calrec's True Control 2.0 with its Argo M and Type R audio systems to create agile remote production workflows. This setup allows for flexible control of audio mixing from different locations, enhancing efficiency for live broadcast events.
NEP Group is rolling out two new mobile production units in the U.S. called Supershooter 11 and Supershooter 65. Supershooter 11 is designed for large, premium events, while Supershooter 65 is configured for REMI (remote production) workflows.
Globecast has modernized its Singapore facility with a renovation project aimed at transitioning its operations towards cloud, IP, and OTT technologies. This move is intended to reduce dependence on legacy infrastructure. The upgrade focuses on supporting advanced video delivery workflows.
Telefonica in Spain conducted a pilot test of ultra-fast 5G mmWave technology, achieving upload speeds exceeding 1.8 Gbps. The test was done in collaboration with Sony, which used the setup to operate a 5G audiovisual broadcasting system.
Miri Technologies has been awarded two NAB Show Product of the Year Awards for its MIRIQ-4K streaming device, recognized in the 'Hardware Production' and 'Remote Production' categories. The device is highlighted for its ability to deliver low-latency 4K streaming over various networks, including 5G, fiber, and satellite, with features such as dual 4K UHD encoding, HDR support, and SRT/RIST protocol compatibility.
ENVY, a London-based post-production facility, has evolved over two decades to become a leading end-to-end post-production service provider. The company is known for its digital post services, including DIT and Media Management, Grading, VFX, and Editorial.