Whisper uses Sony BURANO for Prime Video UHD HDR docuseries
Production company Whisper utilized Sony BURANO and FX6 cameras to capture the docuseries Meet the Owens in UHD HDR for Prime Video. The production workflow involved Adobe Premiere Pro for editing and DaVinci Resolve for color grading, with final delivery managed by Deluxe.
Key Takeaways
- Production company Whisper captured approximately 1,000 hours of footage using a small, consistent crew to maintain authenticity.
- Technical stack included Sony BURANO and FX6 cameras for primary filming, supplemented by specialist jockey helmet cameras for racing sequences.
- Post-production involved a rolling workflow with 8-12 weeks of offline editing per episode using Adobe Premiere Pro.
- Final delivery to Amazon occurred on August 26, just two days before the series transmission date.
- Deluxe managed the final localization and delivery phase following color grading in DaVinci Resolve at Splice.
Why It Matters
The technical execution of Meet the Owens demonstrates a growing requirement for high-end cinematic specifications in the unscripted docuseries market. By utilizing the Sony BURANO and a full UHD/HDR pipeline, Whisper is meeting the elevated visual expectations of global platforms like Prime Video that were previously reserved for scripted drama. This shift forces production houses to adopt more complex data management and post-production workflows, such as the concurrent filming and editing model used here to meet tight delivery windows. Watch for whether other regional sports-adjacent docuseries adopt similar 4K HDR delivery requirements to secure premium placement on major streaming services.
Additional Context
Sony's BURANO camera has rapidly become a preferred tool for documentary and unscripted productions targeting streaming platforms. Sony expanded the BURANO's capabilities with a firmware update in early 2025 that added 240fps slow-motion recording and improved autofocus performance, making it more viable for the fast-paced, multi-camera environments typical of docuseries production. The camera's 8.6K full-frame sensor and dual base ISO of 800 and 3200 have positioned it as a bridge between Sony's VENICE line for scripted features and the FX6 for run-and-gun documentary work, which is precisely the niche Whisper exploited on Meet the Owens. Blackmagic Design's DaVinci Resolve has become the dominant color-grading platform for streaming docuseries deliveries, with its HDR grading tools and collaborative workflow features adopted by post houses serving Netflix, Prime Video, and Apple TV+ commissions.
The business case for UHD HDR delivery on unscripted content is strengthening as streamers differentiate their libraries on visual quality. Prime Video expanded its HDR and Dolby Vision content catalog by more than 40% between mid-2024 and mid-2025, signaling that the platform is investing in premium visual specifications across genres, not just scripted originals. This creates a pull effect on production companies: securing a Prime Video commission increasingly requires demonstrating HDR-capable workflows from acquisition through delivery. Deluxe, which handled final delivery on Meet the Owens, has been scaling its post-production infrastructure to meet this demand. Deluxe opened expanded post-production facilities in London and Los Angeles during 2025 to handle growing HDR and immersive audio workloads from streaming clients, reflecting the broader industry shift toward higher-specification unscripted content.
On the technical side, the BURANO's X-OCN LT codec and S-Log3/S-Gamut3.Cine color space have been validated in independent testing for HDR delivery pipelines. CineD's lab measurements of the BURANO confirmed 14+ stops of dynamic range in S-Log3 mode with color accuracy suitable for Rec.2100 HDR mastering, which aligns with the cinematic look Whisper pursued on Meet the Owens. Adobe Premiere Pro's integration with Sony's metadata and LUT pipeline has also matured, with Adobe releasing updated camera-specific presets for BURANO and FX6 footage in its 2025 Premiere Pro updates, reducing the manual color-management steps that previously slowed documentary post-production. These toolchain improvements collectively lower the barrier for production companies adopting on unscripted formats.
Read full article at tvbeurope.com
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