Analog Way demonstrates a workflow for configuring cut-and-fill effects at the layer level using the Aquilon video processing unit. The tutorial explains resource allocation trade-offs and how to use the WebRS interface to apply masks and real-time transparency adjustments to live video layers.
The shift toward layer-level edge processing highlights a growing industry push for more granular, real-time control over high-resolution compositions. For system designers, this necessitates a more rigid calculation of hardware resource budgets, as the VPU must now balance higher pixel throughput with software-defined transparency. As 4K and 8K workflows become standard, offloading this logic from fixed inputs to dynamic layers allows technicians to create more reactive, layered visuals without external hardware. Watch for how Analog Way’s resource management model influences future FPGA-based processing updates as competitors like Barco refine their own layer allocation systems.
At InfoComm 2026, Analog Way expanded its LivePremier ecosystem with the launch of the Aquilon Cmini, a 3RU presentation switcher designed to bring high-end VPU performance to mid-scale live events in a more space-efficient form factor. This release coincides with the rollout of Aquilon firmware version 6.1, which introduced significant system architecture enhancements. Per Analog Way, June 2026, the update added support for fiber-based links using 40 Gb/s QSFP+ modules, extending chassis-to-chassis deployment distances up to 500 meters to overcome the 100-meter physical limitations inherent in traditional copper-based RJ45 solutions. These infrastructure upgrades target the 'precision engineer' segment identified in the 2026 State of Video Encoding Report, which notes that latency and TCO are now primary drivers for hardware selection.
Simultaneously, Analog Way launched CorePlay Tetra, a quad-output media server intended to bridge the gap between improvised laptop-based playback and enterprise-grade servers. According to reports from ISE 2026, the updated WebRS interface now features improved layer readability and an 'infinite canvas' viewer to streamline the configuration of complex multi-screen environments. These software-side UI improvements specifically address the resource allocation trade-offs found in the Aquilon, providing operators with better visual feedback on how masking and layer-level effects impact the unit's overall megapixel throughput. The integration of 96 kHz Dante audio support and better redundancy management through automatic source failover further positions the Aquilon series as a central hub for large-scale corporate keynotes and permanent high-resolution installations.
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