iodyne, RED, Adobe Combine for Direct Camera-to-Storage RAW Production Workflow
iodyne will showcase multi-camera ingest and post-production color workflows with RED Digital Cinema and Adobe at Cine Gear Expo 2026. The demonstration will feature live DIT cart configurations using RED Connect and iodyne Pro Data for direct camera-to-storage RAW recording, bypassing card-based workflows. Workflows for real-time RAW grading and multi-project editorial will also be highlighted.
Key Takeaways
- iodyne, RED Digital Cinema, and Adobe will showcase a live DIT cart setup at Cine Gear Expo 2026.
- The setup enables direct RED RAW media recording from cameras to iodyne Pro Data storage, bypassing memory cards.
- The workflow uses RED Connect and 10GbE for cameras like V-RAPTOR XL X and KOMODO-X.
- iodyne will also demonstrate real-time RAW grading and multi-project editorial workflows using Adobe's Color Mode.
Why It Matters
The collaboration by iodyne, RED, and Adobe directly integrates high-performance storage into live production. This workflow enhancement addresses the growing data demands of high-resolution RAW video, potentially accelerating post-production by reducing transfer steps and enabling on-set grading. For streaming production, faster capture-to-post cycles can reduce time-to-delivery for premium content. The move signals a broader shift towards more integrated hardware/software solutions at the acquisition stage. Watch for adoption rates in professional productions and how this influences other storage and camera manufacturers' offerings.
Read full article at sportsvideo.org
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