LaLiga builds a UHD “camera factory” with JPEG XS at the lens
Grass Valley and production company NVP, working with systems integrator Video Progetti S.r.l., have deployed a live production camera and workflow infrastructure to support more than 760 LaLiga matches per season across Spain’s top two professional divisions. The deployment includes 144 Grass Valley LDX 135 and LDX 150 cameras across seven OB trucks and additional remote-production setups, enabling simultaneous UHD HDR and HD SDR production. The system supports hybrid SDI/NativeIP workflows with JPEG XS from the camera head to address bandwidth constraints in remote production.
Key Takeaways
- Scale move: 144 cameras underpin coverage for 760+ matches per season across two leagues
- Mixed-mode production: simultaneous UHD HDR and HD SDR to serve different distributors/platforms without parallel builds
- Hybrid connectivity: SDI + NativeIP workflows designed to bridge legacy OB and modern remote production
- JPEG XS from the camera head positions low-latency compression as a practical answer to constrained remote links
- À-la-carte licensing enables on-demand upgrades (e.g., super slow motion) without wholesale hardware refreshes
Why It Matters
This is what “industrialized” live sports production looks like: league-wide standardization, remote/OB hybrid operations, and format flexibility baked in. For streamers and rights holders, the win is predictable output quality and faster scaling across a massive match inventory—critical as UHD/HDR expectations rise while budgets don’t. The notable meme: compression moving upstream to the camera head (JPEG XS) to make remote production viable at scale. As leagues push more matches, more feeds, and more versions, the production stack increasingly resembles a software-defined factory, not bespoke trucks.
Read full article at tvbeurope.com
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