Broadcast technology leaders from various industry vendors discuss the transition of remote production (REMI) from an experimental workflow to a standard operating model for live sports. The roundtable highlights the importance of resilient IP connectivity, SMPTE ST 2110, and hybrid production models that balance centralized resources with on-site expertise.
The move toward decentralized production allows broadcasters to maximize infrastructure utility by switching between different sporting events without moving physical hardware. This shift from hardware-centric to software-defined environments relocates technical complexity to orchestration and monitoring layers, requiring a more disciplined engineering approach than traditional SDI setups. As rights fees for tier-one sports continue to climb, these efficiencies are no longer optional for maintaining margins across broadcast and streaming platforms. Watch for the adoption of the Media Exchange Layer (MXL) standard to further reduce operational latency in distributed workflows.
The SMPTE ST 2110 standard has become the foundational protocol layer enabling broadcasters to move REMI workflows from pilot to production scale. In early 2026, Ross Video announced expanded ST 2110 deployment across multiple live sports facilities in North America, reinforcing the standard's role as the backbone for uncompressed IP video transport in remote production environments. Sony has similarly invested in ST 2110-native camera systems, and at IBC 2025 the company showcased its HDC-F5500 system with native 2110 output designed for distributed production trucks. The shift from SDI to IP is not merely a cabling change; it requires precise PTP timing synchronization and network fabric engineering that vendors like Extreme Networks and Imagine Communications are addressing with purpose-built switching and orchestration layers.
On the business side, the economics of REMI are being validated by rights holders and production companies seeking to reduce travel and logistics costs across multi-event schedules. LTN announced in mid-2026 that its managed IP transport network had carried over 500 live sporting events using a hybrid REMI model, demonstrating that the cost savings are material at scale. Meanwhile, Amagi expanded its cloud-based playout and channel distribution platform to support live sports production workflows in partnership with multiple rights holders, signaling that cloud-native infrastructure is converging with REMI to further compress production budgets. The Media Exchange Layer (MXL), a VSF technical specification for low-latency contribution over the public internet, is gaining traction as a complement to ST 2110 for connecting remote venues to centralized production hubs.
Technical benchmarks for REMI reliability continue to improve as vendors address the latency and resilience challenges inherent in distributed production. Intinor published test results in 2026 showing its Direkt router achieving sub-100ms glass-to-glass latency over bonded cellular links for live sports contribution, a figure that approaches the threshold needed for real-time directorial decision-making. JPEG-XS, the ISO/IEC 21122 visually lossless codec, is increasingly paired with ST 2110 to compress video for transport over WAN links without perceptible quality degradation, and Matrox Video demonstrated JPEG-XS encoding at 4K60 with less than one frame of latency at NAB Show 2026. These advances, combined with SRT and RIST protocols for resilient internet transport, are closing the gap between on-site and remote production quality to the point where hybrid REMI is no longer a compromise but a preferred operating model for tier-two and tier-three sports coverage.
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