Nine Entertainment earnings rise 17% as Stan offsets broadcast TV decline
Nine Entertainment reported a 17% increase in FY26 EBITDA to $379 million, bolstered by growth in its Stan streaming service and the acquisition of QMS Media. Despite these gains, the company recorded a $404 million impairment on its broadcast television assets due to a soft advertising market.
Key Takeaways
- Stan EBITDA climbed 34% to $81 million, supported by a 50% surge in Stan Sport subscribers following the Premier League rights acquisition.
- Total Television revenue fell 9% to $1.03 billion, leading to a $404 million after-tax impairment primarily against broadcast licenses.
- Nine expects digital assets, including Stan and 9Now, to contribute 70% of group EBITDA by FY27.
- The company exceeded cost-cutting targets, delivering $105 million in savings during FY26 with plans to surpass $160 million by FY27.
Why It Matters
The results signal a definitive shift in Nine's business model as digital and streaming profits begin to insulate the group from the structural decline of linear broadcasting. By successfully scaling Stan Sport and increasing ARPU by 8%, Nine is proving that premium sports rights can drive sustainable streaming margins even as the broader ad market softens. This pivot mirrors global trends where legacy media conglomerates must aggressively transition to digital-first portfolios to maintain investor confidence. Watch for the impact of Stan’s new ad-supported tier launching in August, which will test the platform's ability to capture price-sensitive subscribers while diversifying its revenue streams further away from traditional TV.
Additional Context
Stan has become the central growth engine in Nine Entertainment's portfolio, and its competitive positioning in Australia's streaming market continues to intensify. In early 2025, Stan Sport secured exclusive Australian broadcast rights to the UEFA Champions League through 2028, a deal that reinforced the platform's premium sports strategy and directly contributed to the 8% ARPU increase reported in FY26. The service now competes directly with Paramount+ and Disney+ in the Australian market, where total streaming subscriptions surpassed 18 million by mid-2025 according to Telsyte research, making subscriber retention and monetization increasingly critical for each platform.
The QMS Media acquisition, completed in late 2024, has added meaningful scale to Nine's digital advertising capabilities. Nine paid approximately $150 million for QMS, which operates digital out-of-home advertising screens across Australian airports and transport hubs, giving the group a physical-digital ad inventory bridge that complements its 9Now BVOD platform. This move aligns with broader industry consolidation in digital out-of-home, where Broadsign and Vistar Media merged in 2024 to create a combined platform serving over 700,000 screens globally, signaling that programmatic DOOH is becoming a strategic asset for media companies seeking diversified ad revenue beyond linear TV.
Nine's $404 million broadcast impairment reflects a structural challenge facing all free-to-air networks in Australia. Free-to-air television advertising revenue in Australia declined by approximately 12% in the 2024-25 financial year according to Commercial Economic Advisory Network data, accelerating a trend that has seen the Big Three networks (Seven, Nine, and Ten) collectively lose over $1 billion in ad revenue since 2019. Nine's response has been to accelerate its digital pivot: 9Now's BVOD revenue grew 22% year-over-year in FY25, reaching approximately $200 million, and the planned launch of Stan's ad-supported tier in August 2026 positions the company to capture both subscription and advertising revenue from a single streaming asset, a model that mirrors performance-driven CTV advertising strategies in the US market, as streaming upfront ad spend continues to rise.
Read full article at mediaweek.com.au
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