Naver invests in Baobab Studios to develop transmedia fantasy franchises
South Korean conglomerate Naver Corporation has invested an undisclosed amount in California-based animation studio Baobab Studios through its investment arm, Naver Ventures. The companies are collaborating on a new fantasy property, Shine, which will be developed as a digital webcomic while Baobab retains rights for film, TV, and gaming.
Key Takeaways
- Naver Ventures joins a high-profile cap table at Baobab Studios that includes Disney, Comcast, and Shanghai Media Group
- Baobab Studios retains all film, television, streaming, and gaming rights for the new Shine property
- The collaboration utilizes Webtoon Entertainment to build initial audience traction via digital publishing
- Project Shine features creative leadership from filmmaker Erick Oh and webcomic author Madeleine Rosca
Why It Matters
This investment signals a strategic shift toward integrated transmedia development where streaming content is incubated through digital comics before hitting the screen. By aligning with Naver, Baobab Studios gains direct access to the Webtoon ecosystem, providing a low-risk testing ground for new narratives among Gen Z and Gen Alpha audiences. For the broader streaming market, this deal highlights the increasing value of 'proven' webcomic IP as a pipeline for high-end animation and gaming franchises. Industry observers should monitor the performance of Shine on the Webtoon platform as a leading indicator for its eventual transition into a streaming series or feature film.
Additional Context
Baobab Studios has been building a track record of high-profile partnerships and funding rounds that position it as a leading independent transmedia animation studio. In 2023, Baobab Studios raised $60 million in a Series D funding round led by SoftBank Vision Fund 2, with participation from existing investors including Samsung Next and HongShan Capital. That capital was earmarked for expanding the studio's slate of interactive and linear content, including projects developed for VR, streaming, and gaming platforms. The Naver investment extends this strategy by adding a distribution and audience-building layer through Webtoon, Naver's digital comics subsidiary that reaches more than 170 million monthly active users globally.
Naver's broader content investment strategy has accelerated since the company completed its acquisition of Wattpad in 2021 and merged it with Webtoon Entertainment. In 2024, Webtoon Entertainment filed for an initial public offering on the Nasdaq, targeting a valuation of approximately $3 billion, signaling Naver's intent to scale its IP ecosystem into a publicly traded content platform. The Shine collaboration with Baobab fits a pattern where Naver uses its venture arm to secure first-look access to premium animation and gaming adaptations of webcomic properties, reducing development risk by validating audience demand before committing to full production budgets. Naver Ventures has made similar strategic bets across the content and AI sectors, with the fund participating in multiple entertainment technology deals throughout 2025.
On the technical and creative side, Baobab Studios has invested heavily in real-time rendering pipelines using Unreal Engine, a workflow that allows properties like Shine to move between interactive experiences and linear video without rebuilding assets from scratch. Baobab's short film Bonfire, built in Unreal Engine, was featured at the Tribeca Film Festival and demonstrated the studio's capacity for photorealistic character animation in real time. CEO Maureen Fan has described the studio's approach as developing IP simultaneously across formats rather than sequentially adapting from one medium to another, a model that aligns with Naver's webcomic-first pipeline. The combination of Naver's audience data and Baobab's real-time production infrastructure creates a feedback loop where reader engagement metrics on Webtoon can inform creative decisions before a streaming or theatrical adaptation enters full production.
Read full article at c21media.net
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