Atomos has integrated Mocha Chai Laboratories' PlanckOne FoleyAI into its ATOMOSphere cloud platform to automate the generation of synchronized sound effects from video. The tool, currently in beta, allows users to create and edit Foley layers directly within their cloud-based production workflows without requiring external audio references.
This integration marks a shift toward embedding generative AI directly into the cloud storage layer, removing the friction of moving large video files between disparate post-production tools. By automating the tedious task of spotting and recording basic Foley, Atomos and Mocha Chai Laboratories are enabling smaller production teams to achieve high-fidelity soundscapes that were previously cost-prohibitive. Within the broader streaming ecosystem, this signals a move toward 'intelligent' media assets that can self-generate metadata and secondary content layers. Watch for the transition of this tool from its current beta phase to a full subscription service to gauge professional adoption rates.
Atomos has been steadily building ATOMOSphere into a cloud-native post-production hub that goes beyond storage. The platform already supports collaborative editing, AI-assisted transcription, and media management for distributed teams. The addition of PlanckOne FoleyAI represents a further push into generative audio, a category that has attracted significant investment across the media supply chain. Mocha Chai Laboratories, the Singapore-based studio behind PlanckOne FoleyAI, has positioned the tool as a production-ready alternative to manual Foley recording, targeting independent filmmakers and mid-tier post houses that lack dedicated sound stages. This aligns with a broader trend of AI audio tools being embedded directly into existing editorial and asset-management platforms rather than sold as standalone applications.
The competitive landscape for AI-driven audio post-production is intensifying. Adobe integrated generative audio features into Premiere Pro in 2025, and Avid has been layering AI-assisted sound design into MediaCentral. Meanwhile, Nokia and Google Cloud announced at DTW Ignite 2026 a suite of six specialized AI agents for telecom network operations, demonstrating how agentic AI is spreading across infrastructure verticals. While that deployment targets network assurance rather than media, it illustrates the same architectural pattern Atomos is pursuing: embedding autonomous agents into a cloud platform to reduce manual intervention. For streaming platforms and content studios, the economics are similar. Automating repetitive tasks at scale lowers per-title costs and compresses turnaround times.
On the technical side, PlanckOne FoleyAI uses visual scene analysis to infer appropriate sound effects, a method that differs from text-prompt-based audio generation tools like ElevenLabs or Stability Audio. The approach analyzes motion, surface materials, and object interactions within video frames to produce contextually matched Foley layers. Ericsson launched its AI in RAN commercial software subscription on June 11, 2026, claiming up to 20% higher downlink throughput across more than 15 live deployments, which, while unrelated to audio, demonstrates how AI subscriptions are becoming the dominant commercial model for embedded intelligence across technology stacks. Atomos appears to be following the same playbook with ATOMOSphere: bundle AI capabilities into a cloud subscription to create recurring revenue while differentiating from commodity storage competitors. The beta status of FoleyAI suggests Atomos is still calibrating output quality against professional sound-designer expectations before committing to a full commercial tier.
Atomos has integrated the PlanckOne FoleyAI tool into its ATOMOSphere cloud platform. Developed by Mocha Chai Laboratories, this AI analyzes visual data to generate synchronized, editable Foley sound effects. This integration matters because it automates time-consuming sound design tasks, allowing smaller production teams to create high-fidelity audio directly within their cloud-based workflow.
PlanckOne FoleyAI analyzes visual data from video to identify on-screen actions and environments, automatically generating synchronized, editable layers of sound effects like footsteps and impacts.
It reduces Foley production time from weeks to hours by providing a synchronized starting point for sound designers, allowing smaller teams to achieve professional-grade soundscapes without needing dedicated sound stages.
Yes, the system delivers generated audio in independent, fully editable layers, which ensures sound designers maintain creative control during the final mix.
The tool was built by Mocha Chai Laboratories using open-source large language models that were trained on proprietary post-production data.
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