Studios use AI for roto, cleanup, and tracking in 2026
Digikore VFX discusses the state of AI in the visual effects pipeline in 2026, clarifying that studios primarily use AI to improve workflow efficiency, reduce repetitive tasks, and speed up production stages rather than replacing human artists or generating full cinematic sequences. The company emphasizes that human supervision, creative control, and experienced teams remain critical for maintaining quality and continuity in high-end VFX productions.
Key Takeaways
- AI-assisted rotoscoping now detects subjects, creates initial masks, and tracks movement across frames, but artists still refine hair edges, motion blur, reflections, and lighting interaction.
- Studios are using AI for wire removal, marker cleanup, reflection cleanup, background fixes, and skin retouching to reduce turnaround pressure on episodic productions.
- Machine-learning tools support facial tracking, lip-sync correction, digital doubles, and motion interpolation, but the article says eye movement and emotional detail still need human handling.
- AI-assisted previs is being used for environment generation, camera layout testing, lighting previews, asset organization, and fast concept exploration, especially with Unreal Engine workflows and LED stages.
Why It Matters
The immediate impact is practical: AI is already trimming repetitive VFX work like roto, cleanup, tracking, and previs, but it is not removing the need for compositors, animators, or VFX supervisors. That keeps production control with human teams while giving studios a way to move faster under tighter schedules. The ecosystem angle is a hybrid workflow model, where AI tools sit inside established pipelines rather than replacing them. The next signal to watch is whether AI expands beyond these operational uses into more dependable render optimization, predictive scheduling, and AI-assisted compositing, which Digikore lists as future growth areas.
Read full article at digikorevfx.com
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