postPerspective is a leading digital magazine serving the post-production and production communities, covering directors, cinematographers, editors, VFX artists, sound designers, and colorists. It differentiates itself through its in-depth storytelling, industry insights, and a popular podcast series 'Meet the Artist' hosted by founder Randi Altman. The publication attracts over 40,000 monthly unique visitors and offers a newsletter and custom events, fostering a community of creative professionals.
Lineo has launched an end-to-end production management platform designed to centralize bidding, scheduling, and financial tracking for commercial video production. The platform integrates AI-driven document parsing and automated workflow tools to streamline administrative tasks for production teams.
EditShare is set to debut updated EFS 310 and 410 storage configurations featuring integrated Flow AI for on-prem metadata processing and multilingual transcription at IBC 2026. The company is also expanding its MediaSilo platform into a production hub with S3-compatible storage access and enhanced security features including forensic watermarking and DRM.
Zoic Studios executive creative director Aladino Debert details the visual effects workflow for the series Alien: Earth, which utilized a team of 55 artists and industry-standard tools including Houdini, Maya, and Nuke. The production focused on achieving a 1970s retro-futurist aesthetic while managing complex creature design and simulation across four distinct growth stages.
Showrunner Bill Lawrence discusses the post-production and visual effects workflow for the series Shrinking, emphasizing centralized editing at Warner Bros. and the use of virtual production techniques to blend soundstage and location footage. The interview highlights the collaborative role of editors, music supervisors, and VFX teams in maintaining production quality for streaming-first content.
Emmy-winning editor Kelly Lyon details the post-production workflow for the Disney+ Muppet Show special, which utilized Avid Media Composer and Adobe After Effects. The project focused on replicating the aesthetic of the original variety series while managing complex technical challenges like puppet eyelines and simulated live-audience reactions.
Cinematographer Gustav Danielson discusses the technical production workflow for HBO's A Knight of the Seven Kingdoms, highlighting the use of Panavision Ultra Panatar anamorphic lenses and Alexa Mini LF cameras. The production emphasized in-camera naturalism and a custom LUT-based color pipeline to achieve an earthy, gritty aesthetic for the series.
Video Village has entered an exclusive distribution partnership with Node Mill for the LensNode lens-simulation plugin. The release of version 2.0 introduces a 16-bit processing mode for improved performance and expands compatibility to include Adobe Premiere, After Effects, and Apple Final Cut Pro.
Honor has launched the Robot Phone, a mobile device co-engineered with ARRI that integrates professional imaging technologies including ARRI LogC3, Wide Gamut 3, and ARRI Looks. The device features a motorized gimbal and 10-bit recording capabilities designed to bridge the gap between mobile content creation and professional motion picture workflows.
Supervising sound editor Wade Barnett discusses the technical post-production workflow for Amazon's The Boys. The interview highlights the specific software and plugin stack used, including iZotope RX, Soundminer, EdiCue, and Krotos Dehumaniser for sound design and dialogue editing.
Cinematographer Celiana Cárdenas discusses the technical production workflows used for the Apple TV+ series Cape Fear. The production employed ARRI Alexa 35 cameras, anamorphic lenses, and complex lighting rigs, alongside practical effects to establish the series' visual language.
