Mo-Sys Engineering has opened a new three-storey facility in London designed for virtual production, multi-camera broadcast, and corporate communications. Alongside the facility launch, the company promoted Selin Kemal to Managing Director as part of a broader corporate reorganization.
The promotion of Selin Kemal and the launch of the Canada Water facility signal a strategic pivot toward high-end corporate communications. By decoupling day-to-day management from technical innovation, Mo-Sys aims to scale its virtual production tools beyond cinema into the lucrative enterprise sector. This move reflects a broader industry trend where broadcast-grade hardware is increasingly utilized for private investor relations and global town halls. The success of this expansion depends on whether corporate clients adopt complex LED and AR workflows for routine communications. Watch for Mo-Sys to release new innovation concepts as Geissler transitions into his specialized development role.
Mo-Sys Engineering has been building momentum in the virtual production space through strategic partnerships and technology demonstrations. The company's StarTracker camera tracking system has become a key component in LED volume stages across Europe and North America. In early 2026, Mo-Sys partnered with Brompton Technology to deliver integrated tracking and LED processing solutions for virtual production studios, reinforcing its position as a preferred tracking vendor for high-end LED wall deployments. The Canada Water facility opening positions Mo-Sys to demonstrate these integrated workflows directly to prospective corporate and broadcast clients rather than relying solely on partner stages.
The virtual production hardware market is experiencing significant consolidation and investment activity that contextualizes Mo-Sys's expansion. Disguise acquired virtual production software company Zero Density in late 2025 to expand its real-time rendering capabilities for broadcast and corporate events, signaling that larger players are moving to capture the same corporate broadcast segment Mo-Sys is targeting. Meanwhile, Epic Games reported that Unreal Engine was used in over 300 virtual production stages worldwide by mid-2026, indicating the scale of the market that Mo-Sys's tracking and AR tools serve. The competitive pressure from both software platforms and integrated hardware vendors makes Mo-Sys's decision to separate commercial leadership from technical innovation particularly timely.
On the technical side, Mo-Sys's StarTracker competes directly with other camera tracking solutions in the virtual production stack. Stype's RedSpy and BlueSpy tracking systems have gained traction in European broadcast studios, with the company reporting deployments across 40 countries by early 2026, while Ncam's real-time tracking technology has been integrated into several major broadcast sports productions in the UK. For buyers evaluating virtual production infrastructure, the choice between Mo-Sys, Stype, and Ncam often comes down to LED volume compatibility, latency requirements, and integration with existing broadcast workflows. Mo-Sys's new London facility gives it a physical advantage for hands-on demonstrations against these competitors, particularly for corporate clients unfamiliar with virtual production technology.
For related background, see StreamingMeme's prior coverage of Grass Valley remote monitoring earns 2026 Engineering Emmy for live production.
Mo-Sys Engineering has promoted Selin Kemal to Managing Director and opened a new three-storey facility in London’s Canada Water. This reorganization allows CEO Michael Geissler to focus on innovation, while the new site targets the corporate sector by offering broadcast-grade virtual production tools for investor relations and live streaming events.
Selin Kemal has been promoted from Commercial Director to Managing Director to lead the company's daily operations.
The new Mo-Sys headquarters is a three-storey facility located in Canada Water, London.
The facility features immersive LED walls, real-time augmented reality processing, and a hybrid presentation theatre designed for corporate investor presentations and live streaming.
CEO Michael Geissler is shifting his focus toward innovation and the development of new product concepts.
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