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    <title><![CDATA[StreamingMeme — IMAX Streaming coverage]]></title>
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    <description><![CDATA[Articles mentioning IMAX Streaming.]]></description>
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      <title><![CDATA[StreamingMeme — IMAX Streaming coverage]]></title>
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    <item>
      <title><![CDATA[Disney+ releases The Mandalorian and Grogu in IMAX Enhanced Edition]]></title>
      <link><![CDATA[https://www.motionpictures.org/2026/09/how-vfx-wizard-john-knoll-sound-master-david-acord-made-the-mandalorian-and-grogu-bigger-than-ever/]]></link>
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      <pubDate>Wed, 09 Sep 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Disney+ has released an IMAX Enhanced Edition of The Mandalorian and Grogu, utilizing advanced virtual production, photogrammetry, and specialized near-field audio mixing. The production team, including VFX supervisor John Knoll and sound designer David Acord, detailed the technical workflows used to optimize the cinematic experience for both home theater and mobile viewing environments.]]></description>
      <content:encoded><![CDATA[Disney+ has released an IMAX Enhanced Edition of The Mandalorian and Grogu, utilizing advanced virtual production, photogrammetry, and specialized near-field audio mixing. The production team, including VFX supervisor John Knoll and sound designer David Acord, detailed the technical workflows used to optimize the cinematic experience for both home theater and mobile viewing environments.]]></content:encoded>
      <dc:creator><![CDATA[Motion Picture Association]]></dc:creator>
      <author><![CDATA[Motion Picture Association]]></author>
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      <title><![CDATA[Disney+ replaces Hotstar-based app with global version in Egypt]]></title>
      <link><![CDATA[https://cordcuttersnews.com/disney-starts-to-roll-out-a-major-app-update-with-imax-features-added/]]></link>
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      <pubDate>Wed, 02 Sep 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[VIDEO_STREAMING_PLATFORMS_AND_INFRASTRUCTURE]]></category>
      <description><![CDATA[Disney has begun migrating Disney+ subscribers in Egypt and other markets from a Hotstar-derived platform to its global streaming application. This infrastructure update introduces IMAX Enhanced aspect ratios, improved UI performance, and expanded feature sets to align these regions with the company's global technology stack.]]></description>
      <content:encoded><![CDATA[Disney has begun migrating Disney+ subscribers in Egypt and other markets from a Hotstar-derived platform to its global streaming application. This infrastructure update introduces IMAX Enhanced aspect ratios, improved UI performance, and expanded feature sets to align these regions with the company's global technology stack.]]></content:encoded>
      <dc:creator><![CDATA[Cord Cutters News]]></dc:creator>
      <author><![CDATA[Cord Cutters News]]></author>
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    <item>
      <title><![CDATA[SMPTE Hollywood and 8K Association showcase 8K theatrical playback at Culver Theater]]></title>
      <link><![CDATA[https://www.youtube.com/watch?v=lIm-rSabsKY]]></link>
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      <pubDate>Thu, 23 Jul 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[SMPTE Hollywood and the 8K Association hosted a demonstration of native 8K content at the Amazon Culver Theater to explore the technical requirements and workflows for scaling 8K from cinema environments to home displays. Industry professionals from Colorfront, IMAX, and Kaleidescape discussed the standards and innovations necessary to advance the 8K ecosystem.]]></description>
      <content:encoded><![CDATA[SMPTE Hollywood and the 8K Association hosted a demonstration of native 8K content at the Amazon Culver Theater to explore the technical requirements and workflows for scaling 8K from cinema environments to home displays. Industry professionals from Colorfront, IMAX, and Kaleidescape discussed the standards and innovations necessary to advance the 8K ecosystem.]]></content:encoded>
      <dc:creator><![CDATA[YouTube]]></dc:creator>
      <author><![CDATA[YouTube]]></author>
      
    </item>

    <item>
      <title><![CDATA[IMAX claims 16K per-color resolution for Christopher Nolan’s The Odyssey]]></title>
      <link><![CDATA[https://ymcinema.com/2026/07/07/imax-odyssey-16k-per-color/]]></link>
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      <pubDate>Tue, 07 Jul 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[IMAX has disclosed that the film The Odyssey, shot using its proprietary Keighley 65mm camera system, contains 14K to 16K of resolution per color channel in its 15/70 film frames. The company is using this technical data to emphasize the potential capacity of analog large-format capture over modern digital sensor standards.]]></description>
      <content:encoded><![CDATA[IMAX has disclosed that the film The Odyssey, shot using its proprietary Keighley 65mm camera system, contains 14K to 16K of resolution per color channel in its 15/70 film frames. The company is using this technical data to emphasize the potential capacity of analog large-format capture over modern digital sensor standards.]]></content:encoded>
      <dc:creator><![CDATA[Y.M. Cinema Magazine]]></dc:creator>
      <author><![CDATA[Y.M. Cinema Magazine]]></author>
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    <item>
      <title><![CDATA[Digital sensor expansion pushes cinema production formats beyond physical IMAX limits]]></title>
      <link><![CDATA[https://www.provideocoalition.com/beyond-imax-how-digital-cinema-escapes-the-physical-limits-of-film/]]></link>
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      <pubDate>Tue, 07 Jul 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Industry manufacturers including Sony, ARRI, and Blackmagic Design are shifting toward larger digital cinema sensor formats to overcome the traditional mechanical and physical limitations of 15-perf IMAX film. This trend prioritizes sensor area expansion over mere resolution increases to improve photon collection, dynamic range, and overall production flexibility.]]></description>
      <content:encoded><![CDATA[Industry manufacturers including Sony, ARRI, and Blackmagic Design are shifting toward larger digital cinema sensor formats to overcome the traditional mechanical and physical limitations of 15-perf IMAX film. This trend prioritizes sensor area expansion over mere resolution increases to improve photon collection, dynamic range, and overall production flexibility.]]></content:encoded>
      <dc:creator><![CDATA[ProVideo Coalition]]></dc:creator>
      <author><![CDATA[ProVideo Coalition]]></author>
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      <title><![CDATA[ILM integrates Gaussian Splatting and VR visualization for IMAX Star Wars production]]></title>
      <link><![CDATA[https://www.ilm.com/john-knoll-interview-star-wars-mandalorian-grogu-ilm-vfx/]]></link>
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      <pubDate>Mon, 06 Jul 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Industrial Light & Magic's John Knoll discusses the technical integration of practical effects and emerging tools like Gaussian Splatting and VR visualization for the IMAX production of The Mandalorian and Grogu. The film utilized a hybrid production approach, combining historical physical model-making with modern volumetric capture and LED volume technology to scale the show's aesthetic for theatrical release.]]></description>
      <content:encoded><![CDATA[Industrial Light & Magic's John Knoll discusses the technical integration of practical effects and emerging tools like Gaussian Splatting and VR visualization for the IMAX production of The Mandalorian and Grogu. The film utilized a hybrid production approach, combining historical physical model-making with modern volumetric capture and LED volume technology to scale the show's aesthetic for theatrical release.]]></content:encoded>
      <dc:creator><![CDATA[Industrial Light & Magic]]></dc:creator>
      <author><![CDATA[Industrial Light & Magic]]></author>
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    <item>
      <title><![CDATA[Christopher Nolan Normalizes 15/65 IMAX Cameras Across The Odyssey Production Workflows]]></title>
      <link><![CDATA[https://ymcinema.com/2026/07/02/the-odyssey-bts-imax-film-logistics/]]></link>
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      <pubDate>Thu, 02 Jul 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[This article analyzes the production workflow of the film The Odyssey, focusing on the logistical and technical integration of 15/65 IMAX film cameras. It highlights the use of specialized digital video assist systems and custom rigging solutions required to normalize large-format film capture in complex production environments.]]></description>
      <content:encoded><![CDATA[This article analyzes the production workflow of the film The Odyssey, focusing on the logistical and technical integration of 15/65 IMAX film cameras. It highlights the use of specialized digital video assist systems and custom rigging solutions required to normalize large-format film capture in complex production environments.]]></content:encoded>
      <dc:creator><![CDATA[Y.M.Cinema Magazine]]></dc:creator>
      <author><![CDATA[Y.M.Cinema Magazine]]></author>
      <enclosure url="https://ymcinema.com/wp-content/uploads/2020/07/Screen-Shot-2018-07-06-at-2.44.30-PM-1.png" type="image/jpeg" length="0"/>
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    <item>
      <title><![CDATA[Xperi expands TiVo OS footprint as Sony Pictures adds IMAX content]]></title>
      <link><![CDATA[https://xperi.com/blog/xperi-wows-berlin-at-ifa-2025]]></link>
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      <pubDate>Tue, 16 Jun 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[VIDEO_STREAMING_PLATFORMS_AND_INFRASTRUCTURE]]></category>
      <description><![CDATA[Xperi showcased its TiVo OS, DTS, and IMAX Enhanced technologies at IFA 2025 in Berlin. TiVo OS was adopted by Sharp, Vestel, Metz, and Panasonic for their TVs, while Sony Pictures expanded its IMAX Enhanced content featuring DTS:X audio for Hisense and Toshiba TVs. DTS Clear Dialogue also received an award, highlighting solutions for audio intelligibility.]]></description>
      <content:encoded><![CDATA[Xperi showcased its TiVo OS, DTS, and IMAX Enhanced technologies at IFA 2025 in Berlin. TiVo OS was adopted by Sharp, Vestel, Metz, and Panasonic for their TVs, while Sony Pictures expanded its IMAX Enhanced content featuring DTS:X audio for Hisense and Toshiba TVs. DTS Clear Dialogue also received an award, highlighting solutions for audio intelligibility.]]></content:encoded>
      <dc:creator><![CDATA[Xperi]]></dc:creator>
      <author><![CDATA[Xperi]]></author>
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    <item>
      <title><![CDATA[Fujifilm Enters Premium Cinema with IMAX-Certified GFX ETERNA 55]]></title>
      <link><![CDATA[https://www.provideocoalition.com/fujifilm-at-cine-gear-2026-how-fujifilms-imax-certified-ecosystem-is-redefining-medium-format-filmmaking/]]></link>
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      <pubDate>Sun, 07 Jun 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Fujifilm unveiled its first digital filmmaking camera, the IMAX-certified GFX ETERNA 55, and a new GF32-90mm T3.5 PZ OIS WR power zoom lens at Cine Gear 2026. This launch positions Fujifilm to compete in the premium large-format cinema production sector, offering high-resolution recording capabilities and professional production features like Frame.io Camera-to-Cloud integration.]]></description>
      <content:encoded><![CDATA[Fujifilm unveiled its first digital filmmaking camera, the IMAX-certified GFX ETERNA 55, and a new GF32-90mm T3.5 PZ OIS WR power zoom lens at Cine Gear 2026. This launch positions Fujifilm to compete in the premium large-format cinema production sector, offering high-resolution recording capabilities and professional production features like Frame.io Camera-to-Cloud integration.]]></content:encoded>
      <dc:creator><![CDATA[ProVideo Coalition]]></dc:creator>
      <author><![CDATA[ProVideo Coalition]]></author>
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    <item>
      <title><![CDATA[Panavision Primo 65 Lenses Bring Classic Optics to Large-Format Digital]]></title>
      <link><![CDATA[https://ymcinema.com/2026/06/03/panavision-primo-65-lenses/]]></link>
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      <pubDate>Wed, 03 Jun 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Panavision has unveiled its new Primo 65 lens series, designed for 65mm digital cinematography, bringing the acclaimed Primo optical characteristics to larger sensors. These lenses provide full 65mm coverage, fast T2 apertures, and a distinct artistic look, strengthening the "IMAX look" in high-end film production. This development directly supports the expanding ecosystem of 65mm digital camera systems, like Sony's RIALTO 65, by offering specialized optics.]]></description>
      <content:encoded><![CDATA[Panavision has unveiled its new Primo 65 lens series, designed for 65mm digital cinematography, bringing the acclaimed Primo optical characteristics to larger sensors. These lenses provide full 65mm coverage, fast T2 apertures, and a distinct artistic look, strengthening the "IMAX look" in high-end film production. This development directly supports the expanding ecosystem of 65mm digital camera systems, like Sony's RIALTO 65, by offering specialized optics.]]></content:encoded>
      <dc:creator><![CDATA[Y.M.Cinema Magazine]]></dc:creator>
      <author><![CDATA[Y.M.Cinema Magazine]]></author>
      <enclosure url="https://ymcinema.com/wp-content/uploads/2020/07/Screen-Shot-2018-07-06-at-2.44.30-PM-1.png" type="image/jpeg" length="0"/>
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    <item>
      <title><![CDATA[The Mandalorian and Grogu Film Leverages Hybrid VFX for Theatrical Return]]></title>
      <link><![CDATA[https://vfxvoice.com/the-mandalorian-and-grogu-the-way-it-should-be-seen/]]></link>
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      <pubDate>Tue, 02 Jun 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[PRODUCTION_HARDWARE]]></category>
      <description><![CDATA[Lucasfilm produced "The Mandalorian and Grogu" as a feature film, utilizing virtual production techniques such as Apple Vision Pro for set scouting and a comprehensive mix of CGI, miniatures, and stop-motion for visual effects targeting IMAX. The production aimed to elevate the visual effects beyond the established cinematic quality of the streaming series by taking a longer development time and integrating various generations of visual effects technology. Technologies employed included state-of-the-art CGI, motion-control miniatures, and computer-generated models to replace physical sets, demonstrating advancements in virtual and hybrid production workflows.]]></description>
      <content:encoded><![CDATA[Lucasfilm produced "The Mandalorian and Grogu" as a feature film, utilizing virtual production techniques such as Apple Vision Pro for set scouting and a comprehensive mix of CGI, miniatures, and stop-motion for visual effects targeting IMAX. The production aimed to elevate the visual effects beyond the established cinematic quality of the streaming series by taking a longer development time and integrating various generations of visual effects technology. Technologies employed included state-of-the-art CGI, motion-control miniatures, and computer-generated models to replace physical sets, demonstrating advancements in virtual and hybrid production workflows.]]></content:encoded>
      <dc:creator><![CDATA[VFX Voice]]></dc:creator>
      <author><![CDATA[VFX Voice]]></author>
      <enclosure url="https://vfxvoice.com/wp-content/uploads/2023/04/vfx-logo.png" type="image/jpeg" length="0"/>
    </item>

    <item>
      <title><![CDATA[What Happens If Apple, Sony, or Netflix Buys IMAX? - Y.M.Cinema Magazine]]></title>
      <link><![CDATA[https://ymcinema.com/2026/05/26/apple-sony-netflix-buy-imax/]]></link>
      <guid isPermaLink="false">1091c3ba-ad56-40b7-9d86-78d1dd026839</guid>
      <pubDate>Tue, 26 May 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[BUSINESS_NEWS]]></category>
      <description><![CDATA[Wall Street considers IMAX a potential acquisition target with Apple, Sony, and Netflix named as possible buyers. The article suggests that such ownership could significantly reshape the premium cinema landscape.]]></description>
      <content:encoded><![CDATA[Wall Street considers IMAX a potential acquisition target with Apple, Sony, and Netflix named as possible buyers. The article suggests that such ownership could significantly reshape the premium cinema landscape.]]></content:encoded>
      <dc:creator><![CDATA[Y.M.Cinema Magazine]]></dc:creator>
      <author><![CDATA[Y.M.Cinema Magazine]]></author>
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    <item>
      <title><![CDATA[Evening Update: Tech Earnings and AI Infrastructure Momentum Drive Market Rally]]></title>
      <link><![CDATA[https://www.reddit.com/r/EverHint/comments/1tk95pe/stock_market_news_may_22_2026_last_12_hours/]]></link>
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      <pubDate>Fri, 22 May 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[BUSINESS_NEWS]]></category>
      <description><![CDATA[Wall Street banks, led by JPMorgan, increased the loan package for a potential Warner Bros. Discovery-Paramount Global merger to over $10 billion, indicating strong confidence in the deal's closure. This development points to continued consolidation activity within the media industry. The article also touches on IMAX shares surging on reports of the company exploring a sale.]]></description>
      <content:encoded><![CDATA[Wall Street banks, led by JPMorgan, increased the loan package for a potential Warner Bros. Discovery-Paramount Global merger to over $10 billion, indicating strong confidence in the deal's closure. This development points to continued consolidation activity within the media industry. The article also touches on IMAX shares surging on reports of the company exploring a sale.]]></content:encoded>
      <dc:creator><![CDATA[Mamuthone125]]></dc:creator>
      <author><![CDATA[Mamuthone125]]></author>
      
    </item>

    <item>
      <title><![CDATA[Imax Stock Surges Possible Takeover Talk]]></title>
      <link><![CDATA[https://www.hollywoodreporter.com/business/business-news/imax-stock-surges-on-hollywood-takeover-talk-1236603852/]]></link>
      <guid isPermaLink="false">a3f43133-3211-4ae0-a6f1-968e552233b6</guid>
      <pubDate>Thu, 21 May 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[BUSINESS_NEWS]]></category>
      <description><![CDATA[Imax's stock surged following a Wall Street Journal report indicating potential takeover interest from undisclosed buyers. This interest is attributed to major studios' efforts to re-engage consumers with immersive big-screen experiences in theaters. The specific potential buyers were not named in the article.]]></description>
      <content:encoded><![CDATA[Imax's stock surged following a Wall Street Journal report indicating potential takeover interest from undisclosed buyers. This interest is attributed to major studios' efforts to re-engage consumers with immersive big-screen experiences in theaters. The specific potential buyers were not named in the article.]]></content:encoded>
      <dc:creator><![CDATA[The Hollywood Reporter]]></dc:creator>
      <author><![CDATA[The Hollywood Reporter]]></author>
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    </item>

    <item>
      <title><![CDATA[F1® on Apple TV Live in IMAX: Monaco Race (2026) Movie Tickets & Showtimes Near You  | IMAX]]></title>
      <link><![CDATA[https://www.imax.com/movie/f1-on-apple-tv-live-in-imax-monaco-race]]></link>
      <guid isPermaLink="false">460b7cbf-0568-44c0-85f1-bf4e4fbd2078</guid>
      <pubDate>Fri, 01 May 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[VIDEO_STREAMING_PLATFORMS_AND_INFRASTRUCTURE]]></category>
      <description><![CDATA[IMAX will host a live screening of the F1 Monaco Grand Prix from Apple TV in select US theaters on June 7, 2026. This limited theatrical event offers F1 fans an immersive viewing experience of the race.]]></description>
      <content:encoded><![CDATA[IMAX will host a live screening of the F1 Monaco Grand Prix from Apple TV in select US theaters on June 7, 2026. This limited theatrical event offers F1 fans an immersive viewing experience of the race.]]></content:encoded>
      <dc:creator><![CDATA[IMAX Corporation]]></dc:creator>
      <author><![CDATA[IMAX Corporation]]></author>
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    <item>
      <title><![CDATA[Does Netflix Have a Cinema Problem?]]></title>
      <link><![CDATA[https://www.linkedin.com/posts/meven-louis-michea-5020b198_netflix-filmindustry-streamingstrategy-activity-7441848722986143744-G1p1?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAGRbMiEBOyiTvqXECJ0Fo4VmuQE7xnCZDiU]]></link>
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      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[BUSINESS_NEWS]]></category>
      <description><![CDATA[The post argues that Netflix’s film strategy has shifted from late-2010s prestige/auteur financing and awards campaigning toward more mainstream, franchise-oriented projects as subscriber growth slowed, while Netflix leadership has publicly downplayed the long-term importance of theatrical distribution. It highlights reported talent-driven pressure for wider theatrical releases—citing Greta Gerwig’s planned “Narnia” release on 1,000+ IMAX screens across 90 countries—as well as broader industry comparisons involving Amazon and Apple’s theatrical windowing approaches. It also connects theatrical windowing to potential economic upside in premium large format (IMAX’s reported 2025 performance) and to European regulatory negotiations ahead of the 2026 AVMSD review, including the EU’s 30% European works rule.]]></description>
      <content:encoded><![CDATA[The post argues that Netflix’s film strategy has shifted from late-2010s prestige/auteur financing and awards campaigning toward more mainstream, franchise-oriented projects as subscriber growth slowed, while Netflix leadership has publicly downplayed the long-term importance of theatrical distribution. It highlights reported talent-driven pressure for wider theatrical releases—citing Greta Gerwig’s planned “Narnia” release on 1,000+ IMAX screens across 90 countries—as well as broader industry comparisons involving Amazon and Apple’s theatrical windowing approaches. It also connects theatrical windowing to potential economic upside in premium large format (IMAX’s reported 2025 performance) and to European regulatory negotiations ahead of the 2026 AVMSD review, including the EU’s 30% European works rule.]]></content:encoded>
      <dc:creator><![CDATA[Meven-Louis Michea]]></dc:creator>
      <author><![CDATA[Meven-Louis Michea]]></author>
      
    </item>

    <item>
      <title><![CDATA[Does Netflix Have a Cinema Problem?]]></title>
      <link><![CDATA[https://www.linkedin.com/posts/meven-louis-michea-5020b198_netflix-filmindustry-streamingstrategy-activity-7441848722986143744-G1p1?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAGW5TrsBaBiZU6hgsaWfcyRVrXtOzp5gN8U]]></link>
      <guid isPermaLink="false">adf66299-e37f-4bbe-a915-0629ee080b51</guid>
      <pubDate>Mon, 23 Mar 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[BUSINESS_NEWS]]></category>
      <description><![CDATA[The post argues that Netflix’s historical streaming-first posture and limited theatrical strategy are being pressured by talent demands and the economics of premium theatrical formats, citing Greta Gerwig’s reportedly negotiated wide IMAX release for "Narnia" and comparisons to Apple’s more consistent theatrical windows. It also frames potential regulatory considerations in Europe (AVMSD review and EU local-content rules) as an additional factor that could influence Netflix’s theatrical posture, alongside claims about broader industry moves involving Amazon and Warner Bros. Discovery.]]></description>
      <content:encoded><![CDATA[The post argues that Netflix’s historical streaming-first posture and limited theatrical strategy are being pressured by talent demands and the economics of premium theatrical formats, citing Greta Gerwig’s reportedly negotiated wide IMAX release for "Narnia" and comparisons to Apple’s more consistent theatrical windows. It also frames potential regulatory considerations in Europe (AVMSD review and EU local-content rules) as an additional factor that could influence Netflix’s theatrical posture, alongside claims about broader industry moves involving Amazon and Warner Bros. Discovery.]]></content:encoded>
      <dc:creator><![CDATA[Meven-Louis Michea]]></dc:creator>
      <author><![CDATA[Meven-Louis Michea]]></author>
      
    </item>

    <item>
      <title><![CDATA[Inside the Stream: Apple Taps IMAX for F1, YouTube Expands in the UK, Colbert Streams]]></title>
      <link><![CDATA[https://www.videonuze.com/article/inside-the-stream-apple-taps-imax-for-f1-youtube-expands-in-the-uk-colbert-streams]]></link>
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      <pubDate>Fri, 20 Feb 2026 00:00:00 GMT</pubDate>
      <category><![CDATA[VIDEO_STREAMING_PLATFORMS_AND_INFRASTRUCTURE]]></category>
      <description><![CDATA[Apple has partnered with IMAX to screen five Formula 1 races at 50 IMAX locations in the U.S., extending the reach of its five-year exclusive U.S. F1 broadcast rights tied to Apple TV. The article also reports that more than half of YouTube’s UK audience now watches on connected TVs and that YouTube is the fourth most-viewed navigation platform in the UK. Additionally, it notes that Stephen Colbert used YouTube to stream an interview that CBS declined to air on broadcast television.]]></description>
      <content:encoded><![CDATA[Apple has partnered with IMAX to screen five Formula 1 races at 50 IMAX locations in the U.S., extending the reach of its five-year exclusive U.S. F1 broadcast rights tied to Apple TV. The article also reports that more than half of YouTube’s UK audience now watches on connected TVs and that YouTube is the fourth most-viewed navigation platform in the UK. Additionally, it notes that Stephen Colbert used YouTube to stream an interview that CBS declined to air on broadcast television.]]></content:encoded>
      <dc:creator><![CDATA[VideoNuze]]></dc:creator>
      <author><![CDATA[VideoNuze]]></author>
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    </item>

    <item>
      <title><![CDATA[Hollywood Stocks in 2025: Winners, Losers and  Surprises]]></title>
      <link><![CDATA[https://www.hollywoodreporter.com/business/business-news/hollywood-stocks-2025-review-netflix-wbd-paramount-disney-1236453431/]]></link>
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      <pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[Warner Bros. Discovery, supported by recent mergers and acquisitions, along with Sphere Entertainment, Fox, and Imax, experienced notable market gains over the past year, while Netflix's stock remained largely unchanged and some cinema operators saw declines. This reflects ongoing shifts in the streaming and theatrical markets, underscoring the impact of consolidation and changing consumer preferences for industry stakeholders.]]></description>
      <content:encoded><![CDATA[Warner Bros. Discovery, supported by recent mergers and acquisitions, along with Sphere Entertainment, Fox, and Imax, experienced notable market gains over the past year, while Netflix's stock remained largely unchanged and some cinema operators saw declines. This reflects ongoing shifts in the streaming and theatrical markets, underscoring the impact of consolidation and changing consumer preferences for industry stakeholders.]]></content:encoded>
      <dc:creator><![CDATA[The Hollywood Reporter - Tech]]></dc:creator>
      <author><![CDATA[The Hollywood Reporter - Tech]]></author>
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    </item>

    <item>
      <title><![CDATA[The Odyssey Trailer Drops: Christopher Nolan’s IMAX Epic Hits Theaters July 17]]></title>
      <link><![CDATA[https://www.redsharknews.com/christopher-nolan-the-odyssey-trailer-imax-keighley-camera]]></link>
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      <pubDate>Tue, 23 Dec 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[Christopher Nolan has released the first trailer for his highly anticipated film The Odyssey, shot using newly named IMAX cameras over 91 days and 2 million feet of film. This milestone showcases the ongoing importance of advanced cinema technologies in delivering high-quality visual experiences, relevant for streaming and theatrical distribution.]]></description>
      <content:encoded><![CDATA[Christopher Nolan has released the first trailer for his highly anticipated film The Odyssey, shot using newly named IMAX cameras over 91 days and 2 million feet of film. This milestone showcases the ongoing importance of advanced cinema technologies in delivering high-quality visual experiences, relevant for streaming and theatrical distribution.]]></content:encoded>
      <dc:creator><![CDATA[RedShark News]]></dc:creator>
      <author><![CDATA[RedShark News]]></author>
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    </item>

    <item>
      <title><![CDATA[Guillermo del Toro Says “There’s No Substitute” for Watching Films on the Big Screen While Introducing ‘Frankenstein’ With Jacob Elordi]]></title>
      <link><![CDATA[https://www.hollywoodreporter.com/movies/movie-news/guillermo-del-toro-jacob-elordi-frankenstein-bfi-imax-film-1236444211/]]></link>
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      <pubDate>Sun, 07 Dec 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[At a London IMAX screening of 'Frankenstein,' the filmmaker emphasized the unique value of collective viewing experiences, which streaming at home cannot replicate despite potentially better food. This underscores the continuing relevance of theatrical and large-format screenings for immersive audience engagement in the streaming era.]]></description>
      <content:encoded><![CDATA[At a London IMAX screening of 'Frankenstein,' the filmmaker emphasized the unique value of collective viewing experiences, which streaming at home cannot replicate despite potentially better food. This underscores the continuing relevance of theatrical and large-format screenings for immersive audience engagement in the streaming era.]]></content:encoded>
      <dc:creator><![CDATA[The Hollywood Reporter - Tech]]></dc:creator>
      <author><![CDATA[The Hollywood Reporter - Tech]]></author>
      
    </item>

    <item>
      <title><![CDATA[Meet IMAX Enhanced at Sportel Later This Month]]></title>
      <link><![CDATA[https://www.linkedin.com/posts/activity-7381319065014804481-rJva?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAF-NmdAB_q_dz1QJfzbC3I-bMxNqmDryPh4]]></link>
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      <pubDate>Tue, 07 Oct 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[Thijs Bijleveld will represent IMAX Enhanced at the upcoming Sportel event, offering insights into their latest developments in streaming and consumer technology. This presents a valuable networking opportunity for industry professionals seeking innovative solutions in the streaming video landscape.]]></description>
      <content:encoded><![CDATA[Thijs Bijleveld will represent IMAX Enhanced at the upcoming Sportel event, offering insights into their latest developments in streaming and consumer technology. This presents a valuable networking opportunity for industry professionals seeking innovative solutions in the streaming video landscape.]]></content:encoded>
      <dc:creator><![CDATA[Doug Castoldi]]></dc:creator>
      <author><![CDATA[Doug Castoldi]]></author>
      
    </item>

    <item>
      <title><![CDATA[Check out this job at IMAX Enhanced | Streaming & Consumer Technology: Executive IT Support Specialist]]></title>
      <link><![CDATA[https://www.linkedin.com/posts/julio-guerrero-5a8bb7133_check-out-this-job-at-imax-enhanced-streaming-activity-7375898224559284224-LV0T?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAF8DjmsB4oruXBf3-UBpeVwDOIzyubv2PCE]]></link>
      <guid isPermaLink="false">9d3092e2-f545-48ec-ad5c-d7cd857ced84</guid>
      <pubDate>Mon, 22 Sep 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[IMAX Enhanced is currently recruiting for an Executive IT Support Specialist, a role critical for maintaining seamless technology operations. This position highlights the importance of IT support in enhancing the user experience in the streaming video sector.]]></description>
      <content:encoded><![CDATA[IMAX Enhanced is currently recruiting for an Executive IT Support Specialist, a role critical for maintaining seamless technology operations. This position highlights the importance of IT support in enhancing the user experience in the streaming video sector.]]></content:encoded>
      <dc:creator><![CDATA[Julio Guerrero]]></dc:creator>
      <author><![CDATA[Julio Guerrero]]></author>
      
    </item>

    <item>
      <title><![CDATA[IMAX Boosts Live Streaming Quality with `Stream it in IMAX Enhanced']]></title>
      <link><![CDATA[https://www.tvtechnology.com/news/imax-boosts-live-streaming-quality-with-stream-it-in-imax-enhanced]]></link>
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      <pubDate>Tue, 08 Apr 2025 00:00:00 GMT</pubDate>
      <category><![CDATA[]]></category>
      <description><![CDATA[IMAX has expanded its Stream it in IMAX Enhanced program with an end-to-end solution that improves live streaming video and audio quality using proprietary IMAX VisionScience technology. This advancement enables live event producers to deliver premium, consistent streaming experiences, bridging the quality gap between live broadcasts and on-demand 4K HDR content.]]></description>
      <content:encoded><![CDATA[IMAX has expanded its Stream it in IMAX Enhanced program with an end-to-end solution that improves live streaming video and audio quality using proprietary IMAX VisionScience technology. This advancement enables live event producers to deliver premium, consistent streaming experiences, bridging the quality gap between live broadcasts and on-demand 4K HDR content.]]></content:encoded>
      <dc:creator><![CDATA[TV Technology]]></dc:creator>
      <author><![CDATA[TV Technology]]></author>
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    <item>
      <title><![CDATA[IMAX embraces AI to expand original content reach | TechCrunch]]></title>
      <link><![CDATA[https://techcrunch.com/2024/11/25/imax-embraces-ai-to-expand-original-content-reach]]></link>
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      <pubDate>Mon, 25 Nov 2024 00:00:00 GMT</pubDate>
      <category><![CDATA[ARTIFICIAL_INTELLIGENCE_FOR_VIDEO_APPLICATIONS]]></category>
      <description><![CDATA[IMAX is integrating AI to expand the reach of its original content, specifically to cater to the growing global demand for non-English programming. This initiative focuses on leveraging AI to scale content production and distribution efforts. The move is in response to rising global content consumption and a shift in demand towards non-English movies and shows.]]></description>
      <content:encoded><![CDATA[IMAX is integrating AI to expand the reach of its original content, specifically to cater to the growing global demand for non-English programming. This initiative focuses on leveraging AI to scale content production and distribution efforts. The move is in response to rising global content consumption and a shift in demand towards non-English movies and shows.]]></content:encoded>
      <dc:creator><![CDATA[TechCrunch]]></dc:creator>
      <author><![CDATA[TechCrunch]]></author>
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    </item>

    <item>
      <title><![CDATA[Global TV, Film & Media Industry News Roundup, Friday 29 May 2026]]></title>
      <link><![CDATA[https://furtherandbetter.substack.com/p/global-tv-film-and-media-industry-275]]></link>
      <guid isPermaLink="false">a47df875-e6a9-4f77-b598-996973ae602b</guid>
      <pubDate>Mon, 01 Jun 2026 07:38:59 GMT</pubDate>
      <category><![CDATA[VIDEO_STREAMING_PLATFORMS_AND_INFRASTRUCTURE]]></category>
      <description><![CDATA[This article is a news roundup covering various global developments in the TV, film, and media industry from May 2026. Key highlights include Germany's proposed law requiring streamers to invest in local content, Disney+'s plan to double international originals, CNN's AI copyright lawsuit against Perplexity, and the Tribeca Film Festival selecting its first fully AI-generated feature film. Other topics cover IMAX growth, dismantling of a piracy network, and shifts in late-night television towards the creator economy.]]></description>
      <content:encoded><![CDATA[This article is a news roundup covering various global developments in the TV, film, and media industry from May 2026. Key highlights include Germany's proposed law requiring streamers to invest in local content, Disney+'s plan to double international originals, CNN's AI copyright lawsuit against Perplexity, and the Tribeca Film Festival selecting its first fully AI-generated feature film. Other topics cover IMAX growth, dismantling of a piracy network, and shifts in late-night television towards the creator economy.]]></content:encoded>
      <dc:creator><![CDATA[Substack]]></dc:creator>
      <author><![CDATA[Substack]]></author>
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